Visual Intelligence: How We Create What We See
Language: English
Published by WW Norton & Co, 2000
- Softcover
- Used

Seller: World of Books Inc, Montgomery, IL, U.S.A.World of Books Inc
AbeBooks seller since March 23, 2026
Condition: Used - Good
US$ 15.32
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Add to basketItem description from seller
Hoffman's exploration of the extraordinary creative genius of the mind's eye has many virtues, of which sheer intellectual excitement is the foremost. He explains that far from being a passive recorder to a pre-existing world, the eye actively contructs every aspect of our visual experience. In an informal style with many illustrations, Hoffman presents the compelling scientific evidence for vision's constructive powers. He unveils a grammar of vision with a set of rules that govern our perception of line, colour, form, depth and motion. He also describes the loss of these constructive powers in patients and explores the spin-offs of visual intelligence in the arts and technology.
Seller Inventory # CIN0393319679G
- Title
- Visual Intelligence: How We Create What We See
- Author
- Donald Hoffman
- Publisher
- WW Norton & Co
- Publication year
- 2000
- Condition
- Good
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0393319679
- ISBN 13
- 9780393319675
- Edition
- 5th or later Edition
"Don Hoffman . . . combines a deep understanding of the logic of perception, a gift for explaining it with simple displays that anyone can-quite literally-see, and a refreshing sense of wonder at the miracle of it all."--Steven Pinker, author of How the Mind Works
Cognitive scientist Donald Hoffman's exploration of the extraordinary creative genius of the mind's eye "has many virtues, of which sheer intellectual excitement is the foremost" (Nature). Hoffman explains that far from being a passive recorder of a preexisting world, the eye actively constructs every aspect of our visual experience. In an informal style replete with illustrations, Hoffman presents the compelling scientific evidence for vision's constructive powers, unveiling a grammar of vision - a set of rules that govern our perception of line, color, form, depth, and motion. Hoffman also describes the loss of these constructive powers in patients such as an artist who can no longer see or dream in color and a man who sees his father as an impostor. Finally, Hoffman explores the spinoffs of visual intelligence in the arts and technology, from film special effects to virtual reality. This is, in sum, "an outstanding example of creative popular science" (Publishers Weekly). 20 full-color and 130 black-and-white illustrations"Synopsis" may belong to another edition of this title.
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