Weinstock, David (113 results)

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Very Good. Very Good condition. 4th edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Condition: Good. Used book that is in clean, average condition without any missing pages.

Condition: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly!

Condition: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condition: Very Good. Limited Edition. Slight wear to covers. Solid uncracked binding and clean text. No ownership marks, ex-lib marks, stamps or stickers. Limited to 750 copies. ; Small 8vo 7½" - 8" tall; Unpaginated pages.

Newspaper. 16p, folded tabloid newspaper on newsprint, news, opinion, articles, events, ads, photos, services and resources, toned edges and folds. Cover story on Helen D. Weinstock and her time in Greenwich Village in 1936. Also above the fold story on NAMBLA crackdown. Interview with the editors of The Lesbian Poetry Anthology. Boston's LGBTQ newspaper which started in 1973. More political than entertainment.

Paperback. Condition: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Hardcover. Hebrew. Good.

Condition: New.

Condition: New. &Uumlber den AutorJeffrey Andrew Weinstock (Edited By) Jeffrey Andrew Weinstock is professor of English at Central Michigan University and an associate editor of the Journal for the Fantastic in the Arts. He h.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. Finalist, 2021 Bram Stoker Awards (Superior Achievement in Non-Fiction) The first collection of essays to address Satan's ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind's greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers' collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the "prince of darkness" merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system. From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary's Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation. Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe. Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O'Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock.

Hardcover. Condition: New.

Hardcover. Condition: Brand New. 1st edition. 336 pages. 8.00x5.00x1.00 inches. In Stock.

Hardcover. Condition: Good. Blue cloth, gold lettering, lightly rubbed. Computers; Ex-Library.

Condition: Very good plus. Archive of the Crucible Furniture Corporation's product photographs, internal documents, and marketing materials: a treasury of American furniture design. Weinstock's Crucible Corporation supplied seating to many iconic locations, including the 5th Avenue Revlon Salon, the Kennedy Airport, and San Francisco's Fairmount Hotel, among numerous other public buildings. As a supplier to architectural, institutional, and commercial interior designers for over 50 years, Crucible was a significant contributor to the 'look' of the public-facing 20th century: not only showpieces like the aforementioned lobbies and lounges, but the everyday stools, chairs, and tables of of theaters, classrooms, and restaurants; the shapes one sees and touches every day that form the greater shape of contemporary life. Born in Poland in 1924, Weinstock was most active in the 1940s through the 1970s, and by the later decades of his career was one of the last furniture designers and manufacturers remaining in New York City. This archive includes original product photographs, magnificently alone or staged on plush carpeting, set off by marble busts; sales brochures, design specs, advertising materials, clippings from industry publications (among them: Furniture Production Magazine's tech report on secret developments in Rigid Foam; an article on the special requirements of psychiatric ward design with photo credits to Crucible, alongside Herman Miller and Knoll); and advertisements featuring Weinstock or other Crucible personnel and products. A curious inclusion is one small notebook of design sketches followed by handwritten notes: various puns, quotations, and aphorisms, possibly intended for advertising use, along with a series of apparently original observations on city scenes and the passers-by who sooner or later would sit in a Crucible chair (e.g., "She wore her martyrdom & her goodness like jewelry (woman on a bus)"; "To the world he contributed nothing but demands & complaints"). A fascinating collection from a firm whose craftsmanship and conception of public space helped form the essential experience of waiting in comfort or anticipation, in liminal spaces; from gleaming white hotel lobby barrel chairs like cushioned bathtubs, to the vast connected rows of lecture hall seating, to the imperceptibly nervous-making lines of airport lounges: a smooth silhouette with a core of iron in the bustling heart of the city and the century. 12'' x 9'' (folders). Three original smooth white printed folders with CRUCIBLE printed to exterior; versos matte red. (1) contains: Several dozen items, including a stapled catalogue of public area multiple seating; hand-annotated design specs and full folded blueprints for a signature Crucible table; news articles and clippings from design industry publications; double-page advertisement for Republic Steel's Merchant Pig Iron, featuring Weinstock. (2) contains: Four leaves of chair design sketches on various company stationery; advertising mock-ups and logo design; small notebook of design sketches followed by handwritten notes; 16-page catalogue; [48] page catalogue, unbound but with three-hole punches to left side; additional loose pages of catalogue photography and specs. (3) contains: 42 original 8'' x 10'' glossy black and white photographs; 16 smaller original photographs of assorted sizes, one in color; and 7 additional 8'' x 10'' photographs with printed specs and Crucible logo, apparently intended for catalogue use. Photographer and/or designer names stamped on versos of some photos; pen or colored pencil notations on rectos and versos of several photos. Crucible employee Vera White's name written or printed on a significant number of documents throughout the collection. Contents in generally very good condition, with many photographs fine; wear and chipping to magazine pages; slight yellowing and general edgewear to documents throughout.