Cruikshank, Isaac Robert (83 results)

Condition: New. pp. 7.

Condition: New. pp. 7.

Condition: New. pp. 7.

Hardcover. Condition: Near Fine. 1st Edition. Brown Boards With A Color Paste-On Illustration, Spine Gilt. Near Fine, Traces Of Rubbing At Corners.

Hardcover. Condition: Fair. Isaac Robert Cruikshank (illustrator). Bound in full leather. Marbled endpapers. Both covers detatched. Spine missing. Binding still secure and full color plates are present.

Gebunden. Condition: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

A hand-coloured aquatint etching on wove paper, from the [1820] 3rd Edition. This is Plate 2. Size is about 5.5 x 9 inches. A very good copy, some browning to upper margin, attractively coloured. This title was written in imitation of William Combe's three Doctor Syntax tours. Thomas Rowlandson has been credited with the illustrations to this book, but it seems more likely that they are by Isaac Robert Cruikshank. From advertisements quoted in Tooley, at least two artists were involved in making the plates (RV Tooley, 'English books with coloured plates 1790 to 1860' ( Folkestone and London, 1973), cat. no. 434).

A hand-coloured aquatint etching on wove paper, from the [1820] 3rd Edition. This is the frontispiece. Size is about 5.5 x 9 inches. A very good copy, some wear to margins. Attractively coloured. This title was written in imitation of William Combe's three Doctor Syntax tours. Thomas Rowlandson has been credited with the illustrations to this book, but it seems more likely that they are by Isaac Robert Cruikshank. From advertisements quoted in Tooley, at least two artists were involved in making the plates (RV Tooley, 'English books with coloured plates 1790 to 1860' ( Folkestone and London, 1973), cat. no. 434).

A hand-coloured aquatint etching on wove paper, from the [1820] 3rd Edition. This is Plate 6. Size is about 5.5 x 9 inches. A very good copy, slightly wrinkled, some marginal stains. Attractively coloured. This title was written in imitation of William Combe's three Doctor Syntax tours. Thomas Rowlandson has been credited with the illustrations to this book, but it seems more likely that they are by Isaac Robert Cruikshank. From advertisements quoted in Tooley, at least two artists were involved in making the plates (RV Tooley, 'English books with coloured plates 1790 to 1860' ( Folkestone and London, 1973), cat. no. 434).

A hand-coloured aquatint etching on wove paper, from the [1820] 3rd Edition. This is Plate 5. Size is about 5.5 x 9 inches. A very good copy, slightly wrinkled, some browning to upper margin, attractively coloured. This title was written in imitation of William Combe's three Doctor Syntax tours. Thomas Rowlandson has been credited with the illustrations to this book, but it seems more likely that they are by Isaac Robert Cruikshank. From advertisements quoted in Tooley, at least two artists were involved in making the plates (RV Tooley, 'English books with coloured plates 1790 to 1860' ( Folkestone and London, 1973), cat. no. 434).

A hand-coloured aquatint etching on wove paper, from the [1820] 3rd Edition. This is Plate 1. Size is about 5.5 x 9 inches. A very good copy, some browning to upper margin, attractively coloured. This title was written in imitation of William Combe's three Doctor Syntax tours. Thomas Rowlandson has been credited with the illustrations to this book, but it seems more likely that they are by Isaac Robert Cruikshank. From advertisements quoted in Tooley, at least two artists were involved in making the plates (RV Tooley, 'English books with coloured plates 1790 to 1860' ( Folkestone and London, 1973), cat. no. 434).

A hand-coloured aquatint etching on wove paper, from the [1820] 3rd Edition. This is the illustrated title page. Size is about 5.5 x 9 inches. Signature above title, some discoloration, a very good copy, attractively coloured. This title was written in imitation of William Combe's three Doctor Syntax tours. Thomas Rowlandson has been credited with the illustrations to this book, but it seems more likely that they are by Isaac Robert Cruikshank. From advertisements quoted in Tooley, at least two artists were involved in making the plates (RV Tooley, 'English books with coloured plates 1790 to 1860' ( Folkestone and London, 1973), cat. no. 434).

Aquatint. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. This charming original aquatint is in very good condition, full borders as published, original color, images available. ; 9.5" x 6".

Hardcover. Condition: Very Good. Frontispiece, 136p. Publishers gilt decorated blue cloth. Fifty-two comic designs to popular ballads by the three Cruikshanks colored by hand. Limited to 525 numbered copies, whereof this is #484. Slight wear to the headband and offsetting on the front and rear end papers from the binding. Otherwise internally clean.

