Willem de Kooning: Tracing the Figure
De Kooning, Willem and Cornelia H Butler, Paul Schimmel, Anne Wagner, Richard Schiff
Language: English
Published by Los Angeles: Museum of Contemporary Art and Princeton University Press, 2002
- Hardcover
- Used

Seller: ANARTIST, New York, NY, U.S.A.ANARTIST
AbeBooks seller since July 8, 1999
Condition: Used
US$ 50.00
Quantity: 1 available
Add to basketItem description from seller
Hardcover with dustjacket, 200 pages, very good condition; except light edgewear to dj at top edge and small abrasion to title on spine; no internal marks. Foreign shipping may be extra.
Seller Inventory # WiDeLo50
- Title
- Willem de Kooning: Tracing the Figure
- Author
- De Kooning, Willem and Cornelia H Butler, Paul Schimmel, Anne Wagner, Richard Schiff
- Publisher
- Los Angeles: Museum of Contemporary Art and Princeton University Press
- Publication year
- 2002
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 069109618X
- ISBN 13
- 9780691096186
- Seller catalogs
- Art Since 1945
Willem de Kooning, one of the great pioneers of Abstract Expressionism, experimented with the human form throughout his career. An artist deeply skeptical about Western ideals of beauty, he focused on anatomical fragmentation and spatial ambiguity to express the fleeting nature of the individual. This strikingly designed book, published in conjunction with an exhibition originating at The Museum of Contemporary Art, Los Angeles, explores de Kooning's drawings of the female form between 1940 and 1955. It reveals an artist who struggled to eliminate traditional barriers between drawing and painting as he explored ambiguities between the figure and its background.
De Kooning relied on early-twentieth-century abstraction in his initial attempts to redefine the figure, drawing and re-drawing the same line until he resolved the image. Beginning in 1947-49, he synthesized abstraction and figuration, dismembering figures and rearranging them with seeming randomness. As his figural compositions developed, geometric configurations transformed into architectural elements (suggesting windows, doors, mirrors, paintings, and furniture) to create ambiguous space. In 1951, de Kooning abruptly returned to depictions of women. Using turbulent brushwork, he turned female figures into monumental, intentionally vulgar, wildly distorted images whose parts read alternately as flat pattern and fully rounded forms. The effect is an almost violent sensuality.
The artist's later style differed dramatically from that of earlier decades. Familiar shapes and hues suggest that women remain in his works, yet they are distorted beyond recognition as if seen from underwater. As put by Thomas Hess, the artist's friend and critic, "Woman, for de Kooning, is the human equivalent of water; more than a vessel, she embodies it in planes of rippling flesh."
EXHIBITION SCHEDULE
http://www.artcommotion.com/Issue2/moca/home.html The Museum of Contemporary Art, Los Angeles
February 10, 2002-May 5, 2002
http://www.nga.gov/home.htm The National Gallery of Art, Washington, D.C..
September 29, 2002-January 5, 2003
http://www.sfmoma.org/ The San Francisco Museum of Modern Art
June 15 - September 8, 2002
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About the Author
"About the title" may belong to another edition of this title.
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Anartist is open for visits by appointment only. I stock books in the fields of Art, Photography, Design and Architecture from cave painting to the present and I specialize in Artist Books and post-1945 art. Libraries and single items bought. Please inquire.
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Artist Books and Bookworks, Conceptual Art, Photography, Art of the 1960s and 1970s, 20th century artSeller's business information
ANARTIST
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