Burchett, Richard (95 results)

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Condition: New. In.

Hard Cover. Condition: Very Good+. Illustrated throughot, chiefly color. ; Tight, clean and crisp. A bump to top of spine, otherwise in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 9.25 X 1.1 X 11.75 inches; 224 pages.

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Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. pp. 148.

Condition: New. In.

VOLUME V ONLY. Presumed first edition (no direct edition/printing statement provided). i-xiv, 1-341, [1], 1-72 pages. Hardcover. Red dust jacket lightly soiled with scuffing at edges; sunning to spine; front flap is not price-clipped. Red cloth. Past owner's ink signature at top of front free endpaper; interior leaves are otherwise clean. Binding is firm. Features essays by Gabriel Kolko, Richard B. Du Boff, Truong Buu Lam, James Aronson, Wilfred Burchett, Gerard Chaliand, Don Luce, John W. Dower, Nina S. Adams, Philippe Devillers, Noam Chomsky, David G. Marr, Peter Dale Scott, Walt Haney, and Fredric Branfman. ISBN 0807005223.

Hardcover. Condition: New. No Jacket. 1st Edition. This copy is still sealed in its original shrink-wrap. Quarto in pictorial, paper-covered boards. Color illustrations. Brand new. Inventory no. 10318A.

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Condition: Neuf.

Paperback. Condition: New. One of the world's preeminent Abstract Expressionists, California-born painter Sam Francis (1923-1994) first travelled to Japan in 1957, quickly established studios and residences there, and became active in a circle of avant-garde artists, writers, filmmakers, architects, and composers, including members of the nascent Gutai and Mono-ha movements. This book chronicles those connections, as well as his complex and evolving relationship with East Asian aesthetics from the 1950s through the 1990s.From the very first exhibitions Francis had in Tokyo, critics linked his evocative use of negative space with the Japanese concept of "ma", a symbolically rich interval between objects or ideas. This shared pictorial and philosophical syntax laid the foundation for a feedback loop of mutual influence that spurred frequent collaborations between the artist and his Japanese contemporaries, extending into the realms of printmaking, ceramics, music, poetry, publishing, and performance. Written by art critic and curator Richard Speer, with a foreword by Debra Burchett-Lere, executive director/president of the Sam Francis Foundation, this is the first full-length monograph to explore an important but sometimes overlooked milieu in Post-World War II art-a dialogue between Eastern and Western sensibilities that prefigured our current era of global interconnectedness and cross-cultural exchange. Lavishly illustrated with colour plates and archival images, it is an adjunct publication for the related exhibition "Sam Francis and Japan: Emptiness Overflowing" (Los Angeles County Museum of Art, 2021), co-curated by Speer.

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Paperback. , . Author: Richard SpeerFormat: Paperback Number of Pages: 224One of the twentieth century's leading Abstract Expressionists, Sam Francis (1923-94) was one of the few visual artists who traversed the globe multiple times during the 1950s and 1960s, becoming one of the first postwar American painters to develop a truly international reputation. Francis's engagement with the world and his fascination and involvement with different cultures, in particular that of Japan, is explored in this compelling volume, published in conjunction with the exhibition Sam Francis and Japan: Emptiness Overflowing at the Los Angeles County Museum of Art. Richard Speer offers astute insights into the visual, technical, and philosophical affinities between traditional Asian art and Francis's work as a modern abstract painter. He delves into the relationship of Francis's aesthetics to such older Japanese artistic traditions, in particular the concept of "ma," a symbolically rich in-between zone that is paralleled in the lyrical deployment of negative space in Francis's paintings. In addition, Speer looks at Francis's friendships with many of the Gutai and Mono-ha artists and highlights their shared conceptual theories involving notions of time, space, and a limitless continuum. A contemplative and discerning overview of the artist in Japan, the book draws on archival research and individual interviews with Francis's Japanese colleagues, as well as family and friends. It suggests the transformative power of art as a cultural bridge while expanding our insight into the artist's visual language and his devotion to the image. Francis's own aphoristic essay "One Ocean One Cup," first published in Japan in 1977, revealing the artist's reactions to living and working in the transcendental Japanese environment, rounds out the book. Paperback.

Paperback. Condition: New. Print on Demand. This book is a comprehensive guide to plane geometrical figures, offering a practical approach to their construction and combination. Spanning from basic to advanced concepts, it caters to both beginners and those with prior knowledge. It covers a wide range of topics, including the construction of single figures, their combination, and their transformation into other shapes. The author provides clear descriptions and detailed illustrations, ensuring the reader can easily understand and apply the techniques to their own projects. With its focus on practical applications, this book is a valuable resource for artists, designers, architects, and anyone else seeking to master the art of constructing and manipulating geometrical figures. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Paperback. Condition: new. Paperback. One of the twentieth centurys leading Abstract Expressionists, Sam Francis (192394) was one of the few visual artists who traversed the globe multiple times during the 1950s and 1960s, becoming one of the first postwar American painters to develop a truly international reputation. Franciss engagement with the world and his fascination and involvement with different cultures, in particular that of Japan, is explored in this compelling volume, published in conjunction with the exhibition Sam Francis and Japan: Emptiness Overflowing at the Los Angeles County Museum of Art. Richard Speer offers astute insights into the visual, technical, and philosophical affinities between traditional Asian art and Franciss work as a modern abstract painter. He delves into the relationship of Franciss aesthetics to such older Japanese artistic traditions, in particular the concept of ma, a symbolically rich in-between zone that is paralleled in the lyrical deployment of negative space in Franciss paintings. In addition, Speer looks at Franciss friendships with many of the Gutai and Mono-ha artists and highlights their shared conceptual theories involving notions of time, space, and a limitless continuum. A contemplative and discerning overview of the artist in Japan, the book draws on archival research and individual interviews with Franciss Japanese colleagues, as well as family and friends. It suggests the transformative power of art as a cultural bridge while expanding our insight into the artists visual language and his devotion to the image. Franciss own aphoristic essay One Ocean One Cup, first published in Japan in 1977, revealing the artists reactions to living and working in the transcendental Japanese environment, rounds out the book. The first book ever to explore deep involvement with Japan and Japanese culture of Sam Francis, one of the most distinguished American artists and one of the most significant protagonists of Abstract Expressionism in painting. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Condition: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.

Speer, Richard. The Space of Effusion: SAM FRANCIS in Japan. 224 pages, including 151 color and 40 b&w plates. Folio, cloth. Chicago, University of Chicago Press, 2020.

Condition: New. In.

Hardcover. Condition: Very Good. A few tiny indent marks to front cover. Otherwise an as-new hardcover copy without marks, inscriptions or fading to inside pages. Not ex-library. Not a remainder. Corners are sharp and binding is firm. s37.

Taschenbuch. Condition: Neu. Neuware - 'Linear Perspective' by Richard Burchett is a comprehensive guide to understanding and mastering the principles of linear perspective. Originally published in the 19th century, this classic work remains an invaluable resource for artists, architects, and designers seeking to create realistic and compelling representations of three-dimensional space on a two-dimensional surface. Burchett's clear and methodical approach covers everything from basic concepts to advanced techniques, making it accessible to both beginners and experienced practitioners.

Taschenbuch. Condition: Neu. Neuware - This book is a comprehensive guide to practical perspective drawing. Richard Burchett provides a step-by-step approach to understanding perspective and how to apply it in art and design.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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