Hardcover. Condition: Good. Limited Edition #287 of 520 copies printed. Bound in blue cloth. Gilt lettering. Top edge gilt. Hardcover. Edge wear. Spine ends chipped. Stain to rear board. vii, 136 pages : illustrations (some color) ; 29 cm. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Aquatint. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. This charming original aquatint is in very good condition, full borders as published, original color, images available. ; 9.5" x 6".

Engraving. Condition: Good+. Dust Jacket Condition: No Dust Jacket. This charming engraving by Isaac Cruikshank is in good condition, full borders as published, borders a little soiled, plate marks defined, original hand-color, fine detail. Images are available of this impressive engraving. ; 6" x 9.5".

Engraving. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. This charming engraving by Isaac Cruikshank is in very good condition, full borders as published, plate marks defined, original hand-color, fine detail. Images are available of this impressive engraving. ; 6" x 9.5".

Condition: Very Good Minus. 3rd Edition. Third edition, originally issued in 8 parts (1819-1820). An imitation of William Combe's series of Doctor Syntax books, and sometimes wrongly attributed to him. According to Tooley both Thomas Rowlandson and I.R. Cruikshank are credited with the designs for the plates, the balance of opinion favouring Cruikshank. One of the plates however is signed 'Williams'. Rebacked in mauve cloth with paper title label. Boards marked and have wear and bumping to corners. Page edges untrimmed. Slight rippling to margins. Complete with the engraved title page and 19 plates, all hand coloured. Some offsetting from plates to facing page. Slight marking to pages 157-164 where a flower was previously pressed between the pages. A few spots of light foxing, text is generally very clean. Previous owner's bookplate to front pastedown endpaper (Lawrence Stangman). Contemporary owner's name to front free endpaper and upper margin of p1 (Ninian Crawford). A rare uncut example. Tooley 434; Lowndes p2564. . Overall condition is Very Good Minus. Size: 6.75 x 10.25 inches (17 x 26 cm). Hardback. Printed pages: 8vo. iv, [2] (list of plates), 319.

No Binding. Condition: Very Good. Original Antique Engraving. Illustration To Pierce Egan's Life In London, Page 352. Some Foxing. Men Drink And Smoke In The Fleet Prison. Tom And Jerry, In Top-Hats, Sit With Logic, En Deshabille, At A Table Between Door (R.) And Fire. A Man, 'The Haberdasher', Serves Spirits From Bottles On Open Shelves (1.). A Thin Man Enters Carrying Racquets. A 'Poor Author' Leans Against The Chimneypiece. By The Door A Melancholy Man Listens Intently To His Wife Who Holds A Little Girl In Her Arms, While A Little Boy Stares At The Strange Inmates. Prints And Ballads Are Pasted Up Over The Fire-Place: A Ship In Full Sail Is Next A Print Of A Wreck. 1 May 1821. Hand-Coloured Etching And Aquatint.

Wraps. Condition: Near Fine. Isaac Robert Cruikshank (illustrator). Isaac Robert Cruikshank. iv, [3], [8]-59, [1] pages. Plus wrappers and frontis. 6 x 3 3/4 inches. Original printed wrappers enclosed in protective wrapper (marbled paper scraps over thin paper) made from binders' waste. The wrapper title notes "Printed from the acting Edition" and the actual title page notes "Printed from the Acting Copy". Frontispiece shows Act I Scene 3 at Dolby's British Theatre. Page [60] shows the proper positions of the actors at closing curtain. Wraps. No. 56 in Dolby's British Theatre series, Priced 6d on the front wrapper. Nicely engraved front wrapper "from an original Drawing, made expressly for this Work, by Mr. I. R. Cruikshank, and executed by Mr. White" Publishing date is circa 1824 based on listing on A3 of "Cast of the Characters at the Theatre-Royal, Drury Lane, 1824" Many, many editions of this work were done from the 18th century onward. This edition seems rather scarce with only a few listings in OCLC Worldcat as of this listing. A nice find for the Cruikshank collector.

Hardcover. Condition: Good+. Illustrated by Cruikshank I. R. (illustrator). Presumed Reissue?. No Date but this is probably the 1877 reissue. (4) + 319 pp. With 8 full-page & various vignette b/w illustrations by Robert Cruikshank. In the original Burgundy pictorial cloth blocked in black and gold, a little rubbed, very sl. faded to the spine, and a small 'nibble' to the bottom of the rear board but overall a VG sound copy. This appears to be a reissue of the First Series of 'Cruikshank at Home' by Isaac Robert Cruikshank (and possibly with Robert Seymour and Samuel Slader ?) which first appeared in the 1840s.?? Includes 'Other Tales of Interest' and in fact 'Mary Ogilvie' only covers the first 139 pp of the book. There are small (2.3 cm x 1.5 cm) oval library stamps (easily erasable!) to the reverse of the full page illustrations and one at the end of the book, but NO other indications that this was once in a library. Overall an Excellent copy. Quite Scarce.; 60062; Ex-Library (Minimal Marks); 8vo.

