Rab Hatfield (45 results)

Paperback. Condition: Like New. Clean copy. May have remainder mark.

Paperback. Condition: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

paperback. Condition: Good. Softcover in Good condition. Clean pages. Good binding. Carefully packaged to avoid damage in shipping.

Hardcover. Condition: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good+. B & W reproductions; 8vo 8" - 9" tall; 220 pages; 1976 Princeton University Press. Trade size paperback in glossy pictorial covers. Soundly bound with no marks to text. Spine a little sunned and faded; light shelf rubbing to cover edges. Prior owner name at front. Illustrated with b&w reproductions/plates. G++. …

Condition: New. Contains the texts of six papers delivered by internationally renowned scholars during a three-day conference held in Florence in October 2008 in celebration of the one hundredth anniversary of the publication of Horne's celebrated monograph on Botticelli. Editor(s): Hatfield, Rab (University of Syracuse, Florence, Italy). Num Pages: 160 pages, 90 colour & 20 b/w illustrations, notes, bibliography, index. BIC Classification: ACND; AFC; AGB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 233 x 171 x 26. Weight in Grams: 680. . 2009. paperback. . . . . Books ship from the US and Ireland.…

Condition: New. Contains the texts of six papers delivered by internationally renowned scholars during a three-day conference held in Florence in October 2008 in celebration of the one hundredth anniversary of the publication of Horne's celebrated monograph on Botticelli. Editor(s): Hatfield, Rab (University of Syracuse, Florence, Italy). Num Pages: 160 pages, 90 colour & 20 b/w illustrations, notes, bibliography, index. BIC Classification: ACND; AFC; AGB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 233 x 171 x 26. Weight in Grams: 680. . 2009. paperback. . . . .…

paperback. Condition: Used-Very Good. Pap. Minor shelf-wear, clean internals.

Paperback. Condition: Good. Unmarked book, sticker on back.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: near fine. Dust Jacket Condition: very good. 1 foldout color plate and 68 black-and-white plates. 150 pages, 8vo, two-toned brown cloth, d.w. (spine sunned, dent to lower front edge). Princeton: Princeton University Press, (1976). A near fine copy in a very good dust wrapper. Botticelli (illustrator). …

Paperback. Condition: UsedGood. Paperback; fading, scuffing, and shelf wear to exterior; scrape to side edg e of front cover; in good condition with clean text, firm binding.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Fine. 150pp., incl. index, followed by plate section containg 68 black & white reproductions, one folding color plate; 8vo; cloth in dust jacket with rubbing to front foredge, fading to spine. Very Good dust , in protective mylar wrap.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Author-signed first edition. Volume, measuring approximately 6.5" x 9.5", is bound in light and dark brown cloth, with stamped gilt lettering to spine. Book shows light shelfwear. Binding is firm. Previous owner's name is written at top of front pastedown. Interior is otherwise clean and bright. Dust jacket exhibits light shelfwear. Jacket is preserved in mylar cover. xv/150 pages. Signed by Author(s).…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. Internally clean, unmarked, sharp corners, firm hinges with DJ in VG+ condition. BP/Italian Art/Artists/B.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. hardback, octavo, a very good tightly bound copy in a lightly shelf scuffed pictorial dust wrapper which has faded mildly to the spine, the text is clean and unmarked, b&w plates, xv + 150pp.

First Edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 142 pages : illustrations ; 19 cm. Subjects; Leonardo da Vinci 1452-1519. Battle of Anghiari. Vasari, Giorgio 1511-1574. Salone dei Cinquecento (Palazzo vecchio, Florence, Italy). Leonardo da Vinci 1452-1519; biography. 1 Kg.…

Brossura. Condition: new. English Text.Firenze, 2025; paperback, pp. 144, b/w ill., 16 col. plates, cm 24x17.(Storia dell'Arte. 9). If we were to ask Michelangelo why we look the way we do, he would answer that this is primarily due to the action of our soul upon our body. In other words, he would say that it is our soul, or the intellective part of it, that makes us human and organizes and beautifies our body accordingly. This essay shows how these beliefs come from a number of sources that were of upmost importance to the great sculptor, such as Plato and Aristotle, but also Dante, Petrarch, Girolamo Savonarola, Marsilio Ficino. After reviewing the rich tradition that led Michelangelo and most of his contemporaries to think that a man's soul can be "seen" in his body, the book turnes to the relevant beliefs of some more recent authors about some of whose ideas concerning the human soul Michelangelo is likely to have read or heard. In the end, we find a discussion of those famous works that most seem to evoke a sense of "soul" or "inner being" in viewers today. Libro.…

Trade Paperback. Condition: Very Good. Copyright © 1976 by Princeton University. 150 + xv + 34 pp. A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, spotlessly clean text, and light shelf wear. Light wear on cover page edges. The Meriden Gravure Company, Meriden, CT (Illustrations by) (illustrator).…

Condition: NEW.

