Icona (25 results)

Condition: Bueno. : Esta completa guía ofrece una visión detallada del Parque Nacional de Ordesa y Monte Perdido, uno de los espacios naturales más emblemáticos de los Pirineos. Publicada originalmente por el Organismo Autónomo Parques Nacionales, la obra sirve como una herramienta esencial para visitantes y entusiastas de la naturaleza que deseen explorar la geografía, flora y fauna de este sitio declarado Patrimonio de la Humanidad.El libro incluye información técnica y descriptiva a lo largo de sus más de 280 páginas, proporcionando un recorrido exhaustivo por los paisajes y senderos del parque. Es una referencia clásica para el excursionismo y la conservación ambiental en España, ideal tanto para la planificación de rutas como para el estudio del entorno natural pirenaico. EAN: 9788480140690 Tipo: Libros Categoría: Deportes y Recreación Título: Guía del Parque Nacional de Ordesa y Monte Perdido Autor: ICONA Editorial: Organismo Autónomo Parques Nacionales Idioma: es-ES Páginas: 286 Formato: tapa blanda.

Condition: Como nuevo. : Catálogo de la exposición 'Natura' celebrada en la Expo '92 de Sevilla. Este libro, publicado por Mondadori Electa, presenta los pabellones temáticos de la exposición y ofrece una visión multilingüe de la naturaleza. Con 192 páginas, es una guía completa para aquellos interesados en la exposición y en la naturaleza en general. EAN: 9788843539277 Tipo: Libros Categoría: Arte y Cultura|Ciencias Título: Natura - Expo '92 Autor: AA.VV.| Antonio Mauro| ICONA.| Universidad de Barcelona| Instituto para la Conservación de la Naturaleza (Madrid) Idioma: it Páginas: 192 Formato: tapa blanda.

Condition: Good. First Edition. NOORDZEE-ATLAS; Rug is iets verkleurd. Daarnaast is het boek in goede staat.

Condition: Good. First Edition. NOORDZEE-ATLAS; Fris, schoon en gaaf exemplaar.

Encuadernación de tapa blanda. Condition: Muy Bien. Muy buen estado, sin marcas, anotaciones, subrayados ni otras señales de uso.

TAPA BLANDA. CASTELLANO MINISTERIO DE AGRICULTURA / ICONA TEJUELO EN EL LOMO-RESTO BUEN ESTADO.

Condition: Used: Like New. Libro Nuovo, lievi segni di giacenza. Consegna 24/48 ore 56 L6.

Single Issue Magazine. Condition: Used: Very Good.

Madrid, 1983, 29x20,5 cm, 255 págs. con ilustraciones.

Madrid, 1985, 29x21 cm, 213 págs. con ilustraciones.

1987, Madrid, Ministerio de Agricultura, Pesca y Alimentacion, Instituto Nacional Conservacion Naturaleza, Edita ICONA, 74 paginas, ilustraciones, 22x15, cubiertas en tapa blanda ilustrada, 250 gramos, buen estado.

1976, Cazorla, Jaen, Ministerio de Agricultura, Instituto Nacional para la Conservacion de la Naturaleza, 94 paginas, 24x16, cubiertas originales en tapa blanda, buen estado.

1986, Madrid, Ministerio de Agricultura, Pesca y Alimentacion, Instituto Nacional para la Conservacion de la Naturaleza, 40 paginas, 24x18, cubierta en rustica impresa aq una tinta, 150 gramos, buen estado.

Junta Nacional de Homologación de Trofeos de Caza.dedicatoria autografa ant.prop. Madrid 1973 A.G.I.574 p.30x21 cm. Ilustrado.Rústica.Ref.43833. Libro.

Condition: Used: Very Good. Jaquette très légèrement frottée sur une coiffe et un coin mais proche du comme neuf.

Condition: ESTADO COMO NUEVO. TAPA BLANDA RUSTICA ILUSTRADA-40pgns.

Condition: ESTADO COMO NUEVO. TAPA BLANDA RUSTICA ILUSTRADA-40pgns.

40pp Rústica Plantas pirenaicas a proteger, Plantas canarias a proteger, Setas venenosas, Setas comestibles, Aves insectivoras, Especies protegidas, Nuestros arboles, .Ilustraciones color con sus fichas.

Paperback. Condition: Used: Very Good.

TAPA BLANDA. CASTELLANO MINISTERIO DE AGRICULTURA / ICONA TEJUELO EN EL LOMO-RESTO BUEN ESTADO.

Encuadernación de tapa blanda. Condition: Como Nuevo. 1ª Edición. 1994. Mediciones realizadas entre los años 1985 a 1990. Fórmulas de valoración de trofeos, datos de fincas, fechas, región, puntos, cazadores. Dibujos de Josechu Lalanda Autor: ICONA. JUNTA NACIONAL DE TROFEOS DE CAZA, Edición: PRIMERA, Editorial: MERCEDES-IGNACIO BASA, Encuadernación: CARTONE, Páginas: 176, Prólogo: JUAN L. OLIVA DE SUELVES.

