Alexander Geurds (24 results)

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Paperback. Condition: new. Paperback. 'Authenticity' and authentication is at the heart of museums' concerns in displays, objects, and interaction with visitors. These notions have formed a central element in early thought on culture and collecting. Nineteenth century-explorers, commissioned museum collectors and pioneering ethnographers attempted to lay bare the essences of cultures through collecting and studying objects from distant communities. Comparably, historical archaeology departed from the idea that cultures were discrete bounded entities, subject to divergence but precisely therefore also to be traced back and linked to, a more complete original form in the (even) deeper past. Much of what we work with today in ethnographic museum collections testifies to that conviction. Post-structural thinking brought about a far-reaching deconstruction of the authentic. It came to be recognized that both far-away communities and the deep past can only be discussed when seen as desires, constructions and inventions. Notwithstanding this undressing of the ways in which people portray their cultural surroundings and past, claims of authenticity and quests for authentication remain omnipresent.This book explores the authentic in contemporary ethnographic museums, as it persists in dialogues with stakeholders, and how museums portray themselves. How do we interact with questions of authenticity and authentication when we curate, study artefacts, collect, repatriate, and make (re)presentations? The contributing authors illustrate the divergent nature in which the authentic is brought into play, deconstructed and operationalized. Authenticity, the book argues, is an expression of a desire that is equally troubled as it is resilient. Published in co-operation with the Dutch National Museum of Ethnology, Leiden. 'Authenticity' and authentication is at the heart of museums' concerns in displays, objects, and interaction with visitors. These notions have formed a central element in early thought on culture and collecting. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Paperback. Condition: new. Paperback. 'Authenticity' and authentication is at the heart of museums' concerns in displays, objects, and interaction with visitors. These notions have formed a central element in early thought on culture and collecting. Nineteenth century-explorers, commissioned museum collectors and pioneering ethnographers attempted to lay bare the essences of cultures through collecting and studying objects from distant communities. Comparably, historical archaeology departed from the idea that cultures were discrete bounded entities, subject to divergence but precisely therefore also to be traced back and linked to, a more complete original form in the (even) deeper past. Much of what we work with today in ethnographic museum collections testifies to that conviction. Post-structural thinking brought about a far-reaching deconstruction of the authentic. It came to be recognized that both far-away communities and the deep past can only be discussed when seen as desires, constructions and inventions. Notwithstanding this undressing of the ways in which people portray their cultural surroundings and past, claims of authenticity and quests for authentication remain omnipresent.This book explores the authentic in contemporary ethnographic museums, as it persists in dialogues with stakeholders, and how museums portray themselves. How do we interact with questions of authenticity and authentication when we curate, study artefacts, collect, repatriate, and make (re)presentations? The contributing authors illustrate the divergent nature in which the authentic is brought into play, deconstructed and operationalized. Authenticity, the book argues, is an expression of a desire that is equally troubled as it is resilient. Published in co-operation with the Dutch National Museum of Ethnology, Leiden. 'Authenticity' and authentication is at the heart of museums' concerns in displays, objects, and interaction with visitors. These notions have formed a central element in early thought on culture and collecting. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

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Hardcover. Condition: gut. 2021. The Archaeology of Greater Nicoya In englischer Sprache. pages.

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Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -'Authenticity' and authentication is at the heart of museums' concerns in displays, objects, and interaction with visitors. These notions have formed a central element in early thought on culture and collecting. Nineteenth century-explorers, commissioned museum collectors and pioneering ethnographers attempted to lay bare the essences of cultures through collecting and studying objects from distant communities. Comparably, historical archaeology departed from the idea that cultures were discrete bounded entities, subject to divergence but precisely therefore also to be traced back and linked to, a more complete original form in de (even) deeper past. Much of what we work with today in ethnographic museum collections testifies to that conviction. Post-structural thinking brought about a far-reaching deconstruction of the authentic. It came to be recognized that both far-away communities and the deep past can only be discussed when seen as desires, constructions and inventions. Notwithstanding this undressing of the ways in which people portray their cultural surroundings and past, claims of authenticity and quests for authentication remain omnipresent. This book explores the authentic in contemporary ethnographic museums, as it persists in dialogues with stakeholders, and how museums portray themselves. How do we interact with questions of authenticity and authentication when we curate, study artefacts, collect, repatriate, and make (re)presentations The contributing authors illustrate the divergent nature in which the authentic is brought into play, deconstructed and operationalized. Authenticity, the book argues, is an expression of a desire that is equally troubled as it is resilient. Contents: Culture Sketching: The Authenticity Quest in Ethnographic Museums: An Introduction Dr. Alexander GeurdsReal, Fake or a Combination Examining the Authenticity of a Mesoamerican Mosaic Skull Martin E. BergerWhen is Authentic Situating Authenticity in the Itineraries of Objects Prof. Rosemary JoyceAuthentic Forgeries Prof. Oliver WatsonFrom Lukas to Liefkes Age and Authenticity of Gold Jewellery from Sumba, Indonesia Francine BrinkgreveThe Real Stuff: Authenticity and Photography from East Greenland in the Netherlands Dr. Cunera BuijsAlternative Authenticities (and Inauthenticities) Prof. Sally PriceAuthenticity and Curatorial Practice Dr. Laura N.K. Van Broekhoven 178 pp. Englisch.…