Hardcover. Condition: Good. No Jacket. The Lady and the Saints. In Three Cantos. Illustrated by Isaac Robert Cruikshank and printed in London by Edward Bull. 1839, 235 pp, 8" x 5", 8vo, hardcover 3/4 leather. In good rebacked condition, with restoration to spine and hinges. Some rubbing and wear to boards, along with some chipping to spine, primarily at head and heel. Text block remains bound well. Includes ten small vignettes throughout. Light markings and marginalia. General age-related toning to pages, along with periodic foxing and wear. Please see photographs and ask any questions prior to purchasing. A scarce piece, illustrated by Isaac Robert Cruikshank (1789-1856), an English caricaturist and lesser-known brother of George Cruikshank, who was also a prominent illustrator in his time. COLI1839ABDB-0224-aj1092.

No Binding. Condition: Good. 1st Edition. Seaside/celebrity caricature. 'Juvenile Monstrosities' Five children, highly overdressed, in the Regency equivalent of children of famous football kid style, with adult costume, cartwheel hats and pantaloons, on the beach at a Regency resort such as Brighton or Eastbourne. Originally published 1826. 20th century colour. Platemark: 13x17 cms. Etching from George and Robert Cruikshank (1792-1878)'s Cruikshankiana, An Assemblage Of The Most Celebrated Works Of George Cruikshank London: M'Lean, [1835]. (1835) London: M'Lean, [1835]., 1835. One of 83 etched plates by George & Robert Cruikshank. The best of the Cruikshank family of caricaturists, and perhaps as good as Rowlandson, and Gillray. "Prolific and dexterous beyond his competitors, for a generation he delineated Tories, Whigs and Radicals with fine impartiality. Satirical capital came to him from every public event the best judges have placed his productions in the foremost rank; in this respect his works have been compared favourably with the masterpieces of etching." (from Encyclopaedia Britannica, 11th Edition.) Cohn 212.

No Binding. Condition: Good. 1st Edition. Regency caricature of London life. 'French musicians or, les savoyards.' A family of four musicians walks away from a house in fashionable Georgian square, with a servant at the door and reveller son the balcony, the performers no doubt unhappy with the payment made. Good condition, uncoloured, first published 1819. Platemark: 11x14 cms. Etching from George and Robert Cruikshank (1792-1878)'s Cruikshankiana, An Assemblage Of The Most Celebrated Works Of George Cruikshank London: M'Lean, [1835]. (1835) London: M'Lean, [1835]., 1835. One of 83 etched plates by George & Robert Cruikshank. The best of the Cruikshank family of caricaturists, and perhaps as good as Rowlandson, and Gillray. "Prolific and dexterous beyond his competitors, for a generation he delineated Tories, Whigs and Radicals with fine impartiality. Satirical capital came to him from every public event the best judges have placed his productions in the foremost rank; in this respect his works have been compared favourably with the masterpieces of etching." (from Encyclopaedia Britannica, 11th Edition.) Cohn 212.

No Binding. Condition: Good. 1st Edition. Regency caricature of children s fashion. Mushroom Monstrosities . A hilly scene of children wearing vast straw hats, one on the left riding a hobby-horse, the hats compared to the mushrooms growing in the foreground. Originally published in 1826. 20th century colour good condition. Platemark: 13x17 cms. Etching from George and Robert Cruikshank (1792-1878) s Cruikshankiana, An Assemblage Of The Most Celebrated Works Of George Cruikshank London: M Lean, [1835]. (1835) London: M Lean, [1835]., 1835. One of 83 etched plates by George & Robert Cruikshank. The best of the Cruikshank family of caricaturists, and perhaps as good as Rowlandson, and Gillray. "Prolific and dexterous beyond his competitors, for a generation he delineated Tories, Whigs and Radicals with fine impartiality. Satirical capital came to him from every public event the best judges have placed his productions in the foremost rank; in this respect his works have been compared favourably with the masterpieces of etching." (from Encyclopaedia Britannica, 11th Edition.) Cohn 212.

