Kurland, Justine (85 results)

Soft cover. Condition: Near Fine. 1st Edition. Softcover, 389 pgs. Includes a portfolio of photocollages by Justine Kurland, fiction, essays and poetry by a wide variety of authors. Very minimal wear, near fine+.

Softcover, string-bound, unpaginated; in English; good condition; crease down length of all pages near left edge; no internal marks. Foreign shipping may be extra.

Exhibition invite, 4 x 9 inches; very good condition; an unmailed copy.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: new. Hardcover. Following in the photographic lineage of Robert Frank, Stephen Shore, and Joel Sternfeld, Justine Kurland's work examines the story of America-and the idea of the American dream juxtaposed against the reality. Her deep interest in the road, the western frontier, escape, and ways of living outside mainstream values pervade this stunning and important body of work. Since 2004, Kurland and her young son, Casper, have traveled in their customized van, going south in the winter and north in the summer, her life as an artist and mother finely balanced between the need for routine and the desire for freedom and surprise. Casper's interest -particularly in trains, and later in cars-and those he befriends along the way often determine Kurland's subject matter. He appears at different ages in the work, against open vistas and among the subcultures of train-hoppers and drifters around them. Kurland's vision is in equal parts raw and romantic, idyllic and dystopian. From highly symbolic pictures of trains moving across epic landscapes to allegorical depictions of mechanics and muscle cars, this book features the full scope of her road work-from her series This Train is Bound for Glory, to her most recent, Sincere Auto Care. Justine Kurland, known for her utopian photographs of American landscapes and their fringe communities, has spent the better part of the last twelve years on the road. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: new. Hardcover. The North American frontier is an enduring symbol of romance, rebellion, escape, and freedom. At the same time, it's a profoundly masculine myth-cowboys, outlaws, Beat poets. Photographer Justine Kurland reclaimed this space in her now-iconic series of images of teenage girls, taken between 1997 and 2002 on the road in the American wilderness. "I staged the girls as a standing army of teenaged runaways in resistance to patriarchal ideals," says Kurland. She portrays the girls as fearless and free, tender and fierce. They hunt and explore, braid each other's hair, and swim in sun-dappled watering holes-paying no mind to the camera (or the viewer). Their world is at once lawless and utopian, a frontier Eden in the wild spaces just outside of suburban infrastructure and ideas. Twenty years on, the series still resonates, published here in its entirety and including newly discovered, unpublished images. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Exhibition invite, 4 x 9 inches; very good condition; an unmailed copy.

Hardback. Condition: New. The North American frontier is an enduring symbol of romance, rebellion, escape, and freedom. At the same time, it's a profoundly masculine myth-cowboys, outlaws, Beat poets. Photographer Justine Kurland reclaimed this space in her now-iconic series of images of teenage girls, taken between 1997 and 2002 on the road in the American wilderness. "I staged the girls as a standing army of teenaged runaways in resistance to patriarchal ideals," says Kurland. She portrays the girls as fearless and free, tender and fierce. They hunt and explore, braid each other's hair, and swim in sun-dappled watering holes-paying no mind to the camera (or the viewer). Their world is at once lawless and utopian, a frontier Eden in the wild spaces just outside of suburban infrastructure and ideas. Twenty years on, the series still resonates, published here in its entirety and including newly discovered, unpublished images.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. The North American frontier is an enduring symbol of romance, rebellion, escape, and freedom. At the same time, it's a profoundly masculine myth-cowboys, outlaws, Beat poets. Photographer Justine Kurland reclaimed this space in her now-iconic series of images of teenage girls, taken between 1997 and 2002 on the road in the American wilderness. "I staged the girls as a standing army of teenaged runaways in resistance to patriarchal ideals," says Kurland. She portrays the girls as fearless and free, tender and fierce. They hunt and explore, braid each other's hair, and swim in sun-dappled watering holes-paying no mind to the camera (or the viewer). Their world is at once lawless and utopian, a frontier Eden in the wild spaces just outside of suburban infrastructure and ideas. Twenty years on, the series still resonates, published here in its entirety and including newly discovered, unpublished images.

Condition: New.

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: As New.

Condition: NEW.

Hardback. Condition: New. Following in the photographic lineage of Robert Frank, Stephen Shore, and Joel Sternfeld, Justine Kurland's work examines the story of America-and the idea of the American dream juxtaposed against the reality. Her deep interest in the road, the western frontier, escape, and ways of living outside mainstream values pervade this stunning and important body of work. Since 2004, Kurland and her young son, Casper, have traveled in their customized van, going south in the winter and north in the summer, her life as an artist and mother finely balanced between the need for routine and the desire for freedom and surprise. Casper's interest -particularly in trains, and later in cars-and those he befriends along the way often determine Kurland's subject matter. He appears at different ages in the work, against open vistas and among the subcultures of train-hoppers and drifters around them. Kurland's vision is in equal parts raw and romantic, idyllic and dystopian. From highly symbolic pictures of trains moving across epic landscapes to allegorical depictions of mechanics and muscle cars, this book features the full scope of her road work-from her series This Train is Bound for Glory, to her most recent, Sincere Auto Care.

