What We Want Is Free : Critical Exchanges in Recent Art

Ted Purves

ISBN 10: 1438453140 / ISBN 13: 9781438453149

Published by State University Of New York Press Jul 2014, 2014

About this Item

Neuware - Explores how contemporary artists use gifts, barter, and other forms of nonmonetary exchange as a means and medium of artistic production.This revised edition of What We Want Is Free examines a twenty-year history of artistic productions that both model and occupy the various forms of exchange within contemporary society. From shops, gifts, and dinner parties to contract labor and petty theft, contemporary artists have used a variety of methods that both connect participants to tangible goods and services and, at the same time, offer critiques of and alternatives to global capitalism and other forms of social interaction. Examples of these various projects include the creation of free commuter bus lines and medicinal plant gardens, the distribution of such services as free housework or computer programming, and the production of community media projects such as free commuter newspapers and democratic low-wattage radio stations.Like the first edition, the second edition includes a detailed survey of artists' projects from around the globe, as well as critical essays and artists' texts that explore the underlying social history and contemporary issues that further inform our reading of these works. This new edition also features a new introduction and additional chapters on the relation of exchange practices to democracy, the commons, object-oriented philosophy, and an examination of the impact of ongoing globalization on the economics of artists' projects. It also features a significantly expanded scope for the project histories, including work from the past decade and a new section dedicated to artist-initiated organizations and innovative models for new institutions.

Seller Inventory # 9781438453149

Bibliographic Details

• Title: What We Want Is Free : Critical Exchanges in Recent Art
• Publisher: State University Of New York Press Jul 2014
• Publication Date: 2014
• Language: English
• ISBN 10: 1438453140
• ISBN 13: 9781438453149
• Binding: Taschenbuch
• Edition: 2nd Edition
• Condition: Neu
• Dimensions: 229W x 153H x 17D millimeters 229 millimeters width by 153 millimeters height by 17 millimeters depth
• Weight: 422 grams

About this title

Synopsis

Explores how contemporary artists use gifts, barter, and other forms of nonmonetary exchange as a means and medium of artistic production.

This revised edition of What We Want Is Free examines a twenty-year history of artistic productions that both model and occupy the various forms of exchange within contemporary society. From shops, gifts, and dinner parties to contract labor and petty theft, contemporary artists have used a variety of methods that both connect participants to tangible goods and services and, at the same time, offer critiques of and alternatives to global capitalism and other forms of social interaction. Examples of these various projects include the creation of free commuter bus lines and medicinal plant gardens, the distribution of such services as free housework or computer programming, and the production of community media projects such as free commuter newspapers and democratic low-wattage radio stations.

Like the first edition, the second edition includes a detailed survey of artists’ projects from around the globe, as well as critical essays and artists’ texts that explore the underlying social history and contemporary issues that further inform our reading of these works. This new edition also features a new introduction and additional chapters on the relation of exchange practices to democracy, the commons, object-oriented philosophy, and an examination of the impact of ongoing globalization on the economics of artists’ projects. It also features a significantly expanded scope for the project histories, including work from the past decade and a new section dedicated to artist-initiated organizations and innovative models for new institutions.

About the Author

Ted Purves is Associate Professor of Social Practice and Chair of the Graduate Program in Fine Arts at California College of the Arts. Shane Aslan Selzer is an artist, writer, and producer, who teaches at Parsons The New School for Design.