Enrico Fontana (67 results)

Paperback. Condition: Near Fine. Exhibition catalog. Color illustrations. First edition (paperback). Light crease on rear cover, else near fine in oversize illustrated wraps.

Paperback. Condition: New.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Fine. First Edition. 4to. 224 pp. Fine. Small museum sticker to last blank.

hardcover. Condition: Like New. First Edition. Publisher: Guggenheim Museum, New York, 2006. FINE Hardcover in illustrated boards, as issued. First Edition. As new. Pristine.

Exhibition invite that unfolds to 3 x 17 inches; very good condition; an unmailed copy.

Hardcover. Condition: Very Good. Very good book. 100pp with b/w and colour illustrations. 0.

Condition: Good. THIS BOOK IS IN GOOD CONDITION. Sold by the U.K Charity Kisharon Langdon. Offering Opportunities and Support for People within the Autism and Learning Disability Community.

Condition: NEW.

Condition: Buone. italiano Condizioni dell'esterno: Discrete con difetti, macchie Condizioni dell'interno: Discrete con Difetti, bruniture.

Paperback. Condition: New.

Paperback. Condition: New.

Condition: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Discrete con Difetti, bruniture.

Hardcover. Condition: Very Good. Minimal wear to boards. Internally clean. Binding tight. 224pp plus This exhibition brought together for the first time Fontana's Venice paintings with his New York series of metals, both from the early 1960s. In 1961, for a few months, Lucio Fontana worked on an exceptional group of canvases: the Venice series. After years of titling his works Spatial Concept, this was the first time Fontana dedicated his production to a place and gave his paintings lyrical titles, such as Venice Was All in Gold or Night of Love in Venice. The series was shown the same year at Palazzo Grassi, Venice. In that same year, 1961, Michel Tapié organized an exhibition of the Venice series at the Martha Jackson Gallery, New York. It was Fontana's first solo exhibition in the United States, signaling him as a new 'master' of the international avant-garde. Fontana was, in turn, fascinated by New York, and while the Venice series was on display at the Martha Jackson Gallery he enthusiastically sketched the city which came to form the basis for the metal works that he produced upon his return: the New York series. This series consisted of large sheets of shiny and scratched copper, pierced and gouged, cut through by vertical gestures that simulate the force of New York construction. The dispersal of the Venice series and many of the New York works into museums and private collections, in Europe, the United States and Japan, necessitated two years of work during which curator Luca Massimo Barbero established the location of every painting exhibited in 1961. As a result, Barbero was able to provide the public with the most comprehensive presentation of Fontana's work in that seminal moment. Newly discovered archival material, drawings and photographs augmented the exhibition. Size: 225mm x 270mm. Book.

Paperback. Condition: New.

In-8° pp. 177, bross. edit. Ottimo stato.

Brossura. Condition: new. Milano, 2024; br., pp. 300, cm 14x21.(I Libri di Inland). Un vento di dolce poesia attraversa la storia dello Studio Ghibli dalla sua fondazione nel 1985 fino a quello che, per ora, è l'ultimo capitolo della sua epopea, il più recente film di Hayao Miyazaki "Il ragazzo e l'airone" (2023). L'edizione aggiornata e con una nuova veste grafica, ripercorre questa storia, partendo dagli albori, là dove la carriera dei due fondatori, Isao Takahata e Hayao Miyazaki, è iniziata. Attraversando titoli come "Una tomba per le lucciole", "Il mio vicino Totoro", "Pioggia di ricordi", "La città incantata", fino agli addii struggenti di "La storia della principessa splendente" e "Si alza il vento". Questa edizione rivista ed ampliata è impreziosita da contributi prestigiosi, tra cui la prefazione di Jurij Norstejn, la postfazione di Tomm Moore, interventi di Michaël Dudok de Wit, Manuele Fior, Manlio Castagna e tanti altri. Libro.

Condition: NEW.

brossura. Condition: Good. 0. In 8, bross. edit. ill. col. con bandelle, pp. 210 Stato di nuovo.Luogo di pubblicazione TorinoEditore EinaudiAnno pubblicazione 2012Collana Passaggi EinaudiMateria/Argomento Ambiente, Legalit Mafia, Ecomafia ***Books dated over 70 years old are not exportable, please do not order.***. Book.

Paperback. Condition: New.

Paperback. Condition: New.

pamphlet. Condition: Good. Illustrato a colori. Rilegato con punti metallici 44 p. 30x21 cm Buono (Good) Minimi segni d'uso alla copertina. Book.

softcover. Condition: Gut. 48 p. Essay by Jan van der Marck. Mild shelf-wear to backside cover. Sprache: Englisch Gewicht in Gramm: 270.

Condition: new.

