The first comprehensive study of the works of William Hope Hodgson, one of the true innovators of Weird fiction, this book examines the Weird novels and stories upon which his posthumous reputation rests, his non-fantastic writing, identifiable literary influences, and the historical contexts in which he wrote. Focusing extensively upon major works such as The House on the Borderland (1908) and The Night Land (1912), Timothy S. Murphy surveys topics including Hodgson’s experiments with code switching and linguistic experimentation; his depictions of racial and ethnic differences and gender and sexuality; the function of space and place in his writing; the adaptation of his shipboard experiences; and his use of abyssal time. With special attention paid to his paradoxical nihilist humanism, this book explores what made Hodgson a respected precursor to later innovators such as H. P. Lovecraft and C.L. Moore, and what makes him an important ancestor to 21st-century writers such as China Miéville, Greg Bear, and Charlie Jane Anders. Demonstrating how his work is both of his time and ‘untimely’, Murphy recovers Hodgson as the most significant figure to precede the fantastically popular but deeply controversial Lovecraft, as well as a figure whose work challenges what has thus far been accepted about the genre and the interpretive perspectives from which we view it.
Timothy S. Murphy is Houston-Truax-Wentz Professor & Regents Professor of English at Oklahoma State University, USA. He is author of
Wising Up the Marks: The Amodern William Burroughs (1998),
Antonio Negri: Modernity and the Multitude (2012), and over 30 scholarly articles on H.P. Lovecraft, Olaf Stapledon, William Morris, and a wide variety of other subjects. General editor of the scholarly journal
Genre: Forms of Discourse and Culture from 2000 to 2013, he is also editor of
The Philosophy of Antonio Negri (2 volumes, 2005-2007) as well as seven special journal issues for
Angelaki,
Genre,
Sub-Stance, and
Theory and Event.
Matthew Sangster is Senior Lecturer in Romantic Studies, Fantasy and Cultural History at the University of Glasgow. He has published widely on authorship, literary institutions, city writing, media culture, and digital humanities. He is particularly interested in Fantasy histories, communities and transmedia. He is external curator for the British Library's 2022 Fantasy exhibition.
Dimitra Fimi is Senior Lecturer in Fantasy and Children's Literature at the University of Glasgow, Scotland. She has published monographs on J.R.R. Tolkien and Celtic-inspired children's Fantasy, as well as articles and essays on myth and Fantasy, medievalism, world-building, adaptation, artlangs, and visual culture. She has co-edited Tolkien's manuscripts on invented languages, and has won awards for her books and essays. She sits on the editorial boards of the
Journal of Tolkien Research and co-edits the
Perspectives on Fantasy series.
Brian Attebery is Professor of English at Idaho State University, USA and Editor or the Journal of the Fantastic in Art. His publications include Stories about Stories: Fantasy and the Remaking of Myth (2019) and Ursula K. Le Guin: Always Coming Home (2019). In 2019 he was Leverhulme Visiting Professor of Fantasy at the University of Glasgow.
