Incline Press (278 results)

stiff paper wrappers. Incline Press (illustrator). 8vo. stiff paper wrappers. unpaginated. Limited to 250 copies.Illustrated by Jo Reed. A foldout book.

Soft cover. Condition: Fine. Sewn blue printed wrappers, slender narrow 8vo., 5 accordian -folded pages, illustrated with a drawing by the author. ne of about 250 copies printed from Bodoni types. A fine copy.

Soft cover. Condition: Fine. Sewn stiff blue wrappers with lapping cover label, slender 8vo., (11) printed pages, illustrated with cuts. One of about 200 copies of this Incline Press Chapbook. Affectionately inscribed and signed by Graham Moss. A fine copy. Signed by the Printer.

Soft cover. Condition: Fine. Thick handmade wrappers, slender 8vo., (9) pages. One of 195 numbered copies printed from Bembo types on Bugra Buten paper. Signed by the binder K. Whalen. A fine copy.

Soft cover. Condition: Fine. Sewn black Hahnemuhle wrappers printed in silver, small slender 4to., (11) pages. One of 200 numbered copies printed from Weiss and Baskerville types on Zerkall paper. A fine copy.

Hardcover. Condition: Fine. Quarter green cloth with printed paper-covered boards, spine label, small slender 8vo., (13) pages, illustrated with drawings by Claude Lovat Fraser. One of less than 160 numbered copies printed by Graham Moss from Monotype Scotch type on Zerkall paper. Tipped in Slipsong. A fine copy.

First Edition. "Printshop reject, paper & style sample only". Very good paperback copy; cover slightly creased and dulled as with age. Bright and clean internally. Remains quite well-preserved overall. 3 Kg.

Incline Press (illustrator). broadside, (12 by 9 inches). Commemorated Oak Knoll Fest X, New Castle, Delaware. With quotation from Oliver Goldsmith. Printed in two colors by Graham Moss and Kathy Whalen.

Softcover. Condition: Fine. Softcover. One of about 200 copies published as the twelfth New Year booklet by the press. Bound in a multicolored paisley design paper covers. With two pages of text and five charming color wood engravings by Waddington printed on rectos only. Printed on Zerkall paper in Monotype Baskerville type. With gift card and a notice of availability of the illustrations as prints. In fine condition. Measures 7.5 x 10.5 inches. Unpaginated [10 pages]. PRI/081420.

Condition: Fine. Number 48 of 150 copies. Signed by poet McKendrick. A fine craft-made book from the press. The poem is printed on separate pages in English, French, and Italian. Printed in Lectura, Centaur, and Arrighi types on Zerkall-Butten paper. Pages were folded and sewn by hand with blue paper wrappers. In fine condition. Unpaginated. PRI/080316.

Condition: Fine. Number 33 of 150 copies. Signed by poet McKendrick. A fine craft-made book from the press. The poem is printed on separate pages in English, French, and Italian. Printed in Lectura, Centaur, and Arrighi types on Zerkall-Butten paper. Pages were folded and sewn by hand with blue paper wrappers. In fine condition. Unpaginated. PRI/072015. Signed.

Paperback. Condition: Fine. Paperback. One of about 250 copies of this chapbook written and illustrated by English poet and printmaker Jo Reed. Blue paper wrappers with hand-sewn accordian folded pages of text and print. Handset in Bodoni types. In fine condition. 4 x 8 1/2 inches. Unpaginated. PRI/072015.

Paperback. Condition: Fine. Paperback. Number 30 of about 200 copies. A sweet love song with a note about its history and the author of the reprise. Fine in blue paper wrappers with light blue paper title label to front cover. Printed in red and black inks with several illustrations on fine paper. Unpaginated. [12 pages.] PRI/092013.

Incline Press (illustrator). 8vo. stiff paper wrappers, paper cover label, top edge cut, other edges uncut. 17, (3) pages. Limited to 250 copies. Introduction by Jenny Williams. Translated from the German by Sabine Berendse and Nicholas Jacobs. Frontispiece by Jenny Malbon. stiff paper wrappers, paper cover label, top edge cut, other edges uncut.

Soft cover. Condition: Fine. Sewn printed wrappers, small slender 8vo., (17) pages. One of about one hundred copies printed from Solemnis and Lectura types on Wookey Hole paper. Signed by the author/printer Graham Moss. A fine copy.

Soft cover. Condition: Fine. Sewn Papeterie St-Armand paper wrappers, slender 4to., (9) pages. One of 150 numbered copies printed from Lectura, Centaur and Arrighi types on Zerkall-Butten paper. A fine copy.

Soft cover. Condition: Fine. Sewn printed wrappers, slender narrow 8vo., (11) pages, illustrated and with two mounted plates. One of 160 copies printed from Granby and Prisma types on Hahnehuhle paper. An attractive chapbook. Prospectus laid in. A fine copy.

Soft cover. Condition: Fine. Sewn decorated paper wrappers with lapping printed band, 12mo., (8) pages. No. 17 of 200 copies printed from Bembo type on Zerkall paper. The fifth Incline Press New Year booklet. A fine copy in archival mylar.

