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Hardback. Condition: New. A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 1390-1441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eyck's pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not "from life" but "into life." Animation, not representation, drove Van Eyck and his contemporaries. Turel's interpretation reverses the commonly held belief that these artists were inspired by the era's burgeoning empiricism, proposing instead that their "living pictures" helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works' key role in shaping, rather than simply mirroring, the early modern world.
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Published by Yale University Press, 2020
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Hardcover. Condition: new. Hardcover. A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 13901441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eycks pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not from life but into life. Animation, not representation, drove Van Eyck and his contemporaries. Turels interpretation reverses the commonly held belief that these artists were inspired by the eras burgeoning empiricism, proposing instead that their living pictures helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works key role in shaping, rather than simply mirroring, the early modern world. A significant new interpretation of the emergence of Western pictorial realism Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Add to basketHardcover. Condition: Brand New. 189 pages. 11.00x8.50x1.00 inches. In Stock.
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Add to basketHardcover. Condition: new. Hardcover. A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 13901441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eycks pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not from life but into life. Animation, not representation, drove Van Eyck and his contemporaries. Turels interpretation reverses the commonly held belief that these artists were inspired by the eras burgeoning empiricism, proposing instead that their living pictures helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works key role in shaping, rather than simply mirroring, the early modern world. A significant new interpretation of the emergence of Western pictorial realism Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Language: English
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ISBN 10: 0300247575 ISBN 13: 9780300247572
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Add to basketHardback. Condition: New. A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 1390-1441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eyck's pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not "from life" but "into life." Animation, not representation, drove Van Eyck and his contemporaries. Turel's interpretation reverses the commonly held belief that these artists were inspired by the era's burgeoning empiricism, proposing instead that their "living pictures" helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works' key role in shaping, rather than simply mirroring, the early modern world.
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ISBN 10: 0300247575 ISBN 13: 9780300247572
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Hardcover. Condition: new. Hardcover. A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 13901441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eycks pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not from life but into life. Animation, not representation, drove Van Eyck and his contemporaries. Turels interpretation reverses the commonly held belief that these artists were inspired by the eras burgeoning empiricism, proposing instead that their living pictures helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works key role in shaping, rather than simply mirroring, the early modern world. A significant new interpretation of the emergence of Western pictorial realism Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Add to basketHardcover. Condition: New. Über den AutorStephen Perkinson, Ph.D. (1998, Northwestern University), is Professor of Art History and Associate Dean for Academic Affairs at Bowdoin College. He is the author of The Likeness of the King (Chicago, 2009) and .
Buch. Condition: Neu. Neuware - Picturing Death: 1200-1600 brings together essays considering four key centuries of imagery related to human mortality, from tomb sculpture to painted altarpieces, from manuscripts to printed books, and from minute carved objects to large-scale architecture.
Published by Yale University press
ISBN 10: 0300247117 ISBN 13: 9780300247114
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