THE SAINT AT LARGE Presents THE WHITE PARTY at the Roxy (Feb 16, 1992) Event poster
Published by The Saint, 1992
- Art / Print / Poster
- Used

Seller: Walterfilm, Inc., ABAA, ILAB, West Hollywood, CA, U.S.A.Walterfilm, Inc., ABAA, ILAB
AbeBooks seller since May 16, 2014
Condition: Used - Near fine
US$ 500.00
Quantity: 1 available
Add to basketItem description from seller
Vintage original 28 x 20" (71 x 51 cm.) poster, folded, near fine. Poster from the famous New York gay disco The Saint. The club opened September 30, 1980, and closed in 1988; however, it continued on through a variety of pop-up events which went on and continued into this century. Most of the posters from this period were created during the era of the AIDS crisis. "The Saint was technically and creatively one of the best dance clubs of its era. The circular dance floor at 5,000 sq. ft (460 sq. m) was topped by a perforated planetarium dome 76 ft (23 m) in diameter and 38 ft (12 m) high. In addition to hiding the speakers, the dome served as a spectacular palette for the lighting effects, with a mirrored disco ball lowered into the space. The speaker cabinets were located on, and attached directly to, the outer surface of the dome, creating a very euphonic 'surround sound' effect. The sound system in the club consisted of 500 speakers generating 26,000 watts. In the center of the dance floor was a circular light tree constructed on a hydraulic lift. It contained 1,500 lights and as its centerpiece was a rotating, dual Spitz Space System hemisphere star projector, ten times brighter than those used in planetariums. "Directly underneath the dance-floor level was a large lounge with several juice bars. Beer on tap was sometimes served for free to avoid the licensing oversight of the New York State Liquor Authority. Above and outside the dome was what would become the controversial balcony, where patrons could see down to the dance floor, through the scrim of the dome. It was there that men relaxed and, according to the sexual mores of the times, could indulge in sexual activities. Several times during the year, themed parties such as the Black Party and the White Party attracted celebrities from around the world. These Saint parties are considered by most disco historians to be the precursors to the circuit party. "The nightclub was a success even before it opened. Membership packs with floor plans were distributed and before the club opened, 2,500 memberships had been sold at $150 each for the first 700 members and for $250 for the rest, with a waiting list established. "It was financed in large part by owner Bruce Mailman's other gay venture, the nearby New St. Marks Baths -- a gay mecca at the time. The nightclub's renovation cost $4.5 million, being $2 million over budget ($17 million at 2017 prices). Money was spent repairing the roof, paying six years of back taxes to the city and fitting out the interior. It opened initially as a private membership gay nightclub (returning the idea of a club to 'nightclub'), and set the standard for disco presentation, lighting, sound system, hydraulics and technical support. "However, by the end of its second season, AIDS had begun eating through the fabric of gay life in New York City and began to take a heavy and relentless toll on the Saint's membership. Change came quickly: membership costs were lowered and the season extended into the summer so that the club was open almost all year round. By its seventh season, membership costs had fallen to $50. It also opened weekly for a straight crowd. Furthermore, by 1985, the Black Party performers were for the first time required to perform safe sex. By 1987, the performance emphasized masturbation, phone sex and mud wrestling, all a far cry from the club's early days which, on one celebrated occasion, a boa constrictor was used as a prop." (Wikipedia) Poster designed by Jim Weidinger.…
Seller Inventory # 200822
Walterfilm, Inc., ABAA, ILAB
West Hollywood, CA, U.S.A.
Shipping rates within U.S.A.
| Item | 2 to 8 business days | 2 to 8 business days |
|---|---|---|
| First item | US$ 0.00 | US$ 0.00 |
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Store description
We sell only authentic, vintage original film posters, lobby cards, photos, stills, pressbooks and scripts -- we do not sell reproductions of any kind. All of our inventory is unconditionally guaranteed to be authentic and as described.
Specialty
glass slides, other film/TV memorabilia, lobby cards, heralds, special promotional pieces, film/TV scripts, press kits, storyboards, maquettes, costume sketches, conceptual art, standees, album covers, photographs/portraits, film posters, flyers, vintage photoplays, pressbooks/showman's manuals, souvenir programsAssociation member
Members of these associations are committed to maintaining the highest standards. They vouch for the authenticity of all items offered for sale. They provide expert and detailed descriptions, disclose all significant defects and/or restorations, provide clear and accurate pricing, and operate with fairness and honesty during the purchase experience.Seller's business information
Walter Reuben, Inc.
8149 Santa Monica Blvd # 492
West Hollywood, CA U.S.A. 90046
Terms of sale
We sell only authentic, vintage original film posters, lobby cards, photos, stills, pressbooks and scripts -- we do not sell reproductions of any kind. All of our inventory is unconditionally guaranteed to be authentic and as described.
We can provide a COA/letter of authentication upon request for any piece we sell.
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Shipping is FREE for all buyers within the continental U.S., via fully-insured FedEx Ground / Home Delivery or USPS Priority Mail (typically 3 to 5 days). For shipments outside the continental U.S., we will calculate the costs (we do not charge for handling, only for the actual cost of shipping to you).
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