Paperback. Condition: Brand New. illustrated edition. 160 pages. 9.25x6.00x1.00 inches. In Stock.

First Edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 142 pages : illustrations ; 19 cm. Subjects; Leonardo da Vinci 1452-1519. Battle of Anghiari. Vasari, Giorgio 1511-1574. Salone dei Cinquecento (Palazzo vecchio, Florence, Italy). Leonardo da Vinci 1452-1519; biography. 1 Kg.…

Paperback. Condition: New.

Brossura. Condition: fine. English Text. Prato, 2007; paperback, pp. 160, 8 b/w ill., cm 13x19. (The Florentine Press). For centuries the whereabouts of Leonardo da Vinci's masterwork mural of the Battle of Anghiari has been one of the art world's greatest mysteries. Leonardo worked on a painting in the Great Hall of Florence's Palazzo Vecchio for less than a year before abandoning it to pursue other commissions. The uncompleted fresco was reported to be deteriorating rapidly, and less than 50 years later, Giorgio Vasari was commissioned to cover Leonardo's unfinished work with new, large-scale battle scenes. Yet those who saw Leonardo's mural during its brief existence applauded it as his greatest work and commended it as a 'school for the world'. In a new book from The Florentine Press, Finding Leonardo: The Case for Recovering 'The Battle of Anghiari', art historian Rab Hatfield revisits historical data and scholarly analysis in light of new archival evidence and results from recent thermographic examinations to clarify the painting's exact location in the Palazzo Vecchio. Rather than submit his research to a scholarly journal, which was his original intent, Hatfield, a past Member of the Institute for Advanced Study at Princeton and former Fellow of Villa I Tatti, decided to publish with a fledgling popular press. Support from actor and art historian Peter Weller and The Friends of Florence, a nonprofit organization dedicated to restoration of the city's art treasures, made publication through The Florentine Press possible. In an essay for the general reader, Hatfield identifies the mural's location, posits its probable size and context, considers the possible existence of other work, and explores the complex issues of the painting's state and the viability of its recovery. He offers a section of detailed notes for the scholar. A professor at Syracuse University in Florence, Hatfield is also the author of The Wealth of Michelangelo and Botticelli's Uffizi "Adoration": A Study in Pictorial Content. He serves on the advisory commission of a major international project to search for the mural using non-invasive technology, a joint effort of the University of San Diego and the University of Florence. Explaining his decision to present his meticulous research in this unusual format, Hatfield noted that in the years it takes for an article to appear in a scholarly journal, the research project to determine its existence will be completed. He also wanted to make the information accessible to those beyond the art history community. Libro.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Octavo, 220 pages, illustrated with plates. A Very Good copy in a Very Good dust jacket.

Condition: new.

Condition: NEW.

Rilegato in Tela. Condition: new. English Text.Milano, 2014; clothbound, pp. VII-235, col. ill., cm 18x25. In this study Rab Hatfield provides a thorough, no-nonsense analysis of Leonardo da Vinci's Mona Lisa or La Gioconda. The book begins with a consideration of the generally known sources and documents and a careful look at the painting as we know it now. There follow discussions of rarely examined laboratory photographs and of a recently discovered annotation by Ser Agostino Vespucci in a book he owned of letters by Cicero, from which we learn that Leonardo left a portrait of "Lisa del Giocondo" unfinished no later than October 1503. The book concludes with a hitherto unknown letter written in 1515 by Filippo Strozzi to Lorenzo de' Medici, Captain General of the Florentine Armies and soon to become Duke of Urbino, describing some supposed advances these two men made to Mon(n)a Lisa. The laboratory photographs and newly discovered sources make it clear that the Mona Lisa has probably been reworked twice, that it in fact depicts Mon(n)a Lisa del Giocondo, and that it would be better if we spoke of it as La Gioconda rather than the Mona Lisa. Libro.…