IP signed photograph, shows the band 'Icona Pop' in a close-up portrait, 5 x 7 inch, signed by both band members (Aino Jawo, Caroline Hjelt) in black felt tip, obtained In-Person, in very fine condition.

Tempera su tavola di legno. 55 x 44 cm. Icona polipartita o a comparti (schema k?????), il che significa che l'immagine principale è circondata da scene più piccole che illustrano eventi della vita di Cristo, della Vergine o dei santi: La scena centrale, più grande, è chiaramente la discesa agli Inferi (Anástasis o Resurrezione), che nell'iconografia ortodossa è considerata la vera rappresentazione della Risurrezione di Cristo. Gesù è raffigurato mentre calpesta le porte spezzate dell'Inferno e solleva Adamo ed Eva dai sarcofagi, circondato da una mandorla luminosa. I comparti più piccoli che circondano la scena centrale raffigurano molto probabilmente le Dodici Grandi Feste (Dodekaorton), ovvero i principali eventi del calendario liturgico della Chiesa Ortodossa (es. Natività, Presentazione al Tempio, Trasfigurazione, Ingresso a Gerusalemme, Ascensione, Dormizione della Vergine, ecc.). Questo tipo di icona è molto comune e veniva spesso utilizzato per la preghiera domestica o come calendario liturgico visivo. Lo stile della pittura, i colori, la composizione e l'uso dell'oro (o giallo ocra per simularlo) per lo sfondo e le aureole sono tutti elementi tipici della tradizione russa. Nonostante lo stile pittorico sia un po' "arcaico" o "tradizionale" (con figure allungate e colori scuri), la presenza del bordo esterno decorato (che sembra un'imitazione a rilievo intagliata del bordo di una riza) e la tavola relativamente semplice la collocano in un periodo di produzione intensiva. È molto probabile che sia databile al XVIII secolo inoltrato o all'inizio del XIX secolo (circa 1780 - 1850). La pittura è scura e molto consumata. Spesso, icone di questo tipo a scomparti venivano prodotte nei laboratori dei centri di Mosca o delle regioni circostanti per la vendita popolare o per i Vecchi Credenti (Starovieri), che spesso prediligevano stili più tradizionali e meno occidentalizzati.Il design, con i comparti definiti e il bordo scuro decorato (forse stampato o modellato sul gesso/levkas), era una forma popolare di produzione di massa prima che le icone con riza metallica prendessero il sopravvento. Il pannello di legno è spesso, con il retro che non mostra traverse integrate o incassate, ma solo le tracce di vecchie cerniere o ganci di metallo.La pittura è molto scura, probabilmente a causa di strati di sporco, fumo e una vernice protettiva (olifa) molto ossidata, che le conferisce un aspetto ambrato e profondo. L'oro è abrasiato in molte aree, in particolare nel registro centrale.Tempera on wooden panel. A polypartite or compartmentalized icon (kleima scheme), meaning the main image is surrounded by smaller scenes illustrating events from the life of Christ, the Virgin, or the saints. The larger, central scene is clearly the Descent into Hell (Anastasis or Resurrection), which in Orthodox iconography is considered the true representation of Christ's Resurrection. Jesus is depicted trampling the broken gates of Hell and raising Adam and Eve from their sarcophagi, surrounded by a luminous mandorla. The smaller compartments surrounding the central scene most likely depict the Twelve Great Feasts (Dodekaorton), the main events of the liturgical calendar of the Orthodox Church (e.g., the Nativity, the Presentation in the Temple, the Transfiguration, the Entry into Jerusalem, the Ascension, the Dormition of the Virgin, etc.). This type of icon is very common and was often used for home prayer or as a visual liturgical calendar. The icon is unquestionably of the Russian school. The painting style, colors, composition, and use of gold (or yellow ochre to simulate it) for the background and halos are all typical elements of the Russian tradition. Although the painting style is somewhat "archaic" or "traditional" (with elongated figures and dark colors), the presence of the decorated outer border (which appears to be a carved relief imitation of the edge of a riza) and the relatively simple panel place it in a period of intensive production. It most likely dates to the late 18th or early 19th century (circa 17801850). The paint is dark and very worn. Often, icons of this type with compartments were produced in workshops in central Moscow or the surrounding regions for popular sale or for Old Believers (Starovieri), who often favored more traditional and less Westernized styles.The design, with its defined compartments and dark, decorated border (perhaps stamped or molded into gesso/levkas), was a popular form of mass production before icons with metal rizas became prevalent. The wooden panel is thick, with the back showing no integrated or recessed crosspieces, but only traces of old metal hinges or hooks.The paint is very dark, likely due to layers of dirt, smoke, and a heavily oxidized protective varnish (olifa), which gives it a deep, amber appearance. The gold is abraded in many areas, particularly in the central register. 19mo Secolo.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1631 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 583 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 583.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 584. A perfect gift for your loved ones. Reprinted from 1631 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Latin Pages: 584.