Øvstebo Solveig (170 results)

hardcover. Condition: Very Good.

Softcover, 176 pages; in English and Norwegian, very good condition; light creasing to rear cover; no internal marks. Foreign shipping may be extra.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condition: New. New, in plastic.

Condition: New.

Paperback. Condition: New. Published on the occasion of the eponymous exhibition, Let me consider it from here features color reproductions of artworks by Saul Fletcher, Brook Hsu, and Tetsumi Kudo and transcriptions of the audio works of Constance DeJong, alongside newly commissioned poems by Geoffrey G. O'Brien, Simone White, and Lynn Xu, and an epilogue by Solveig Øvstebø. These artists frequently draw from their own histories, humors, and instincts as they grapple with or reimagine what's happening in the world around them. Across a range of mediums, their works open up spaces that oscillate between strange and familiar, registering deeply personal experiences as well as more ambient cultural and political pressures.  Their practices are all similarly anchored in solitude and stretch outward to meet the world, guiding us to the liminal realms between the public and the intimate, the concrete and the fantastical.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: new.

Hardcover. Condition: Near Fine. 1st Edition. First Edition. 9.5 x 8.5 in. 168 pp. Color illustrations throughout. Illustrated paper boards. Faint rubbing and shelf-wear. Near Fine.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

First Edition. First edition. Softcover. 126 pages. Exhibition catalog for a show that ran January 12 through February 23, 2014. Includes contributions by Keren Cytter John Kelsey, Solveig Ovstebo, Parros, and Seth Price. A very fine copy in wrappers. As new and still in the publisher's shrinkwrap.

Hardcover. Condition: New. No Dust Jacket. Hardcover. Spine and inner edge of front board are a little sunned. Item remains in original shrinkwrapping and is unopened. AF.

Hardcover. Condition: near fine. Octavo. (24cm x 22cm) 167pp. Pictorial boards. Exhibition catalogue. A very nice copy.

Condition: As New. Unread book in perfect condition.

Condition: New. 2019. 1st Edition. Paperback. . . . . .

Hardcover without dustjacket as issued, pages, very good condition except small bump to bottom edge of front cover and small stain to outer page edges opposite spine; no internal marks. Foreign shipping may be extra.

Paperback. Condition: new. Paperback. Published on the occasion of the eponymous exhibition, Let me consider it from here features color reproductions of artworks by Saul Fletcher, Brook Hsu, and Tetsumi Kudo and transcriptions of the audio works of Constance DeJong, alongside newly commissioned poems by Geoffrey G. OBrien, Simone White, and Lynn Xu, and an epilogue by Solveig Ovstebo. These artists frequently draw from their own histories, humors, and instincts as they grapple with or reimagine whats happening in the world around them. Across a range of mediums, their works open up spaces that oscillate between strange and familiar, registering deeply personal experiences as well as more ambient cultural and political pressures. Their practices are all similarly anchored in solitude and stretch outward to meet the world, guiding us to the liminal realms between the public and the intimate, the concrete and the fantastical. Published on the occasion of the eponymous exhibition, Let me consider it from here features color reproductions of artworks by Saul Fletcher, Brook Hsu, and Tetsumi Kudo and transcriptions of the audio works of Constance DeJong, alongside newly commissioned poems by Geoffrey G. OBrien, Simone White, and Lynn Xu, and an epilogue by Solveig vsteb. These artists frequently draw from their own histories, humors, and instincts as they grapple with or reimagine whats happening in the world around them. Across a range of mediums, their works open up spaces that oscillate between strange and familiar, registering deeply personal Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. Brand New.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Brand New. 103 pages. 8.25x6.75x0.50 inches. In Stock.

Condition: New. Brand New.

Condition: New. 2019. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: new. Paperback. Los Angeles-based artist Silke Otto-Knapp has developed a painting practice characterized by its rigorous process and attentiveness to the mediums possibilities. Using layers of black watercolor pigment, she builds up delicate surfaces, producing subtle variations in density and a powerful sense of atmosphere. Otto-Knapps exhibition at the Renaissance Society, In the waiting room, presented a new group of large-scale free-standing paintings in that evokes a multidimensional stage set. Some depict silhouetted bodies while others introduce scenic elements reminiscent of painted backdrops. Offering a close look at the exhibition, this volume includes an array of illustrations, a conversation between curator Solveig Ovstebo and the artist, and four newly commissioned essays by Carol Armstrong, Darby English, Rachel Hann, and Catriona MacLeod, grounded in art history and performance studies. In the Waiting Room. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condition: New. In 2019, the Renaissance Society at the University of Chicago and the Carpenter Center for the Visual Arts, Harvard University co-organized an exhibition of a newly commissioned body of work by the Canadian artist Liz Magor. The accompanying publication, Liz Magor: BLOWOUT, is the artist's first US catalog in ten years, and it features thorough photographic documentation of the new work, commissioned texts by Mitch Speed and Sheila Heti, and a conversation between the artist and curators Dan Byers and Solveig Øvstebø. For more than four decades, Magor's practice has quietly dramatized the relationships that develop among objects, and she describes this body of work as "a collection of tiny and intense narratives." Each written contribution responds in its own way to Magor's new installations, which feature altered stuffed toys, bits of paper, and rat skins-sculptural "agents," in the artist's words-suspended in transparent Mylar box forms, and thirty-two pairs of secondhand shoes, each displayed within its own box amidst elaborate embellishments. …

Condition: As New. Unread book in perfect condition.

Condition: new.