Brossura. Condition: new. A cura di Azzano E. e Fontana A.Sesto San Giovanni, 2021; br., pp. 354, cm 14x21.(Mimesis-Cinema). Dietro all'opera di Satoshi Kon, scomparso ad appena 47 anni, si nasconde un universo stratificato di forme, riflessioni, visioni immaginifiche. Con pochi titoli in veste di regista, Kon ha saputo incidere in maniera indelebile sul modo di concepire e raccontare il cinema contemporaneo. Perfect Blue, Millennium Actress, Tokyo Godfathers, Paprika e, naturalmente, la serie Paranoia Agent rivelano un autore maturo, capace di muoversi liberamente nel territorio sottile e mastodontico che si attesta fra reale e onirico. In questo volume, ricco di firme prestigiose, si ripercorre l'intera carriera di Kon, da quella fumettistica a quella di animatore e sceneggiatore, fino ai titoli che lo hanno consacrato come autore in grado di ispirare registi quali Christopher Nolan e Darren Aronofksy e di ridefinire il concetto stesso di visione. Un viaggio attraverso lo specchio del cinema. Prefazione di Marco Müller. Libro.

Condition: BUONO USATO. IED. Universale economica ITALIANO IL LIBRO È USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Numero pagine 160. Il copyright dei dati è di Informazioni Editoriali I.E. Srl.

Libro vintage in-8°, brossura con 155 pagg, Roma, 1995. Saggi. Dalla quarta di copertina: "Il principe della camorra, il pentito della Rifiuti connection, il burocrate che ha governato il dopo terremoto in Campania, il politico che lavorava per i clan". Prima edizione. Note con evidenziatore in prima pagina. Sottolineature con evidenziatore all'interno.

Condition: new.

252 pp.; 23.5 x 22 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue / quasi catalogue raisonné published in conjunction with show held at Deichtorhallen Hamburg, September 2 - October 30, 1994. Texts by Zdenek Felix, Stefan Germer, Claus Pias and Katerina Vatsella. Documents, in depth, multiples produced by Editionen MAT, Richard Artschwager, Joseph Beuys, Claes Oldenburg, as well as multiples by Arman, John M. Armleder, Hans Arp, Enrico Baj, Stephan Balkenhol, Guillaume Bijl, Ross Bleckner, Barbara Bloom, Bernhard Johannes Blume, Alighiero Boetti, Davide Boriani, Martha Boto, Louise Bourgeois, George Brecht, Marcel Broodthaers, Werner Büttner, Pol Bury, John Cage, Mario Ceroli, Christo, Chryssa, Hanne Darboven, H.R. Demarco, Jessica Diamond, Mark Dion, Marcel Duchamp, Maria Eichhorn, Hans-Peter Feldmann, Robert Filliou, Ian Hamilton Finlay, Peter Fischli & David Weiss, FLATZ, Sylvie Fleury, Günther Förg, Lucio Fontana, Katharina Fritsch, General Idea, Karl Gerstner, Jochen Gerz, Piero Gilardi, Felix Gonzalez-Torres, Rodney Graham, Richard Hamilton, Georg Herold, Damien Hirst, Ottamar Hörl, Rebecca Horn, Ilya Kabakov, Allan Kaprow, Mike Kelley, Jon Kessler, Herbert Kiecol, Martin Kippenberger, Yves Klein, Milan Knizak, Imi Knoebel, Jeff Koons, Joseph Kosuth, Sean Landers, Louise Lawler, Annette Lemieux, Julio Le Parc, Sherrie Levine, Sol LeWitt, Roy Lichtenstein, Heinz Mack, Piero Manzoni, Hans-Jörg Mayer, Paul McCarthy, Olaf Metzel, John Miller, François Morellet, Matt Mullican, Maurizio Nannucci, Bruce Nauman, Daniel Oates, Markus Oehlen, Dennis Oppenheim, Tom Otterness, Nam June Paik, Blinky Palermo, Panamarenko, Giuseppe Penone, Dan Peterman, Lucio Del Pezzo, Sigmar Polke, Man Ray, Patrick Raynaud, Larry Rivers, Mimmo Rotella, Dieter Roth, Gerhard Rühm, Allen Ruppersberg, Reiner Ruthenbeck, Niki de Saint Phalle, Icolas Schoeffer, Cindy Sherman, Robert Smithson, Francisco Sobrino, Jesus Raphael Soto, Daniel Spoerri, Klaus Staeck, Haim Steinbach, Paul Talman, Joe Tilson, Rirkrit Tiravanija, Lincoln Tobier, Rosemarie Trockel, Richard Tuttle, Günther Uecker, Meyer Vaisman, Gregorio Vardanega, Victor Vasarely, Villeglé, Wolf Vostell, Jeff Wall, Franz Erhard Walther, Lawrence Weiner, Tom Wesselmann, Bill Woodrow, Jean Pierre Yvaral, Peter Zimmermann and Heimo Zobernig. Includes bibliographies for each artist. Texts in German. Very Good. Light rubbing corners with light dust soiling of covers, spine and text block edge. Contents are clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Condition: NEW.