The contributors in this study examine the historical Harlem community during its renaissance period as well as its present-day community. A cursory investigation of the existent that focus on the Harlem community during its renaissance of the early twentieth century reveals that the compilations are primarily ones that present the subjects’ life stories through the lens of praise songs. This book, however, presents the Harlem community through a lens that reveals more grounded and researched analyses that bring the influences and contributions of the Harlem Renaissance to a level of relevance in the twenty-first century from one or more critical vantage points. This study aims to move beyond the more obvious and foregrounded artistic contributions towards analyses of the Harlem Renaissance alongside analyses of a twenty-first century Harlem community and its present day contributions.

About the Author

Reginald Martin was a Professor of English at the University of Memphis, where he became the school's youngest ever full professor at age 35. He held five degrees and specialized in composition and African American Literary Theory. His authored books include Ishmael Reed and the New Black Aesthetic Critics and the novel Everybody Knows What Time It Is. He also edited the bestselling anthologies Erotique Noir, Dark Eros, and A Deeper Shade of Sex.

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