Synopsis
When all is said and done, killing my mother came easily. So begins The Almost Moon , Alice Sebold's astonishing, brilliant, and daring new novel. A woman steps over the line into the unthinkable in this unforgettable work by the author of The Lovely Bones and Lucky. For years Helen Knightly has given her life to others: to her haunted mother, to her enigmatic father, to her husband and now grown children. When she finally crosses a terrible boundary, her life comes rushing in at her in a way she never could have imagined. Unfolding over the next twenty-four hours, this searing, fast-paced novel explores the complex ties between mothers and daughters, wives and lovers; the meaning of devotion; and the line between love and hate. It is a challenging, moving, gripping story, written with the fluidity and strength of voice that only Alice Sebold can bring to the page. About the Author Alice Sebold is the bestselling author of The Lovely Bones and Lucky: A Memoir . She lives in California with her husband, the novelist Glen David Gold. Editorial Reviews Joan Allen fails to breathe sufficient life into Alice Sebold's second novel to make it worth the listen, but she really doesn't have much to work with. Helen Knightly, a divorced mother of two grown daughters, impulsively murders her 88-year-old mother, Claire. The story then flips back and forth between Helen's response to her present-day act and long flashbacks exploring her love/hate relationships with her emotionally volatile, agoraphobic mother and her suicidal, peculiarly obsessed father. Allen's calm, even voice makes Helen's most irrational actions (smothering her mother, cutting her clothes off, bathing her dead body and dragging it down to the basement) sound nearly as reasonable to listeners as they do to Helen. Allen also marvelously evokes the cracked, demented tones of Helen's aged mother. Unfortunately, the older Claire Knightly appears in only the smallest portion of the book, and Allen barely trouble
Reviews
Sebold's disappointing second novel (after much-lauded The Lovely Bones) opens with the narrator's statement that she has killed her mother. Helen Knightly, herself the mother of two daughters and an art class model old enough to be the mother of the students who sketch her nude figure, is the dutiful but resentful caretaker for her senile 88-year-old mother, Clair. One day, traumatized by the stink of Clair's voided bowels and determined to bathe her, Helen succumbs to a life-long dream and smothers Clair, who had sucked the life out of [Helen] day by day, year by year. After dragging Clair's corpse into the cellar and phoning her ex-husband to confess her crime, Helen has sex with her best friend's 30-year-old blond-god doofus son. Jumping between past and present, Sebold reveals the family's fractured past (insane, agoraphobic mother; tormented father, dead by suicide) and creates a portrait of Clair that resembles Sebold's own mother as portrayed in her memoir, Lucky. While Helen has clearly suffered at her mother's hands, the matricide is woefully contrived, and Helen's handling of the body and her subsequent actions seem almost slapstick. Sebold can write, that's clear, but her sophomore effort is not in line with her talent. (Oct.)
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Copyright© Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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