Young and Innocent?

. Ed(s): Higson, Andrew

ISBN 10: 0859897176 / ISBN 13: 9780859897174

Published by University of Exeter Press, 2002

About this Item

This book brings together the study of silent cinema and the study of British cinema, both of which have seen some of the most exciting developments in Film Studies in recent years. The result is a comprehensive survey of one of the most important periods of film history. Editor(s): Higson, Andrew. Series: Exeter Studies in Film History. Num Pages: 432 pages, 32 b&w photographs, bibliography. BIC Classification: 1DBK; 3JJ; APF; HBTB. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 185 x 29. Weight in Grams: 738. . 2002. Paperback. . . . . Books ship from the US and Ireland.

Seller Inventory # V9780859897174

Bibliographic Details

• Title: Young and Innocent?
• Publisher: University of Exeter Press
• Publication Date: 2002
• Language: English
• ISBN 10: 0859897176
• ISBN 13: 9780859897174
• Binding: Soft cover
• Condition: New

About this title

Synopsis

This book brings together the study of silent cinema and the study of British cinema, both of which have seen some of the most exciting developments in Film Studies in recent years. The result is a comprehensive survey of one of the most important periods of film history. Most of the acknowledged experts on this period are represented, joined by several new voices. Together they chart the development of cinema in Britain from its beginnings in the 1890s to the conversion to sound in the late 1920s. From these accounts the youthful British cinema emerges as far from innocent. On the contrary, it was a fascinatingly complex field of cultural and industrial practices. The book also includes guides to bibliographical and archival sources and an extensive bibliography.

About the Author

Andrew Higson is Professor of Film and Television at the University of York in the UK. He taught at the University of East Anglia from 1986 to 2008, where he was head of Film and Television Studies for several years. He has published widely on British cinema and on debates about national cinema. He is the author of English Heritage, English Cinema: Costume Drama Since 1980 (OUP, 2003) and Waving the Flag: Constructing a National Cinema in Britain (OUP, 1995); as editor, his books include British Cinema, Past and Present, co-edited with Justine Ashby (Routledge, 2000), and ’Film Europe’ and ‘Film America’: Cinema, Commerce and Cultural Exchange, 1920-1939, co-edited with Richard Maltby(University of Exeter Press, 1999).