Hardcover. Condition: New. Special order direct from the distributor.

Hardcover. Condition: New.

Hardback. Condition: New. Following in the photographic lineage of Robert Frank, Stephen Shore, and Joel Sternfeld, Justine Kurland's work examines the story of America-and the idea of the American dream juxtaposed against the reality. Her deep interest in the road, the western frontier, escape, and ways of living outside mainstream values pervade this stunning and important body of work. Since 2004, Kurland and her young son, Casper, have traveled in their customized van, going south in the winter and north in the summer, her life as an artist and mother finely balanced between the need for routine and the desire for freedom and surprise. Casper's interest -particularly in trains, and later in cars-and those he befriends along the way often determine Kurland's subject matter. He appears at different ages in the work, against open vistas and among the subcultures of train-hoppers and drifters around them. Kurland's vision is in equal parts raw and romantic, idyllic and dystopian. From highly symbolic pictures of trains moving across epic landscapes to allegorical depictions of mechanics and muscle cars, this book features the full scope of her road work-from her series This Train is Bound for Glory, to her most recent, Sincere Auto Care.

Condition: NEW.

Condition: New. In.

Condition: New. 2021. New. Hardcover. . . . . .

First Edition. First edition. Softcover. Includes images by John Baldessari, Tina Barney, Bernd & Hilla Becher, Edward Burtynsky, Bavid Byrne, William Christenberrry, Mitch Epstein, Lee Freidlander, Frank Gohlke, Teun Hocks, Justine Kurland, Duane Michals, Richard Misrach, Vik Muniz, Ed Ruscha, Stephen Shore, Alec Soth, Jem Southam, Mark Steinmetz, Hiroshi Sugimoto, and numerous others. Includes text contributions by Dave Eggers, Joyce Carol Oates and others. A clean very near fine copy in wrappers. A very nice copy of one of the better issues of this short-lived magazine.

Condition: New.

Hardcover. Condition: New. Special order direct from the distributor.

Hardcover. Condition: New.

Hardcover. Condition: New. Qto., 72 pages, 30 large b/w photographs. Signed by the artist. A New copy.

Hardcover. Condition: new. Hardcover. This lush volume by Justine Kurland reconfigures the history of collage through the work of 44 artists, from Ruth Asawa to Deborah RobertsWith a sprawling, loose interpretation of collages past and present definitions, curator Justine Kurland presents The Rose: a compendium of 44 contemporary artists working in or around the medium. Choosing collage, Kurland argues, is an inherently political and contradictory method, as it allows artists to reframe and recontextualize all that we know. She asks us to consider collage as an active process: breaking things apart, centering the margins and forging new structures. Sourcing archival materials, family photographs, vernacular imagery, paint, scraps of paper, ceramics, fabrics, film and more, these artists, according to Kurland, harness these materials "as tools for survival, technologies for world-building and a means of radical deprogramming." With full-color plates of work by each artist along with Kurland's writing contextualizing its place in the canon, this book serves as a historic retelling of art history within the context of collage and the artists on the edge of the medium.Artists include: Ruth Asawa, Vija Celmins, Philo Cohen, Jay DeFeo, Leslie Hewitt, Kiki Kogelnik, Wangechi Mutu, Frida Orupabo, Wendy Red Star, Deborah Roberts, Martha Naranjo Sandoval, Keisha Scarville, Gwen Smith, Pamela Sneed, Lorna Simpson, Hannah Wilke, Francesca Woodman. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. 2020. Hardcover. . . . . .

Hardback. Condition: New. This lush volume by Justine Kurland reconfigures the history of collage through the work of 44 artists, from Ruth Asawa to Deborah RobertsWith a sprawling, loose interpretation of collage's past and present definitions, curator Justine Kurland presents The Rose: a compendium of 44 contemporary artists working in or around the medium. Choosing collage, Kurland argues, is an inherently political and contradictory method, as it allows artists to reframe and recontextualize all that we know. She asks us to consider collage as an active process: breaking things apart, centering the margins and forging new structures. Sourcing archival materials, family photographs, vernacular imagery, paint, scraps of paper, ceramics, fabrics, film and more, these artists, according to Kurland, harness these materials "as tools for survival, technologies for world-building and a means of radical deprogramming." With full-color plates of work by each artist along with Kurland's writing contextualizing its place in the canon, this book serves as a historic retelling of art history within the context of collage and the artists on the edge of the medium.Artists include: Ruth Asawa, Vija Celmins, Philo Cohen, Jay DeFeo, Leslie Hewitt, Kiki Kogelnik, Wangechi Mutu, Frida Orupabo, Wendy Red Star, Deborah Roberts, Martha Naranjo Sandoval, Keisha Scarville, Gwen Smith, Pamela Sneed, Lorna Simpson, Hannah Wilke, Francesca Woodman.