Writing in General/

Hills, L. Rust

ISBN 10: 0553226959 / ISBN 13: 9780553226959

Published by Bantam, 1984

About this Item

A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.

Seller Inventory # OTV.0553226959.G

Bibliographic Details

• Title: Writing in General/
• Publisher: Bantam
• Publication Date: 1984
• Language: English
• ISBN 10: 0553226959
• ISBN 13: 9780553226959
• Binding: Soft cover
• Condition: good

About this title

Synopsis

A practical guide to the craft of short fiction explores such essential problems as motivation, character, plot, flashback, foreshadowing, and the techniques of suspense

Review

"There are now not enough commercial magazines regularly publishing literary fiction to count on the fingers of a single hand," says Rust Hills. So why bother writing literary short stories, or books about doing so? Because, says Hills, a longtime fiction editor at Esquire, "what young writers want to write, or ought to want to write, is literature." In Writing in General and the Short Story in Particular, Hills examines "the essential techniques of fiction and how they function." The short story is a tricky form, with no margin for error: "The successful contemporary short story," says Hills, "will demonstrate a more harmonious relationship of all its aspects than will any other literary art form, excepting perhaps lyric poetry." Many of the fictional elements discussed in this book will not be new to most fiction writers. We know that stories must have beginnings, middles, and ends; we know about epiphany and suspense and stock characters. But Hills claims that much of how we look at fiction derives from drama theory and from the formulas of "slick fiction" (fiction that once served the purpose mindless television now serves). Learned but not pedantic, Hills addresses these elements strictly in terms of literary short fiction.

An interesting side note here is Hills's discussion of the shift in support for American writers. "It is no longer the book publishers and magazines," he says, "but rather the colleges and universities that ... provide the major financial support for the great majority of American writers today." Given that, we might find it odd that this book comes from a man best known for his magazine editing. But we shouldn't. "Teaching fiction writing and editing magazine fiction have ... the same rather odd ultimate purpose in common: trying to get someone else to produce a fine short story." One caveat emptor: our copy of this edition fell quite apart upon our first, gentle reading of it. --Jane Steinberg