The utopian project in contemporary art offers both an alternative future and the prospect of inevitable failure. Richard Noble is a Fine Art Lecturer, Goldsmiths, University of London.

About the Author

David Evans is the author of the catalogue raisonn� John Heartfield: AIZ/VI 1930-38 and a Research Fellow in Photography at the Arts Institute, Bournemouth, England. He has published numerous articles in such journals as Afterimage, Eye, and Source.

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