One of the most significant cultural documents of the Weimar Republic and Nazi era, Walter Benjamin's unfinished Arcades Project has had a remarkable impact on present-day cultural theory, urban studies, cultural studies and literary interpretation. Originally designed as a panoramic study chronicling the rise and decline of the Parisian shopping arcades, Benjamin's work combines imaginative peregrinations through the changing city-scape of nineteenth-century Paris with passages that read like a blueprint for a new cultural theory of modernity.
Walter Benjamin and the Arcades Project provides the first comprehensive introduction to this extraordinary work accessible to English-language readers. The diverse range of issues explored include the nature of collecting, the anatomy of melancholy, the flâneur, the physiognomy of ruins, the dialectical image, Benjamin's relation to Baudelaire, the practice of history-writing, and modernity and architecture. Contributors include Susan Buck-Morss, Stanley Cavell, Jonathan Culler, Brigid Doherty, Barbara Johnson, Esther Leslie, Gerhard Richter, Andrew Benjamin, Howard Caygill, Beatrice Hanssen, Detlef Mertins, Elissa Marder, Tyrus Miller, and Irving Wohlfarth
Beatrice Hanssen is Professor of Germanic and Slavic Languages, University of Georgia, USA.
Andrew Benjamin is Distinguished Professor of Architectural Theory at the University of Technology, Sydney and Emeritus Professor of Philosophy at Monash University Melbourne.
Andrew Benjamin is professor of philosophy and Jewish thought at Monash University and Distinguished Professor of Philosophy and the Humanities at Kingston University. His many publications include Towards a Relational Ontology. Philosophy’s Other Possibility (2015), Working with Walter Benjamin (2013), Of Jews and Animals (2010), Place, Commonality and Judgment (2010) and Style and Time: Essays on the Politics of Appearance (2006).