Ernest Edmonds (94 results)

hardcover. Condition: Very Good.

hardcover. Condition: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

hardcover. Condition: Good. Dust Jacket Condition: No Dust Jacket. First Edition. Hard cover is sound with very slight signs of corner wear. Contents in very good clean condition. Library plate on front inside cover. Library stamps on prelims, some text-pages (with no obstruction of text) and page block. Illustrated with numerous diagrams and tables. Ex-Library.

hardcover. Condition: Good. Dust Jacket Condition: No Dust Jacket. Ex-library: label on spine; bookplate on pastedown; torn out labels on FEP; ink stamps on front matter, endpapers, edges of page block. Contents otherwise clean and sound; light wear to cover. Ex Library.

Condition: good. This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition. Please note: -May include library or rental stickers, stamps, or markings. -Supplemental materials e.g., CDs, access codes, inserts are not guaranteed. -Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading!

Condition: good. This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition. Please note: -May include library or rental stickers, stamps, or markings. -Supplemental materials e.g., CDs, access codes, inserts are not guaranteed. -Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading!

paperback. Condition: Very Good. Fast Shipping - Safe and Secure 7 days a week!

Softcover, 108 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: New.

Paperback. Condition: new. Paperback. This book continues to explore the question of how Human-Computer Interaction (HCI) can learn from art. It considers how the HCI research agenda can be advanced by looking at art research and how HCI practitioners can improve creativity support and the amplification of that important human capability within their work. This book answers these questions from the perspective that interactive art has become a common part of life as a result of the many ways in which the computer and the Internet have facilitated it. HCI is as important to interactive art as color mixing is fundamental to painting. The book reviews recent work that looks at these issues through art research. In interactive digital art, the artist is concerned with how the artwork behaves, how the audience interacts with it, and, ultimately, how participants experience and engage with art. The values of art are deeply human and increasingly relevant to HCI as its focus moves from product design toward social benefits and the support of human creativity. The book examines these issues through a series of case studies and also brings together a collection of research results from art practice that illuminate this significant new and expanding area. In particular, this book points readers toward a much-needed critical language that they can use to describe, compare, and frame research in HCI support for creativity. This second edition updates the material where appropriate and adds a new case study. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: Used. pp. 192 1st Edition.

Condition: Used. pp. 192.

Condition: Used. pp. 192.

Hardcover. Condition: Gut. XV, 304 S. : Ill. ; 24 cm, Ex.-Libr., Good condition. Sprache: Englisch Gewicht in Gramm: 885.

Condition: New.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9781907471483.

hardcover. Condition: Very Good. Fast Shipping - Safe and Secure 7 days a week!

Hardcover. Condition: As new. Quarto in illus pale-grey boards; xvi, 304 pages: illustrations (some color); 24 cm; bibliographical references (pages 281-282) and index. Contents: 1.; Context --; 2.; Environment --; 3.; Research --; 4.; Collaboration --; 5.; Practice --; 6.; Windows to a New Dimension: Bettina Brendel --; 7.; A Million Millennial Medicis: Harold Cohen --; 8.; Structure in Art Practice: Ernest Edmonds --; 9.; Generative Art: Manfred Mohr --; 10.; From Zombies to Cyborg Bodies: Extra Ear, Exoskeleton and Avatars: Stclarc --; 11.; Tears in the Connective Tissue: Joan Truckenbrod --; 12.; Algorithmic Fine Art: Composing a Visual Arts Score: Roman Verostko --; 13.; An Observer's Reflections: The Artist Considered as Expert: Thomas Hewett --; 14.; Realizing Digital Artworks: Colin Machin --; 15.; Being Supportive: Andre Schappo --; 16.; Working with Artists: Manumaya Uniyal --; 17.; Creating Graspable Water in Three-Dimensional Space: Joan Ashworth --; 18.; The Artist as Digital Explorer: Dave Everitt --; 19.; Hybrid Invention: Beverley Hood --; 20.; Contemporary Totemism: Jean-Pierre Husquinet --; 21.; The Illusion and Simulation of Complex Motion: Fre Ilgen --; 22.; The Computer: An Intrusive Influence: Michael Kidner --; 23.; Switched On: Marlena Novak --; 24.; The Color Organ and Collaboration: Jack Ox --; 25.; Digital Spirituality: Anthony Padgett --; 26.; Integrating Computers as Explorers in Art Practice: Michael Quantrill --; 27.; Deconstructing the Norm: Juliet Robson --; 28.; Shifting Spaces: Esther Rolinson --; 29.; Going Somewhere Else: Ray Ward --; 30.; New Directions for Art and Technology: George Whale --; 31.; Defining Interaction: Linda Candy. / Computer art. Art and technology. Art et technologie. Art and technology. Computer art. As new.

