This volume takes stock of critical perspectives on the work of New York–based Wade Guyton (born 1972), assembling both expansive, scholarly essays and more concise, journalistic assessments by an international array of authors―Daniel Baumann, Kirsty Bell, Johanna Burton, Catherine Chevalier, Bettina Funcke, John Kelsey, Scott Rothkopf and Peter Schjeldahl among them―offering an invaluable reference for any reader coming to terms with his artistic production. The volume also holds up a mirror to the rapidly changing context for Guyton’s work, which in a few short years shifted from discussions of the widespread use of modernist motifs in art during the early 2000s to others revolving around the artwork, anticipating its continuous circulation as digital media became ubiquitous in art and culture alike.

About the Author

N� en 1972 � Hammond, Indiana, Wade Guyton vit et travaille � New York. Ses œuvres assument la structure et l'apparence de peintures au sens traditionnel du terme, et r�alisent pourtant un bouleversement complet des codes du modernisme. Elle sont produites � l'aide de tr�s grandes imprimantes jet d'encre dans lesquelles Guyton fait passer plusieurs fois la toile pour y imprimer des motifs et lettrages dont les erreurs, les coulures et les d�fauts d'impression font partie du programme g�n�ral de composition.
Wade Guyton collabore avec Kelley Walker, Seth Price, Bettina Funcke et Josh Smith au sein du collectif Continuous Project.

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