How Not to Write a Sitcom
Marc Blake
Sold by AHA-BUCH GmbH, Einbeck, Germany
AbeBooks Seller since August 14, 2006
New - Soft cover
Condition: New
Quantity: 2 available
Add to basketSold by AHA-BUCH GmbH, Einbeck, Germany
AbeBooks Seller since August 14, 2006
Condition: New
Quantity: 2 available
Add to basketNeuware - Script mechanic and sitcom-writing instructor Marc Blake strips down the sitcom into its component parts and provides a one-of-a-kind how-to guide for aspiring writers and media professionals for one of the most difficult and demanding genres on TV.The book first identifies the known pitfalls in concept, characterization, plotting, and dramatic/comedic writing that cause the thousands of scripts submitted every year to producers to be sent to the rejection pile. Then each component point is illustrated with an example of both the error and with practical suggestions and exercises for the writer to apply the proper technique to their scripts. Also featured are insightful interviews with successful TV producers and other practitioners of the craft.
Seller Inventory # 9781408130858
The craft of sitcom is possibly the hardest of all screenwriting genres, demanding a complex set of skills.
How NOT to Write a Sitcom is a troubleshooting guide aimed at both the novice and the practising sitcom writer. It illustrates and explains the many pitfalls in concept, characterisation, plotting and dramatic/comedic writing,which pepper the hundreds of scripts submitted every year. Each point is illustrated with an example of the error and each section contains practical suggestions and exercises for the writer to apply to their own writing. The book makes no assumption of the reader other than an interest in the form. It contains interviews with current producers as well as interviews with successful practioners of the craft.
Marc Blake is a script consultant, writer and teacher of writing for sitcom. In this book he acts as a `script mechanic' for writers - stripping a sitcom down to its component parts, isolating the faults and fixing them. What script editors and producers are looking for are scripts that work. Naturally they want a genius in embryo, but above all they first want to see something that is roadworthy.
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