A terrifying account of the fallibility of the human mind and, by extension, of democracy itself, Wieland brilliantly reflects the psychological, social, and political concerns of the early American republic. In the fragmentary sequel,Memoirs, Brown explores Carwin’s bizarre history as a manipulated disciple of the charismatic utopian Ludloe.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

About the Author

Charles Brockden Brown (1771–1810) was born to a merchant Quaker family in Philadelphia, and was educated at Robert Proud’s school. In his early twenties he committed himself to literature and avidly read the latest models from England and Europe—especially Rousseau, Bage, Godwin, Southey, and Coleridge. By 1795 Brown was earnestly devoted to fiction; once engaged, he composed at a breakneck pace, publishing between 1797 and 1802 seven romances, a long pro-feminist dialogue, and numerous sketches and tales. Four of those romances earned him the perhaps dubious title of "father of the American novel"—Wieland (1798), Ormond (1799), Arthur Mervyn (Part 1, 1799; Part II, 1800), and between those two parts, Edgar Huntly (1799). All four are remarkably sophisticated moral, psychological, and political allegories that burned into the artistic consciousness of Poe, Hawthorne, Fenimore Cooper, and Melville. By the 1820s, a decade after his death, Brown was ranked with Washington Irving and Fenimore Cooper as the embodiment of American literary genius, the first American writer to successfully bridge the gulf between entertainment and art in fiction.

Jay Fliegelman (1949–2007) taught American literature and American Studies at Stanford University. His primary interest was in the nation’s cultural history between 1620 and 1860. He is the author of Prodigals and Pilgrims: The American Revolution against Patriarchical Authority, 1750–1800 and Declaring Independence: Jefferson, Natural Language, and the Culture of Performance.

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