hardcover. Condition: Gut. 320 Seiten; 9781852335458.3 Gewicht in Gramm: 1.

Condition: New. In English.

Condition: New. In.

PF. Condition: New.

Condition: New. pp. 216.

Paperback. Condition: Brand New. reprint edition. 212 pages. 9.25x6.10x0.49 inches. In Stock.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book continues to explore the question of how Human-Computer Interaction (HCI) can learn from art. It considers how the HCI research agenda can be advanced by looking at art research and how HCI practitioners can improve creativity support and the amplification of that important human capability within their work. This book answers these questions from the perspective that interactive art has become a common part of life as a result of the many ways in which the computer and the Internet have facilitated it. HCI is as important to interactive art as color mixing is fundamental to painting. The book reviews recent work that looks at these issues through art research. In interactive digital art, the artist is concerned with how the artwork behaves, how the audience interacts with it, and, ultimately, how participants experience and engage with art. The values of art are deeply human and increasingly relevant to HCI as its focus moves from product design toward social benefits and the support of human creativity. The book examines these issues through a series of case studies and also brings together a collection of research results from art practice that illuminate this significant new and expanding area. In particular, this book points readers toward a much-needed critical language that they can use to describe, compare, and frame research in HCI support for creativity. This second edition updates the material where appropriate and adds a new case study.

Taschenbuch. Condition: Neu. The Art of Interaction | What HCI Can Learn from Interactive Art | Ernest Edmonds | Taschenbuch | Synthesis Lectures on Human-Centered Informatics | xi | Englisch | 2026 | Springer | EAN 9783032142597 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

327 Seiten. 4°. Schutzumschlag unfrisch und mit zahlreichen Kratzern. O-Leineneinband mit Deckel- und Rückenprägung, O-Schutzumschlag. Text englisch und deutsch.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Computing, despite the relative brevity of its history, has already evolved into a subject in which a fairly large number of subdisciplines can be identified. Moreover, there has been a noticeable tendency for the different branches of the subject each to develop its own intellectual culture, tradition and momentum. This is not, of course, to suggest that any individ ual subdiscipline has become a watertight compartment or that developments in one branch of the subject have tended to take place in total isolation from developments in other related areas. Nevertheless, it does mean that a deliberate effort is required in order to bring different subdisciplines together in a fruitful and beneficial manner. Artificial Intelligence (AI) and Computer Supported Coopera tive Work (CSCW) jointly constitute a good example of two branches of computing that have emerged separately and given rise to largely distinct research communities and initiatives. On the one hand, the history of AI can be traced back to the 1950s, the term II Artificial Intelligence' being generally attributed to John McCarthy, who first used it in print in 1956. 'Computer Supported Cooperative Work', on the other hand, is a term of more recent coinage, having'been devised by Irene Greif and Paul Cashman in 1984.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - What can Human-Computer Interaction (HCI) learn from art How can the HCI research agenda be advanced by looking at art research How can we improve creativity support and the amplification of that important human capability This book aims to answer these questions. Interactive art has become a common part of life as a result of the many ways in which the computer and the Internet have facilitated it. HCI is as important to interactive art as mixing the colours of paint are to painting. This book reviews recent work that looks at these issues through art research. In interactive digital art, the artist is concerned with how the artwork behaves, how the audience interacts with it, and, ultimately, how participants experience art as well as their degree of engagement. The values of art are deeply human and increasingly relevant to HCI as its focus moves from product design towards social benefits and the support of human creativity. The book examines these issues and brings together a collection of research results from art practice that illuminates this significant new and expanding area. In particular, this work points towards a much-needed critical language that can be used to describe, compare and frame research in HCI support for creativity.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!