The Windows of Heaven

Winner of the 2000 Texas Review Fiction Prize

Set in Galveston during the 1900 storm, the most devastating natural disaster in the history of the United States, this sweeping novel follows the fates of several richly drawn characters. It is the story of Sal, the little girl who is wise beyond her years and who holds out as much hope for the world as she does for her father, the ruined son of a respected father.

It is the story of Sister Zilphia, the nun who helps run the St. Mary's Orphanage. The only thing separating the two long buildings of the orphanage is a fragile line of sand dunes; the only thing separating Zilphia from the world is the brittle faith that she has been sent there to consider. A faith that has never been truly tested. Until now.

And it is the story of Galveston herself, the grand old lady of the Gulf Coast, with her harbor filled with ships from the world over; her Victorian homes and her brothels and her grand pavilions set in their own parks; and her stately mansions along Broadway, the highest ground on the island, at eight feet above sea level. All must face their darkest night now, as nature hurls the worst she can muster at the narrow strip of sand and saltgrass that is doomed to become, for a time, part of the ocean floor.

This is the story of heroes and villains, of courage and sacrifice and, most of all, of people trying desperately to survive. And it is the story of an era now gone, of splendor and injustice, filled with the simple joy of living.

Prologue
It started raining after midnight.
At first a few heavy drops, as large as pebbles, splattered against windows, and spotted the dry pavement of the streets. They plinked into half-full troughs of dirty water outside the saloons on Post Office Street; horses tied there winced against the stings. People inside the saloons-sailors and dock workers and whores-paid no attention to the steadily quickening tattoo being pelted out on the tin sheets or slates of the roofs but kept to the business at hand: the drinking, and gambling, and the sweaty, brief stabbing away at the very oldest of human exertions.
Some of Galveston's people, in other parts of the city, listened to the rain from their beds. A few, who had looked up that day at the Levy Building on Market Street and noticed the pair of warning flags that flew from the fourth-floor offices of the Weather Bureau, knew that this was the first, slow calling card of a tropical storm. Isaac Cline, the chief of the bureau, had hoisted the flags on Friday morning, and they had danced and popped in the brisk north wind all day. The red one, with the black box in its middle, meant that a particularly malevolent storm was a possibility. The white one, above it, meant that if it came, it would come from the northwest.
But not too many people had seen the flags. And now the first big drops of rain plopped into the sand dunes and salt grass of the island and slid through the muted light of the gas street lights in town, and nobody paid much attention to them. Those in bed closed their eyes and let the tapping of the rain sing them to sleep.
It had come a long way, this storm.
Almost two weeks before, somewhere on the immense, swaying surface of the eternal Atlantic, a small portion of the sea had rebelled against the unremitting late summer heat, and heaved itself up in protest. Africa lay a thousand miles to the east, over the vast, bowl­like curve of the world, and many more thousands of miles of ocean and sky stretched endlessly to the west. The air above the place had become suddenly full of new, burdensome moisture.

RON ROZELLE  is the author of Into That Good Night (Farrar, Straus & Giroux, 1998), which was a finalist for the P.E.N. American West Creative Nonfiction Prize and the Texas Institute of Letters Carr P. Collins Award. It was selected as one of the best works of nonfiction in the nation (1998) by the San Antonio Express News. The author taught high school English for over twenty years before starting the creative writing program at the Basilian Fathers' St. Thomas High School in Houston. He is currently teaching creative writing in the Brazosport School District. He teaches and speaks at numerous writing conferences and was the memoir teacher at the Newman University Milton Center Workshop, held in July of 1999 at Mississippi College. He is the recipient of Image magazine's Artistic Merit Award, and lives in Lake Jackson, Texas, with his wife Karen and their daughters.