Virginia Woolf and the Visible World (Paperback)

Emily Dalgarno

ISBN 10: 0521033608 / ISBN 13: 9780521033602

Published by Cambridge University Press, Cambridge, 2007

About this Item

Paperback. In Virginia Woolf and the Visible World, Emily Dalgarno examines Woolf's engagement with notions of the subject and codes of the visible. Dalgarno examines how Woolf's writing engages with visible and non-visible realms of experience, and draws on ideas from the diverse fields of psychoanalytic theory, classical Greek tragedy, astronomy, photography and photojournalism. The solar eclipse of 1927 marks a dividing line in Woolf's career, after which she portrayed the visible world in terms of light, and shifted her interest from painting to photography. Dalgarno offers textual analyses of Woolf's individual works, including To the Lighthouse, The Waves and Three Guineas, arguing for the importance of her ongoing interest in Greek translation. In later chapters, she explores the theory of the subject that emerges from Woolf's representation of the visible in her autobiography. In Virginia Woolf and the Visible World, Dalgarno examines Woolf's engagement with notions of the visible. Dalgarno examines how Woolf's writing engages with visible and non-visible realms of experience, and draws on ideas from the diverse fields of psychoanalytic theory, classical Greek tragedy, astronomy, photography and photojournalism. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Seller Inventory # 9780521033602

Bibliographic Details

• Title: Virginia Woolf and the Visible World (Paperback)
• Publisher: Cambridge University Press, Cambridge
• Publication Date: 2007
• Language: English
• ISBN 10: 0521033608
• ISBN 13: 9780521033602
• Binding: Paperback
• Condition: new

About this title

Synopsis

In Virginia Woolf and the Visible World, Emily Dalgarno examines Woolf's engagement with notions of the visible. Dalgarno examines how Woolf's writing engages with visible and nonvisible realms of experience, and draws on ideas from the diverse fields of psychoanalytic theory, classical Greek tragedy, astronomy, photography and photojournalism. Dalgarno offers textual analyses of Woolf's individual works, including To the Lighthouse, The Waves and Three Guineas arguing for the importance of her ongoing interest in Greek translation.

About the Author

Emily Dalgarno is a Professor of English at Boston University, who has also taught at l'Université Paul Valéry in Montpellier. She has published articles in Conrad, Faulkner, Lawrence and Woolf, among others.