Dennis Philips (14 results)

Hardcover. Condition: New. like new. book appears unused.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. 0. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condition: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Soft cover. Condition: Good.

Imitation Leather. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: Fine. Signed.

Traducción de Yago Moreno y José Hamad. Pearson Educación, Madrid, 2001, 6ª edición, en 4ª, rústica ilustrada, XIX+618 p., 1327 g., ilustraciones, diagramas y figuras b/n dentro de paginación, incorpora índice analítico, normbre de antigua posedora. Buen estado Comunicación e imagen, publicidad, mercado. …

Encuadernación de tapa dura. Condition: Bien. Dust Jacket Condition: Bien. Traducción de Yago Moreno y José Hamad. Pearson Educación, M.

Encuadernación de tapa blanda. Condition: Bueno. 2ª Edición. Bueno/ Good.

47 pp.; 42 x 29 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 9, 1974, Special Prisoners Issue of Screw edited by Al Goldstein. Contents include: "Screw You," by Al Goldstein; "Sex in the Slammer," by Nick Dispoldo; "Penned-up Passions," by Dennis Philips; "Corresponding with Convicts," by the editors; "Sex Scene," by Larry Wichman; "Smut from the Past," by J.J. Kane; "Shit List," by Al Goldstein; "Diary of a Dirty Broad," by Honeysuckle Divine; "Funds for Felons;" "My Scene," by Burton N. Pugach; "Fuckbooks," by Michael Perkins; "Dirty Diversions," by Al Goldstein; "Naked City," by Rocco Bonelli and "Mail Order Madness," by John Milton. "Sex Scene" includes "Avant-Gore" account of Vito Acconci performance with photographs. Cover art by Marty Norman. Good. Sunning throughout and light foxing of covers. Staining to lower 10 cm. of recto and pages 36-47. Tear and bumping to left edge of recto measures 7 cm. Bumping of bottom center edge of verso and top left corner. Tear and bumping to bottom edge of pages 23-26 measures 6 cm. Tears to lower right of page 23 measures 5 mm and 1 cm. Creased lower right corner of page 23. Tears to bottom edge of page 25 measure 5 mm. and 9 mm. Otherwise clean and unmarked.…

slim 4to. quarter goatskin over decorative english reflective paper. (36) pages. First edition of 75 numbered and signed copies by the poet and the photographer. This set of splendidly rich poems records the minutiae of the moment, moving from micro to macro throughout. The poems are both the residue of privacy and an accounting of terrain, the poets territory; a collision of megalopolis, mountain, and desert meeting in fire. Twenty-three photographs taken by Carolee Campbell inhabit the book. They do not illustrate as much as act as an ambient penumbra. The images were found in the glancing light shining off the edge of the poetry. The type is hand set Van Dijck with Felix Titling for the display. It is printed letterpress on dampened Barcham Green paper, handmade in 1986 at the Hayle Mill (now closed) in Maidstone, Kent in England. Two watermarks can be seen throughout, one of which includes the date. The text was printed on a Vandercook Universal I flatbed proof press. The photographs were printed digitally by Karen Skove Chu using UltraChrome K3 inks. They are printed on Japanese Asuka washi, then cut, and tipped in by hand. The boards are quarter leather using a forest green French goatskin and a decorative black English paper that glows with the luminescence of a ravens wing. The text is sewn into an inner cover of pure Belgian flax, handmade at Cave Paper in Minneapolis, Minnesota. Each of the one-of-a-kind sheets reflects the subtle interplay of browns, blues and blacks as the sheet is dyed multiple times, making each inner cover unique. The design, presswork, binding, and photography are by Carolee Campbell at Ninja Press with the assistance of Farida Sunada in the bindery. quarter goatskin over decorative english reflective paper. Ninja Press (illustrator).…