James Croak

"Backseat Driver" by James Croak is a comprehensive collection that showcases the artist's dual role as a globally recognized artist and insightful commentator on the art world. Spanning two decades, the book encompasses fearless exhibition and book reviews, profound philosophical reflections, and lively insights into a life devoted to the arts. Critically acclaimed for his writing, Croak's work is commended by Anthony Haden Guest for its delightful and unexpected depth, reminiscent of the wit found in his renowned sculptures.

Born in Ohio in 1951, Croak's artistic journey began with classical guitar performances in his teens, leading to a notable performance at the 1968 Olympics in Mexico City. Later, he studied sculpture and philosophy, earning recognition for his unique figurative style and articulate prose despite formal training in abstraction and structuralist philosophy. His art has graced prestigious solo and group exhibitions globally, including renowned institutions like the Museum of Contemporary Art, Los Angeles, and the Detroit Institute for the Arts.

Croak's accolades include grants from the National Endowment for the Arts and the Rockefeller Foundation, solidifying his position in the art world. The publication of a monograph featuring his work in 1999 by Harry N. Abrams, with an accompanying essay by Thomas McEvilley, further highlighted his artistic contributions. Harper Perennial showcased Croak's intellectual prowess by incorporating his essays into five volumes as part of their Edge series, emphasizing his impact as an eminent scholar. Additionally, his versatility as a writer is evident through contributions to online magazines such as Art Net, Salon, Edge, and Hamptons Arts Hub. Croak's lasting influence extends to numerous books, marking his enduring impact on both the visual and written realms.