Anna Faktorovich

Anna Faktorovich is the Director and Founder of the Anaphora Literary Press. She taught college English for over four years at the University of Texas Rio Grande Valley, the Edinboro University of Pennsylvania and the Middle Georgia State College. She has a Ph.D. in English Literature and Criticism. She published two academic books with McFarland: "Rebellion as Genre in the Novels of Scott, Dickens and Stevenson" (2013) and "The Formulas of Popular Fiction: Elements of Fantasy, Science Fiction, Romance, Religious and Mystery Novels" (2014). She has been editing and writing for the independent, tri-annual Pennsylvania Literary Journal since 2009, and started the second Anaphora periodical, Cinematic Codes Review in 2016. She has presented her research at the MLA, SAMLA, EAPSU, SWWC, BWWC and many other conferences. She won the MLA Bibliography, Kentucky Historical Society and Brown University Military Collection fellowships. She created the "British Renaissance Re-Attribution and Modernization" series (BRRAM); a few sections out of BRRAM have been published in scholarly journals. “Manipulation of Theatrical Audience-Size: Nonexistent Plays and Murderous Lenders” was published in Critical Survey, Issue 34.1, Spring 2022. “‘Michael Cavendish’s’ 14 Airs in Tablature to the Lute (1598)” was published in East-West Cultural Passage, Volume 22, Issue 2, December 2022. The Journal of Information Ethics published two articles on Faktorovich’s re-attribution method: “Publishers and Hack Writers: Signs of Collaborative Writing in the ‘Defoe’ Canon” (Fall 2020) and “Falsifications and Fabrications in the Standard Computational-Linguistics Authorial-Attribution Methods: A Comparison of the Methodology in ‘Unmasking’ with the 28-Tests” (Spring 2022).