The Wild Swans

A uniquely evocative novel of two eras, two outcasts, two journeys...

FROM THE OLD WORLD

England, 1689: Banished from her father's house, Lady Eliza Grey's one wish is to find her long-lost brothers. She does, only to discover them enslaved by a strange and terrible magic. Now, caught in a fairy tale turned real, she vows to break the spell and free those she loves -- even though her loyalty may cost Eliza her life...

TO A NEW WORLD

New York, 1981: Banished from his father's house, Elias Latham's one wish is to find acceptance. He does, only to discover his new family and friends falling prey to a dreadful and mysterious plague. Now, caught in a nightmare turned real, Elias vows to stand beside those he loves -- even though his faithfulness may cost him his life...

Two struggles. Two curses. Two tales. One truth.

Parallel tales of love and persecution give this multilayered fantasy added poignancy, although not the cohesion of a tightly plotted novel. One story strand, set in 1689, relates the labors of Eliza Grey, disowned daughter of the Earl of Exeter, to save her 11 brothers from a curse that transforms them into a flock of wild swans every dawn to dusk. Following their magical flight to the New World, Eliza, obeying the instructions of a fairy, applies herself to weaving enchanted shirts that will break the spell, and maintains the stoic vow of absolute silence imposed upon her by the fairy for the task's duration, even when her misunderstanding husband and their Salem-like village accuse her of witchcraft. Kerr (Emerald House Rising) alternates chapters from this tender fairy tale with episodes from the life of Elias Latham, a young gay man living in New York in the 1980s. Disowned by his family, he is saved from hustling on the city streets by Sean Donnelly, a gentle musician and writer who encourages Elias's talents as a photographer, introduces him to Manhattan's gay subculture and eventually becomes his lover. Elias reciprocates by helping Sean achieve reconciliation with his own estranged family when the pair are stricken with AIDS. Despite subtle correspondences between the two storiesAincluding shared names, common images and mutual reflections on sibling and parental relationshipsAthere is not enough synergy to fuse their themes or distinguish either as more than a simple parable. Nevertheless, Kerr's characters are sensitively rendered, and their plights make for a moving meditation on the ties that bind individuals to family and community.
Copyright 1999 Reed Business Information, Inc.

A schizophrenic yarn: partly a reworked fairy tale set in 1689, the remainder a story of a young gay man's encounter with AIDS in 1981. In 1689, young Lady Eliza, daughter of the Earl of Exeter, is cheated of her birthright by her stepmother, an evil witch who has also transformed poor Eliza's brothers into swans. The brothers decide to fly to America, carrying Eliza in a net slung beneath them. Reaching their destination, Eliza dreams about how she can free the swans from the spell: she must weave coats for each of them, from stinging nettles, using only her bare hands, and she must not speak until the task is complete. Though she marries a well-meaning magistrate, Jonathan Latham, Eliza cannot explain her task, and eventually she's accused of witchcraft and condemned to be hanged. In alternating chapters, young Elias LathamEliza's descendantthrown out of the family home because he's gay, survives wretchedly in New York until he's befriended by journalist/musician Sean Donnelly. Sean, also gay, introduces Elias to the gay community. The two become partners, even though Elias doesn't understand Sean's need to participate in orgies with total strangers. Eventually, though, friends fall ill one by one, and the threat of AIDS looms ever larger. Sean develops symptoms and, with bitter regret, realizes he's infected Elias, too. Both stories are effectively handled and heartfelt, but between them no sparks fly: Kerr (the paperback Emerald House Rising) is trying to promote parallels and resonances where none are apparent. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.

Fantasy writer Kerr's (Emerald House Rising, Warner, 1997) second novel is a complex retelling of the Hans Christian Andersen fairy tale. Kerr weaves together the parallel stories of two teenagers from different eras, 20th-century Elias and 17th-century Eliza. As the book alternates between their stories, both are rejected by their families, both persecuted for a difference they cannot helpAand both learn the importance of love and loyalty. The acceptance and friendship Elias finds within the early 1980s gay community eventually enable him to accept himself, while Eliza's perseverance in her silence and toilAeven when she is sentenced to burn at the stake for witchcraftAenables her to reverse the spell set on her 11 brothers by her evil stepmother. The book should appeal to fans of authors such as Mercedes Lackey. Recommended for public libraries.ARachel Singer, Franklin Park P.L., IL
Copyright 1999 Reed Business Information, Inc.