Verdi's Middle Period : Source Studies, Analysis, and Performance Practice

Martin Chusid

ISBN 10: 0226106594 / ISBN 13: 9780226106595

Published by The University Of Chicago Press Jan 1998, 1998

About this Item

Neuware - During the middle phase of his career, Verdi adopted new compositional procedures to create some of his best-loved and most-performed works. This volume explores Verdi's work from three interlinked perspectives: studies of the original source material, cross-disciplinary analyses of musical and textual issues, and the relationship of performance practice to Verdi's musical and dramatic conception.

Seller Inventory # 9780226106595

Bibliographic Details

• Title: Verdi's Middle Period : Source Studies, Analysis, and Performance Practice
• Publisher: The University Of Chicago Press Jan 1998
• Publication Date: 1998
• Language: English
• ISBN 10: 0226106594
• ISBN 13: 9780226106595
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 24W x 17H x 2D millimeters 24 millimeters width by 17 millimeters height by 2 millimeters depth
• Weight: 709 grams

About this title

Synopsis

During the middle phase of his career, 1849-59, Verdi adopted new compositional procedures to create some of his best-loved and most-performed works. Focusing on the operas he composed during this period, this volume explores Verdi's work from three interlinked perspectives: studies of the original source material, cross-disciplinary analyses of musical and textual issues, and the relationship of performance practice to Verdi's musical and dramatic conception.

In addition to offering new insights into such staples as Il trovatore, La traviata, and Un ballo in maschera, Verdi's Middle Period also highlights works which have only recently begun to re-enter public consciousness, such as Stiffelio, as well as lesser-known works such as Luisa Miller and Les Vêpres siciliennes. Comprising major essays by some of the best-known Verdians of our day, as well as articles from up-and-coming scholars, this volume has much to offer readers ranging from musicologists to serious opera buffs.

Contributors are Martin Chusid, Markus Engelhardt, Linda B. Fairtile, Philip Gossett, Kathleen Kuzmick Hansell, Elizabeth Hudson, James Hepokoski, Roberta Montemorra Marvin, Carlo Matteo Mossa, Roger Parker, Harold S. Powers, David Rosen, and Mary Ann Smart.

About the Author

Martin Chusid (1925-2013) was Professor Emeritus of Music at New York University and the founding director of the American Institute for Verdi Studies.