Landini, Domenico (8 results)

Opuscolo in 8°, pp. da 127 a 151, (1). Brossura editoriale. Memorie Lincee. Scienze fisiche e naturali. Serie IX, Vol. II, Fasc. 5. Copia in stato di nuovo.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1810 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 64 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 64 Volume 367 Language: Italian.

Kein Einband. Condition: Gut bis sehr gut. Milan Cathedral. "Veduta del Duomo di Milano. Vue du Dome de Milan". Orig. aquatint, D. Landini, ca. 1830. With many figures in the foreground and Italian-French title under the picture. 31,2:41,2 cm (12 1/4 x 16 1/4 inch.) printed on paper sized 43:54 cm. Domenico Landini (1783 in Parma - 1835 in Milan) was an Italian etcher and engraver. - A tear in the bottom margin (approx. 1 cm affecting the picture) expertly restored (see photo).

Leather Bound. Condition: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1810. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages:- 64, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 64 64.

Leather Bound. Condition: New. Language: ita. Language: ita. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1810. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - ita, Vol:- Volume 367, Pages:- 64, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 367 64 64.

senza rilegatura. Condition: buone condizioni. Incisione originale su matrice di rame eseguita all'acquatinta, finemente colorata all'acquerello d'epoca. In lastra, sotto la parte figurata, indicazione degli autori, titolo in francese e in versione italiana nonchè indirizzo dello stampatore in italiano, La trasposizione su lastra è opera di Landini Domenico, incisore italiano della prima metà del XIX secolo. Il disegno dell'opera spetta al disegnatore e litografo piemontese M. Nicolosino. L'immagine in esame raffigura uno scorcio prospettico del grandioso castello ducale di Agliè, in provincia di Torino. L'edificazione del suo nucleo centrale, del quale sono tuttora identificabili le tracce, è iniziata nel XII secolo per conto della famiglia comitale sei San Martino, originari del Canavese. Nel 1939 lo Stato acquistò dalla Casa Reale il castello che venne adibito a museo, negli anni Ottanta è stato oggetto di un ulteriore delicato restauro. Annesso al castello vi è un grande parco che lo circonda su tre lati. Nel 1839 l'area venne sistemata in forme romantiche, con giardini all'italiana e all'inglese organizzati in terrazze su tre piani. All'ingresso si trova una fontana settecentesca che simboleggia la Dora Baltea che si getta nel Po, opera di Ignazio e Filippo Collino. Tavola tratta dalla raccolta di vedute dei dintorni di Torino, opera di notevole raffinatezza tecnica ed interesse vedutistico di chiese e residenze sabaude. Esemplare in buono stato conservativo. 0.

Pas de couverture. Milan 1810 | 25 x 19 cm | une feuille sous marie-louise | Eau-forte originale rehaussée et signéeGilio Rimoldi inc. (incise) dans l'angle inférieur gauche etDom Landini acquer. (acquarello) dans l'angle inférieur droit. Belle vue extérieure de la Chartreuse de Pavie, dont la façade de marbre, la partie la plus célèbre, fut commencée en 1473 par Giovanni Solari, et terminée en 1560. Des fidèles déambulant sur le parvis sont rehaussés de couleurs vives posées à la main. Réalisée par Domenico Landini etCarlo Gilio Rimoldi(1787-1841), architecte et artiste milanais, connu pour ses aquarelles de Crémone, Milan et Pavie. Elle fait partie d'un ensemble de paysages lacustres et de vues de monuments italiensd'un album intitulé "Souvenir de Milan : ou Collection des principales vues de cette ville et de ses environs",qui connut plusieurs tirages, le premier dont est extraite cette oeuvre étant dirigé par Luigi Zucoli. Elle fut réaliséepour des voyageurs fortunés et cultivés. Exécutées dans le premier quart du XIXe siècle, ces eaux-fortes résument les étapes du "Grand Tour" d'Italie, voyage obligé de la noblesse post-napoléonienne qui venait en Italie faire un pèlerinage artistique et bucolique auprès des grandes réalisations de la Renaissance toscane et des ravissants lacs de montagne lombards et piémontais. L'aristocratie européenne était donc friande de ces eaux-fortes de bonne qualité graphique rehaussée de couleurs éclatantes, qui rassemblaient les hauts-lieux de l'architecture et de la campagne italienne. | [ENGLISH DESCRIPTION FOLLOWS] Original etching signed by Gilio Rimoldi inc. In the lower left corner and Dom Landini acquire. In the lower right corner. Exterior view of the Charterhouse of Pavia, whose visible façade was completed at the end of the 15th century. Worshipers strolling in the church are enhanced with bright colors. Directed by Carlo Gilio Rimoldi (1787-1841), Milanese architect and artist, famous for his watercolors of Cremona, Milan and Pavia, which he engraved himself. This engraving is part of a collection of lacustrine landscapes and views of Italian monuments (Este villa, Chartreuse de Pavie .) gathered in an amicorum album among engravings, lithographs, drawings, and wash. Executed in the first quarter of the 19th century, these views summarize the stages of the "Grand Tour" of Italy, the obligatory journey of the post-Napoleonic nobility who came to Italy to make an artistic and bucolic pilgrimage to the great achievements of the Tuscan Renaissance and The lovely Lombard and Piedmontese mountain lakes. The European aristocracy was therefore fond of these views of good quality with brilliant colors, which brought together the high places of architecture and the Italian countryside. *.

senza rilegatura. Condition: in ottime condizioni. Acquatinta misure: mm 363 x 452 Incisore e negoziante di stampe. Dopo un primo e breve periodo nella città natale si trasferì a Milano iniziando la sua carriera come commerciante di stampe, divenne egli stesso incisore molto attivo in Lombardia e in Piemonte e  collaboratore di diversi stampatori ed editori, come gli Artarìa, i fratelli Bettalli o il cremonese Luigi Micheli. Per quest'ultimo illustrò con centinaia di acquetinte gli otto volumi dei Viaggi in Italia di Francesco Gandini e incise le tavole sui Promessi sposi da disegni di Antonio Bottazzi. Alcune delle sue acquetinte si distinguono per la qualità e raffinatezza dei dettagli. Visione prospettica della Piazza del Duomo di Milano con la facciata il lato destro, parte del Palazzo Reale e degli edifici poi abbattuti per fare spazio alla Galleria. L'imponente cattedrale, simbolo della città, è situata al centro del foglio, disposta leggermente in diagonale. La scena è molto animata, in primo piano signori e nobildonne a passeggio, militari in uniforme, un venditore trasporta due secchi, un altro due cesti, un uomo colto nell'atto di raccogliere rifiuti, una donna indossa il costume tipico della Brianza, alcuni cani si azzuffano e una carrozza trainata da tre coppie di cavalli bianchi procede da destra. Viene proposto uno spaccato di vita comune e gli edifici laterali sono concepiti come quinta prospettica finalizzata a collocare l'edificio in un contesto realistico. In basso, oltre l'immagine, incisi in italiano ed in francese: Inciso e disegnato dal vero da Landini/Veduta del Duomo di Milano. Impressione eccellente, neri delicati. Ottimo stato di conservazione, eccetto minimo foxing sparso. Ampi margini oltre la battuta del rame. Bibliografia: P. Arrigoni, Milano nelle vecchie stampe, n. 490.