Dick, Kay (189 results)

Condition: Very Good. Signed Copy . Paperback edition. Inscribed by author on title page. Owner's name on inside.

paperback. Condition: Good.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condition: very_good. Book has little sign of wear or use.

Paperback. Condition: Very Good. For fans of I Who Have Never Known Men, a 'creepily prescient' (Margaret Atwood) lost dystopian 'masterpiece' (Emily St. John Mandel): in a nightmarish Britain, THEY are coming closer.'Ceepy, tense and strange.' Ian Rankin 'Delicious and sexy and downright chilling . Read it!' Rumaan Alam 'The signature of an enchantress.' Edna O'Brien 'I'm pretty wild about this paranoid, terrifying 1977 masterpiece.' Lauren Groff 'Completely got under my skin.' Kiran Millwood Hargrave 'Lush, hypnotic, compulsive.' Eimear McBride 'A masterwork of English pastoral horror.' Claire-Louise Bennett 'A short shocker.' Andrew Hunter MurrayThis is Britain: but not as we know it. THEY begin with a dead dog, shadowy footsteps, confiscated books. Soon the National Gallery is purged; eerie towers survey the coast; mobs stalk the countryside destroying artworks - and those who resist.THEY capture dissidents - writers, painters, musicians, even the unmarried and childless - in military sweeps, 'curing' these subversives of individual identity.Survivors gather together as cultural refugees, preserving their crafts, creating, loving and remembering. But THEY make it easier to forget .Lost for half a century, newly introduced by Carmen Maria Machado, Kay Dick's They (1977) is a rediscovered dystopian masterpiece of art under attack: a cry from the soul against censorship, a radical celebration of non-conformity - and a warning. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. …

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: good. Signs of wear and consistent use.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: New.

Paperback. Condition: New. Main. For fans of I Who Have Never Known Men, a 'creepily prescient' (Margaret Atwood) lost dystopian 'masterpiece' (Emily St. John Mandel): in a nightmarish Britain, THEY are coming closer.'Ceepy, tense and strange.' Ian Rankin 'Delicious and sexy and downright chilling . Read it!' Rumaan Alam 'The signature of an enchantress.' Edna O'Brien 'I'm pretty wild about this paranoid, terrifying 1977 masterpiece.' Lauren Groff 'Completely got under my skin.' Kiran Millwood Hargrave 'Lush, hypnotic, compulsive.' Eimear McBride 'A masterwork of English pastoral horror.' Claire-Louise Bennett 'A short shocker.' Andrew Hunter MurrayThis is Britain: but not as we know it. THEY begin with a dead dog, shadowy footsteps, confiscated books. Soon the National Gallery is purged; eerie towers survey the coast; mobs stalk the countryside destroying artworks - and those who resist.THEY capture dissidents - writers, painters, musicians, even the unmarried and childless - in military sweeps, 'curing' these subversives of individual identity.Survivors gather together as cultural refugees, preserving their crafts, creating, loving and remembering. But THEY make it easier to forget .Lost for half a century, newly introduced by Carmen Maria Machado, Kay Dick's They (1977) is a rediscovered dystopian masterpiece of art under attack: a cry from the soul against censorship, a radical celebration of non-conformity - and a warning. …

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Condition: As New. Unread book in perfect condition. Kay, Courteney M; Knuth, Dick (illustrator).

paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condition: New.

Paperback. Condition: new. Paperback. 'I remembered how they began, a parody for the newspapers. No one wrote about them now.'The Sussex coast. Sunsets paint the windswept ocean; seagulls haunt the marshland; hunting rifles crack across hillsides. But this is England through-a-glass-darkly. They are coming closer. They begin with a dead dog, shadowy footsteps, confiscated books. Then, the National Gallery is purged; motorway checkpoints demarcate Areas, violent mobs stalk the countryside, destroying cultural artefacts - and those who resist. The surviving writers, artists and thinkers gather together, welcoming 'dissidents' like the unmarried and the childless. These polyamorous communities preserve their crafts, create, love, and remember. But as 'subversives' are captured in military sweeps, cured of identity, desensitised in retreats, they make it easier to forget . Lost for over forty years, Kay Dick's They (1977) is a rediscovered dystopian masterpiece: a cry from the soul against censorship, a radical celebration of non-conformity - and a warning. Introduced by Carmen Maria Machado, the radical dystopian classic, lost for forty years: in a nightmarish through-a-glass-darkly Britain, they are coming closer. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback or Softback. Condition: New. They. Book.

Condition: New. Kay, Courteney M; Knuth, Dick (illustrator).

Condition: As New. Unread book in perfect condition.

Condition: Used: Like New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Befriedigend. Buch Tasch 358 172 Seiten ISBN 3-426-08047-8 3426080478.

Paperback. Condition: new. Paperback. "A creepily prescient tale in which anonymous mobs target artists and destroy their art for the crime of individual vision. Insidiously horrifying!" --Margaret Atwood A rediscovered dystopian classic about artists struggling to resist violent suppression--"queer, English, a masterpiece." (Hilton Als) Set amid the rolling hills and the sandy, shingle beaches of coastal Sussex, this disquieting novel depicts an England in which bland conformity and cultural amnesia are the terrifying order of the day. Violent gangs roam the country destroying art and culture and brutalizing those who resist the purge. A loosely connected band attempts to evade the chilling mobs, but as the menacing "They" creep ever closer, it's only a matter of time before the dissidents' luck runs out. When it first appeared in 1977, Kay Dick's novel startled readers with its eerie, haunting power. As Lucy Scholes observes in her afterword, the novel's power lies in its mysteries: the elusive, automaton-like "They," the narrator whose gender is never revealed, and the androgynous relationships portrayed with unusual frankness. More than a dystopian allegory, They can be read as a cry for artistic and personal freedom by a writer who refused to live by society's rules. Prescient, chilling, and uncannily resonant today, it stands as Kay Dick's masterpiece. "Sections of the Afterword appeared originally in a slightly different form at the Paris Review Daily (2020)"--Title page verso. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Paperback. Condition: New.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.