Jackson Pollock

Jackson Pollack

ISBN 10: 0870700693 / ISBN 13: 9780870700699

Published by Jackson Pollack, 1998

About this Item

Signed Painting on canvas drip painting gold Jackson Pollock.

Seller Inventory # Pollackpaintinggold

Bibliographic Details

• Title: Jackson Pollock
• Publisher: Jackson Pollack
• Publication Date: 1998
• Language: English
• ISBN 10: 0870700693
• ISBN 13: 9780870700699
• Binding: Soft cover
• Edition: 1st Edition
• Condition: Near Fine
• Dust Jacket Condition: No Jacket
• Signed: Signed by Author(s)

About this title

Synopsis

Jackson Pollock (1912-1956) is widely considered as the most challenging and influential American artist of the 20th century. This sumptuous book offers a fresh overview of his achievement, reinterpreted for a new generation. Published to coincide with an exhibition opening at the Museum of Modern Art in New York in October of 1998. 318 illustrations, 218 in color. 9 foldouts.

Review

The almost mythic Jackson Pollock--a roughshod, ill-mannered, prodigiously ambitious, aggressive, alcoholic, tormented artist--is alive and unwell in this book. But Kirk Varnedoe and Pepe Karmel, the chief curator and adjunct assistant curator, respectively, of the Museum of Modern Art's Department of Painting and Sculpture, also go deeply into Pollock's art in eye-opening ways. This book is the catalog for the retrospective of Pollock's art-shattering oeuvre at the Museum of Modern Art in the fall of 1998 and includes many biographical pictures as well as color plates of Pollock's paintings, from the awkward but earnest early works to the late, great, famous canvasses. Varnedoe's essay, aptly titled "Comet: Jackson Pollock's Life and Work," deftly invites the reader into Pollock's world, starting with his country studio: "The structure, often called a barn, is in fact more like a glorified tool shed." Karmel's essay, "Pollock at Work: The Films and Photographs of Hans Namuth," is a truly groundbreaking exploration of Pollock's technique. Karmel has scrutinized every frame of every piece of film, still or moving, ever taken of Pollock painting. He arrives at absolutely original conclusions: Pollock's all-over swirls of dripped and flung paint often began as figurative works and clearly relate to such all-American stalwarts as Thomas Hart Benton. Karmel makes countless other sharp observations, noting the difference, for example, between fast-looking marks and the slow, deliberate movements with which they were made (and vice versa). His essay is a work of brilliant scholarship, written thrillingly, and it will forever change the way any serious viewer looks at Pollock's paintings. It makes this volume absolutely essential for understanding the work of this great, sad artist. --Peggy Moorman