Soft cover. Condition: Fine. Sewn stiff grey wrappers printed in red and green, small slender 8vo., (13) pages, three hand-colored illustrations. One of about 250 copies printed from Scotch types on Magnani paper, and signed by Graham (Moss) and Kathy (Whalen). Erratum with colored cut laid in. A fine copy. Signed by Author(s).

Soft cover. Condition: New. 1st Edition. Handset in Baskerville with display in Weiss. One of 200 (250) copies printed in silver and black on Zerkall paper and sewn into Hahnemuhle paper covers. Linocut portrait by John Watson, calligraphy by Stephen Raw. A new copy. The first in a series of Occasional Essays & Poems of Anthony Burgess, selected by Andrew Biswell. This piece appeared in Hockney's Alphabet (AIDS Crisis Trust), but forthcoming pieces in the series are previously unpublished.

Paperback. Condition: Very Good. First edition. 8vo. Folding sheet. One colour and one b/w vignette. Prospectus for the book.

broadside. Incline Press (illustrator). 13.5 x 48.5 cm. broadside. None in the icy perfections of the mere stylist. A broadside printed by Graham Moss of Incline Press as a Keepsake for Oak Knoll Book Fest XII. A fine copy. Printed in green, yellow, red, and black.

broadside. Incline Press (illustrator). 13.5 x 48.5 cm. broadside. None in the icy perfections of the mere stylist. A broadside printed by Graham Moss of Incline Press as a Keepsake for the fourth Conference at St. Brides. A fine copy. Printed in green, yellow, red, and black.

Paperback. Condition: Near Fine. Paperback. One of 140 copies published for the Summer Fair at Greenside Primary School Shepherds Bush London. A charming collection of poems for children. Poets include W.B. Yeats, William Blake, William Wordsworth, Edward Lear, and Lewis Carroll. Printed with Poliphilus type on Somerset Text Laid paper. Green Indian decorated paper wrappers with handsewn binding. In near fine condition. Unpaginated [18 pages]. PRI/033015.

First Edition. "Printshop reject, paper & style sample only". Very good paperback copy; cover slightly creased and dulled as with age. Bright and clean internally. Remains quite well-preserved overall. 1 Kg.

Soft Cover. Condition: Very Good. Booklet, stitched. [8]pp. nd. [circa2001]. A few small marks to front cover, clean inside. A very pleasing copy. (h9).

Soft cover. Condition: New. 1st Edition. Barnes version is typeset in 14pt Garamond with the required accents; the English version is set in 16pt Fairbank. One of 300 copies printed in dark blue in Bembo, Garamond and Fairbanks Italic on Battersea paper. Title-page engraving by Helen Moss in green. Sewn into bistre wrappers, titled in black, decorated in green. A fine copy. Three verses both in Barnes version of his Dorset dialect, and translated into English for Ralph Vaughan Williams setting to music.

Soft cover. Condition: Fine. 1st Edition. Handset in 12 poit Poliphilus and Blado and printed on Zerkall paper. 6 Claud Lovat Fraser decorations printed from line blocks. Sewn into a stiff card cover with a printed label that wraps from back to front. One of about 200 copies. New condition. This anonymous poem was first published as the lyric to one of Thomas Ford's simple arrangements for the solo voice. As a song and a poem it kept some currency: the poem was included in the 'Oxford Book of English Verse' published to general acclaim in 1900 and the song retained its popularity as a parlour piece. During the years before the First World War, Georgian poet Ralph Hodgson and his young friend Claud Lovat Fraser began writing and illustrating broadsheets and chapbooks for their popular 'Flying fame' series. After the war Flying Fame's concept of inexpensive chapbooks and broadsheets was appropriated by Harold Monro's Poetry Bookshop - which included 'There is a Lady' in its Second Series of Poetry Bookshop Broadsheets with Lovat Fraser's illustrations.

Soft cover. Condition: Fine. 1st Edition. Handset in 12 point Granby with Prism for the title, and printed on Hahnemühle paper. 1 line-block illustration repeated and two tipped-in donkey stone wrappers. Sewn into a printed card cover. The edition is of 160 unnumbered copies. New. In the late 19th and early 20th centuries, before so many forms of concrete became quite so common, brick built houses for industrial workers tended to have steps and sills made from local stone. They were kept clean and white (or at least a lighter grey!) by scrubbing them with a 'Donkey Stone'. Made from ground sandstone and bleach with a little cement powder to hold it all together, each stone was about the size of a bar of soap. Feathergill's was one of the most popular of these stones and its trade mark Donkey gave these bars their name. Claire s poem captures the rhythm as well as the drudgery of this housewife's routine job.

Soft cover. Condition: Fine. 1st Edition. One of about 200 copies printed on blue paper sewn into brown paper wrappers, titled and decorated in black. Illustration, based on an 1819 image and lettering, by the Manchester calligrapher Stephen Raw. A fine copy. Published to commemorate the 200th anniversary of Peterloo, the text consists of Shelley's Condition of England in 1819 with the poem Rants, Whispers and Cries by Manchester Cathedral Poet-in-Residence Andrew Rudd.