This essay attempts to contextualize Rimbaud's poetic creation as a young, revolutionary poet, to extricate him from the commentaries that for at least a hundred years have made him out to be either a mystic or an original.

About the Authors

Alain Jugnon is a freelance philosophy teacher at a state secondary school. He edits the journals Cahiers Artaud and La Contre-attaque.

PLACID is a French painter, illustrator and comic strip artist. He contributes to the magazine Mon Lapin Quotidien and the monthly CQFD, among others.

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