Voicing and Comping for Jazz Vibraphone
UNKNOWN
Sold by preigu, Osnabrück, Germany
AbeBooks Seller since August 5, 2024
New - Soft cover
Condition: New
Ships from Germany to U.S.A.
Quantity: 1 available
Add to basketSold by preigu, Osnabrück, Germany
AbeBooks Seller since August 5, 2024
Condition: New
Quantity: 1 available
Add to basketVoicing and Comping for Jazz Vibraphone | UNKNOWN | Taschenbuch | Buch + Online-Audio | Englisch | 1999 | Hal Leonard Corporation | EAN 9780793588541 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Seller Inventory # 101578788
Voicing and Comping for Jazz Vibraphone by vibraphonist and educator Thomas L. Davis is a focused instructional guide for players who want to develop a confident, modern approach to jazz chordal playing. Designed for vibraphonists working on four-mallet technique, it helps intermediate players refine harmonic understanding, comping skills, and musical interaction in real performance contexts.
Centered on practical application, the book explains essential concepts such as voicing selection, chord-member choices, extensions, alterations, inversions, and smooth voice leading. Through clear notation and real-world chord progressions, it supports players who want to strengthen accompaniment skills and build a more responsive jazz vocabulary.
The book presents clear explanations and musical examples covering voicing selection, chord-member choices, extensions, alterations, inversions, and smooth voice leading. Standard notation is used throughout, paired with practical exercises and notated chord progressions that reflect real jazz performance settings. The included online audio expands the learning experience with demonstration tracks and play-along examples in styles such as swing, ballad, jazz waltz, bossa nova, and samba, helping players internalize both feel and harmony.
Audio access is provided through a unique code inside the book and features PLAYBACK+, an interactive tool that allows tempo adjustment without pitch change, looping for focused practice, key transposition, and stereo control. This flexibility supports efficient, personalized practice sessions whether you are working on comping patterns, refining timing, or exploring new harmonic textures.
What makes this method particularly effective is its balance of theory and application. Rather than presenting isolated concepts, it connects harmonic ideas directly to musical situations, helping vibraphonists build a more expressive and responsive comping style.
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