No Binding. Condition: Fair. 1st Edition. Regency celebrity culture caricature. 'A party of pleasure - dedicated to the Funny Club' An overloaded pleasure boat on the Thames in summer is capsizing, a dandy already in the water may have caused the upset when his spur caught the sail rope. A woman falls into the water head first, with a black servant falling on top of her, holding a breast in one hand and her neck in the other, that woman kicking a man in the mouth. The picnic pie, bottles and plates slide into the water, while an idiot spaniel sits on the stern begging for salvation. To the left of the main scene an exhausted oarsman rows a fat newspaper reader in a boat very low in the water. On the bank are two large villas, as at Twickenham, Richmond or Kew. Originally published 1822. Fair condition, complete, but with some foxing and a tear at the bottom. Uncoloured. Platemark: 25x37 cms. Etching from George and Robert Cruikshank (1792-1878)'s Cruikshankiana, An Assemblage Of The Most Celebrated Works Of George Cruikshank London: M'Lean, [1835]. (1835) London: M'Lean, [1835]., 1835. One of 83 etched plates by George & Robert Cruikshank. The best of the Cruikshank family of caricaturists, and perhaps as good as Rowlandson, and Gillray. "Prolific and dexterous beyond his competitors, for a generation he delineated Tories, Whigs and Radicals with fine impartiality. Satirical capital came to him from every public event the best judges have placed his productions in the foremost rank; in this respect his works have been compared favourably with the masterpieces of etching." (from Encyclopaedia Britannica, 11th Edition.) Cohn 212.

No Binding. Condition: Good. 1st Edition. Regency celebrity culture caricature. 'Inconveniences of a Crowded Drawing Room'. A doorway into a crowded gallery at Buckingham Palace is filled with an egotistical sybaritic crowd chivvying each other to be presented at court. A stout man and woman are stuck in the door way, their stomachs tête-bêche, the woman standing on the man's painful gouty foot; to the right a German (?) officer accidentally on purpose flicks his scabbard in between the legs of a much discomforted woman behind him. Originally published 1818. Uncoloured, good condition, platemark 25x35 cms. £40. Etching from George and Robert Cruikshank (1792-1878)'s Cruikshankiana, An Assemblage Of The Most Celebrated Works Of George Cruikshank London: M'Lean, [1835]. (1835) London: M'Lean, [1835]., 1835. One of 83 etched plates by George & Robert Cruikshank. The best of the Cruikshank family of caricaturists, and perhaps as good as Rowlandson, and Gillray. "Prolific and dexterous beyond his competitors, for a generation he delineated Tories, Whigs and Radicals with fine impartiality. Satirical capital came to him from every public event the best judges have placed his productions in the foremost rank; in this respect his works have been compared favourably with the masterpieces of etching." (from Encyclopaedia Britannica, 11th Edition.) Cohn 212.

No Binding. Condition: Good. 1st Edition. Fishing caricature. 'A Good bite or Swallowing the Bait'; two lugubrious gents fishing, one catching a frog, while their hound behind them furtively scoffs bait and fish. Coloured, platemark 13x17 cms, on a full folio sheet, the print in good condition, the sheet scuffed, browned at the edges. 20th century colour. Originally published 1823. Etching from George and Robert Cruikshank (1792-1878)'s Cruikshankiana, An Assemblage Of The Most Celebrated Works Of George Cruikshank London: M'Lean, [1835]. (1835) London: M'Lean, [1835]., 1835. One of 83 etched plates by George & Robert Cruikshank. The best of the Cruikshank family of caricaturists, and perhaps as good as Rowlandson, and Gillray. "Prolific and dexterous beyond his competitors, for a generation he delineated Tories, Whigs and Radicals with fine impartiality. Satirical capital came to him from every public event the best judges have placed his productions in the foremost rank; in this respect his works have been compared favourably with the masterpieces of etching." (from Encyclopaedia Britannica, 11th Edition.) Cohn 212.

Cloth. Condition: Very Good. Samuel Slader (illustrator). First edition. The scarce first edition of the third series of Robert Cruikshank's charmingly illustrated anthology volume of humorous poems and tales. The scarce third series of this work.The work of Isaac Robert Cruikshank, the less well-known elder brother of George Cruikshank.Illustrated with a frontispiece and eleven plates engraved by Samuel Slader, alongside further vignette illustrations. Collated, complete.Undated; dated 1835 via the British Library.A charming collection of short stories for the whole family, selected by Cruikshank. In the publisher's original cloth binding. Bumping to back strip head and tail, with back strip lightly age toned, and boards bright. Head of front joint starting, but firmly held. Hinges strained, but firmly held. Internally, firmly bound. Inscription to title page head. Handling marks and light spotting throughout. Very Good. book.