Into the White | The Renaissance Arctic and the End of the Image

Christopher P. Heuer

ISBN 10: 1942130147 / ISBN 13: 9781942130147

Published by Zone Books, 2019

About this Item

Into the White | The Renaissance Arctic and the End of the Image | Christopher P. Heuer | Buch | Zone Books | Einband - fest (Hardcover) | Englisch | 2019 | Zone Books | EAN 9781942130147 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Seller Inventory # 114691553

Bibliographic Details

• Title: Into the White | The Renaissance Arctic and the End of the Image
• Publisher: Zone Books
• Publication Date: 2019
• Language: English
• ISBN 10: 1942130147
• ISBN 13: 9781942130147
• Binding: Buch
• Condition: Neu
• Dimensions: 162W x 235H x 28D millimeters 162 millimeters width by 235 millimeters height by 28 millimeters depth
• Weight: 600 grams
• Seller catalogs:
  • Bücher

About this title

Synopsis

European narratives of the Atlantic New World tell stories of people and things: strange flora, wondrous animals, and sun-drenched populations for Europeans to mythologize or exploit. Yet between 1500 and 1700 one region upended all of these conventions in travel writing, science, and, most unexpectedly, art: the Arctic. Icy, unpopulated, visually and temporally “abstract,” the far North – a different kind of terra incognita for the Renaissance imagination – offered more than new stuff to be mapped, plundered, or even seen. Neither a continent, an ocean, nor a meteorological circumstance, the Arctic forced visitors from England, the Netherlands, Germany, and Italy, to grapple with what we would now call a “nonsite,” spurring dozens of previously unknown works, objects, and texts – and this all in an intellectual and political milieu crackling with Reformation debates over art’s very legitimacy.

Into the White uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates of perception and matter, of representation, discovery, and the time of the earth – long before the nineteenth century romanticized the polar landscape. In the far North, this book contends, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and unmasterable, something beyond the idea of image itself.

About the Author

Christopher P. Heuer is Professor of Art and Art History at the University of Rochester, New York. A former Fulbright, Kress, Getty, Henkel, and Harvard fellow, Heuer remains a founding member of Our Literal Speed, based in Selma, Alabama.