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - 'Authenticity' and authentication is at the heart of museums' concerns in displays, objects, and interaction with visitors. These notions have formed a central element in early thought on culture and collecting. Nineteenth century-explorers, commissioned museum collectors and pioneering ethnographers attempted to lay bare the essences of cultures through collecting and studying objects from distant communities. Comparably, historical archaeology departed from the idea that cultures were discrete bounded entities, subject to divergence but precisely therefore also to be traced back and linked to, a more complete original form in de (even) deeper past. Much of what we work with today in ethnographic museum collections testifies to that conviction. Post-structural thinking brought about a far-reaching deconstruction of the authentic. It came to be recognized that both far-away communities and the deep past can only be discussed when seen as desires, constructions and inventions. Notwithstanding this undressing of the ways in which people portray their cultural surroundings and past, claims of authenticity and quests for authentication remain omnipresent. This book explores the authentic in contemporary ethnographic museums, as it persists in dialogues with stakeholders, and how museums portray themselves. How do we interact with questions of authenticity and authentication when we curate, study artefacts, collect, repatriate, and make (re)presentations The contributing authors illustrate the divergent nature in which the authentic is brought into play, deconstructed and operationalized. Authenticity, the book argues, is an expression of a desire that is equally troubled as it is resilient. Contents: Culture Sketching: The Authenticity Quest in Ethnographic Museums: An Introduction Dr. Alexander GeurdsReal, Fake or a Combination Examining the Authenticity of a Mesoamerican Mosaic Skull Martin E. BergerWhen is Authentic Situating Authenticity in the Itineraries of Objects Prof. Rosemary JoyceAuthentic Forgeries Prof. Oliver WatsonFrom Lukas to Liefkes Age and Authenticity of Gold Jewellery from Sumba, Indonesia Francine BrinkgreveThe Real Stuff: Authenticity and Photography from East Greenland in the Netherlands Dr. Cunera BuijsAlternative Authenticities (and Inauthenticities) Prof. Sally PriceAuthenticity and Curatorial Practice Dr. Laura N.K. Van Broekhoven.…

Kartoniert / Broschiert. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Authenticity and authentication is at the heart of museums concerns in displays, objects, and interaction with visitors. These notions have formed a central element in early thought on culture and collecting. Authenticity and authentication is at th.…

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -¿Authenticity¿ and authentication is at the heart of museums¿ concerns in displays, objects, and interaction with visitors. These notions have formed a central element in early thought on culture and collecting. Nineteenth century-explorers, commissioned museum collectors and pioneering ethnographers attempted to lay bare the essences of cultures through collecting and studying objects from distant communities. Comparably, historical archaeology departed from the idea that cultures were discrete bounded entities, subject to divergence but precisely therefore also to be traced back and linked to, a more complete original form in de (even) deeper past.Much of what we work with today in ethnographic museum collections testifies to that conviction. Post-structural thinking brought about a far-reaching deconstruction of the authentic. It came to be recognized that both far-away communities and the deep past can only be discussed when seen as desires, constructions and inventions.Notwithstanding this undressing of the ways in which people portray their cultural surroundings and past, claims of authenticity and quests for authentication remain omnipresent. This book explores the authentic in contemporary ethnographic museums, as it persists in dialogues with stakeholders, and how museums portray themselves. How do we interact with questions of authenticity and authentication when we curate, study artefacts, collect, repatriate, and make (re)presentations The contributing authors illustrate the divergent nature in which the authentic is brought into play, deconstructed and operationalized. Authenticity, the book argues, is an expression of a desire that is equally troubled as it is resilient.Contents:Culture Sketching: The Authenticity Quest in Ethnographic Museums: An IntroductionDr. Alexander GeurdsReal, Fake or a Combination Examining the Authenticity of a Mesoamerican Mosaic SkullMartin E. BergerWhen is Authentic Situating Authenticity in the Itineraries of ObjectsProf. Rosemary JoyceAuthentic Forgeries Prof. Oliver WatsonFrom Lukas to Liefkes Age and Authenticity of Gold Jewellery from Sumba, IndonesiaFrancine BrinkgreveThe Real Stuff: Authenticity and Photography from East Greenland in the NetherlandsDr. Cunera BuijsAlternative Authenticities (and Inauthenticities)Prof. Sally PriceAuthenticity and Curatorial PracticeDr. Laura N.K. Van BroekhovenBooks on Demand GmbH, Überseering 33, 22297 Hamburg 178 pp. Englisch.…

Taschenbuch. Condition: Neu. Creating Authenticity | Alexander Geurds (u. a.) | Taschenbuch | Mededelingen van het Rijksmuseum voor Volkenkunde 42 | Englisch | 2013 | Sidestone Press | EAN 9789088902055 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu Print on Demand.…