Unspeakable secrets and the psychoanalysis of culture

Winner of the 2009 Gradiva Award, Theoretical Category, presented by the National Association for the Advancement of Psychoanalysis

Esther Rashkin argues that psychoanalysis galvanizes, as no other discipline can, an understanding of texts in their social, historical, and political contexts. Demonstrating that close reading can be a radical political practice, she exposes heretofore unseen ideologies concealed in works of film and literature, from Last Tango in Paris to The Picture of Dorian Gray, from Barthes's Mythologies and Balzac's Sarrasine to Babette's Feast. Psychoanalytic concepts such as identification with the aggressor, the crypt, cryptonymy, illness of mourning, and the phantom allow Rashkin to reveal how shameful and unspeakable secrets propel the narratives she examines. In the process, she convincingly makes the case for a new practice of psychoanalytic cultural studies, a practice that fully engages with the politicized discourses—anti-Semitism, racism, colonialism, censorship—that mark a text's location in history.

Esther Rashkin is Professor of French and Comparative Literary and Cultural Studies at the University of Utah and a psychoanalytic psychotherapist in private practice. She is the author of Family Secrets and the Psychoanalysis of Narrative.