How to Wreck a Nice Beach: The Vocoder from World War II to Hip-Hop, The Machine Speaks

Tompkins, Dave

ISBN 10: 1612190928 / ISBN 13: 9781612190921

Published by Stop Smiling Books, 2011

About this Item

Gently used with light wear to the cover, corners, or spine. Pages are clean and free of writing or highlighting. Binding is tight and fully intact. Dust jacket included with hardcover books. Ships fast in a protective poly mailerā Monday through Friday, excluding weekends and holidays.

Seller Inventory # UBV.1612190928.G

Bibliographic Details

• Title: How to Wreck a Nice Beach: The Vocoder from World War II to Hip-Hop, The Machine Speaks
• Publisher: Stop Smiling Books
• Publication Date: 2011
• Language: English
• ISBN 10: 1612190928
• ISBN 13: 9781612190921
• Binding: Soft cover
• Condition: good

About this title

Synopsis

The history of the vocoder: how popular music hijacked the Pentagon's speech scrambling weapon

The vocoder, invented by Bell Labs in 1928, once guarded phones from eavesdroppers during World War II; by the Vietnam War, it was repurposed as a voice-altering tool for musicians, and is now the ubiquitous voice of popular music.

In How to Wreck a Nice Beach—from a mis-hearing of the vocoder-rendered phrase “how to recognize speech”—music journalist Dave Tompkins traces the history of electronic voices from Nazi research labs to Stalin’s gulags, from the 1939 World’s Fair to Hiroshima, from artificial larynges to Auto-Tune.

We see the vocoder brush up against FDR, JFK, Stanley Kubrick, Stevie Wonder, Neil Young, Kraftwerk, the Cylons, Henry Kissinger, and Winston Churchill, who boomed, when vocoderized on V-E Day, “We must go off!” And now vocoder technology is a cell phone standard, allowing a digital replica of your voice to sound human.

From T-Mobile to T-Pain, How to Wreck a Nice Beach is a riveting saga of technology and culture, illuminating the work of some of music’s most provocative innovators.

About the Author

Dave Tompkins, a former columnist for The Wire, writes frequently on about hip-hop and popular music. His work has appeared in Vibe, The Village Voice, Wax Poetics, and The Believer. Nearly a decade in the making, this is his first book.