Synopsis
Drawing on his extensive experience of poetry workshops and courses, Peter Sansom shows you not how to write but how to write better, how to write authentically, how to say genuinely what you genuinely mean to say. This practical guide is illustrated with many examples. Peter Sansom covers such areas as submitting to magazines; the small presses; analysing poems; writing techniques and procedures; and drafting. He includes brief resumes and discussions of literary history and literary fashions, the spirit of the age, and the creative process itself. Above all, his book helps you learn discrimination in your reading and writing - so that you can decide for yourself how you want your work to develop, whether that magazine was right in returning it or if they simply don't know their poetic arse from their elbow. Writing Poems includes sections on: Metre, rhyme, half-rhyme and free verse. Fixed forms and how to use them. Workshops and writing groups. Writing games and exercises. A detailed, annotated reading list. Where to go from here. Glossary of technical terms. Writing Poems has become an essential handbook for many poets and teachers: invaluable to writers just starting out, helpful to poets who need a nuts-and-bolts handbook, a godsend to anyone running poetry courses and workshops, and an inspiration to all readers and writers who want a book which re-examines the writing of poems.
About the Author
Peter Sansom was born in 1958 in Nottinghamshire. For ten years he taught the MA Poetry at Huddersfield University, and more recently he was Fellow in Creative Writing at Leeds University, and Company Poet with Prudential. He is also a director with Ann Sansom of the Poetry Business in Sheffield, where they edit The North magazine and Smith/Doorstop Books. His influential book, Writing Poems, was published by Bloodaxe in 1994. Carcanet publish his collections: Everything You’ve Heard is True, a Poetry Book Society Recommendation (1990), January (1994), for which he received an Arts Council Writer’s Bursary and an award from the Society of Authors, Point of Sale (2000), The Last Place on Earth (2006), Selected Poems (2010) and Careful What You Wish For (2015). He is married to the poet Ann Sansom and has four children. He has had a number of jobs: as writer-in-residence with Marks and Spencer, for instance, and as Guest Poet at The Times Educational Supplement, in addition to writing radio plays. His poem commissions include work for The Guardian, The Observer, Radio Three, The Big Breakfast, a billboard in the centre of Lancaster, and The Swedish Club which is a marine insurers in Gothenburg.
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