Where Histories Reside (Paperback)

Priya Jaikumar

ISBN 10: 1478004754 / ISBN 13: 9781478004752

Published by Duke University Press, North Carolina, 2019

About this Item

Paperback. In Where Histories Reside Priya Jaikumar examines eight decades of films shot on location in India to show how attending to filmed space reveals alternative timelines and histories of cinema. In this bold "spatial" film historiography, Jaikumar outlines factors that shape India's filmed space, from state bureaucracies and commercial infrastructures to aesthetic styles and neoliberal policies. Whether discussing how educational shorts from Britain and India transform natural landscapes into instructional lessons or how Jean Renoir's The River (1951) presents a universal human condition through the particularities of place, Jaikumar demonstrates that the history of filming a location has always been a history of competing assumptions, experiences, practices, and representational regimes. In so doing, she reveals that addressing the persistent question of "what is cinema?" must account for an aesthetics and politics of space. Priya Jaikumar examines seven decades of films shot on location in India to show how attending to filmed space reveals alternative timelines and histories of cinema as well as the myriad ways cinema constructs India as a place. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Seller Inventory # 9781478004752

Bibliographic Details

• Title: Where Histories Reside (Paperback)
• Publisher: Duke University Press, North Carolina
• Publication Date: 2019
• Language: English
• ISBN 10: 1478004754
• ISBN 13: 9781478004752
• Binding: Paperback
• Condition: new

About this title

Synopsis

In Where Histories Reside Priya Jaikumar examines eight decades of films shot on location in India to show how attending to filmed space reveals alternative timelines and histories of cinema. In this bold “spatial” film historiography, Jaikumar outlines factors that shape India's filmed space, from state bureaucracies and commercial infrastructures to aesthetic styles and neoliberal policies. Whether discussing how educational shorts from Britain and India transform natural landscapes into instructional lessons or how Jean Renoir’s The River (1951) presents a universal human condition through the particularities of place, Jaikumar demonstrates that the history of filming a location has always been a history of competing assumptions, experiences, practices, and representational regimes. In so doing, she reveals that addressing the persistent question of “what is cinema?” must account for an aesthetics and politics of space.

About the Author

Priya Jaikumar is Professor of Cinema and Media Studies at the University of Southern California and author of Cinema at the End of Empire: A Politics of Transition in Britain and India, also published by Duke University Press.