At Zero Point

Zimbardo, Rose A. (Distinguished Teaching Professor Emerita, State University of New York, USA)

ISBN 10: 081312039X / ISBN 13: 9780813120393

Published by The University Press of Kentucky, 1998

About this Item

"At Zero Point" presents a new way of looking at Restoration culture, discourse and satire. The book locates a rupture in English culture and epistemology not at the end of the 18th century (when it occurred in France) but at the end of the 17th century. Num Pages: 208 pages, illustrations, bibliographical references. BIC Classification: 2AB; DNF; DSA; DSBD. Category: (G) General (US: Trade); (UP) Postgraduate, Research & Scholarly. Dimension: 241 x 152 x 24. Weight in Grams: 499. . 1998. Hardcover. . . . .

Seller Inventory # V9780813120393

Bibliographic Details

• Title: At Zero Point
• Publisher: The University Press of Kentucky
• Publication Date: 1998
• Language: English
• ISBN 10: 081312039X
• ISBN 13: 9780813120393
• Binding: Hardcover
• Condition: New

About this title

Synopsis

At Zero Point presents an entirely new way of looking at Restoration culture, discourse, and satire. The book locates a rupture in English culture and epistemology not at the end of the eighteenth century (when it occurred in France) but at the end of the seventeenth century. Rose Zimbardo's hypothesis is based on Hans Blumenberg's concept of "zero point"―the moment when an epistemology collapses under the weight of questions it has itself raised and simultaneously a new epistemology begins to construct itself. Zimbardo demonstrates that the Restoration marked both the collapse of the Renaissance order and the birth of modernism (with its new conceptions of self, nation, gender, language, logic, subjectivity, and reality). Using satire as the site for her investigation, Zimbardo examines works by Rochester, Oldham, Wycherley, and the early Swift for examples of Restoration deconstructive satire that, she argues, measure the collapse of Renaissance epistemology. Constructive satire, as exemplified in works by Dryden, has at its discursive center the "I" from which all order arises to be projected to the external world. No other book treats Restoration culture or satire in this way.

About the Author

Rose A. Zimbardo is SUNY Distinguished Teaching Professor Emerita whose previous books include A Mirror to Nature: Transformations in Drama and Aesthetics, 1660-1732.