Abrams Robert Preface Introduction John (3 results)
- Hardcover
- First Edition
Seller: Aladdin Books, Fullerton, CA, U.S.A.Aladdin Books
Contact seller4-star sellerCondition: Used - Very good
US$ 49.99
US$ 8.95 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good+. 1st Edition. First two leaves have a diagonal crease across lower corner. Otherwise fine in fine dust jacket. No markings, no bookplate, no remainder marks. No jacket chips or tears.
- Hardcover
- First Edition
Seller: KULTURAs books, Los Angeles, CA, U.S.A.KULTURAs books
Contact seller4-star sellerCondition: Used - Fine
US$ 59.95
US$ 3.50 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition; First Printing. Hardcover in dust jacket. Oblong folio. Fourth printing of first edition. Book is crisp and clean in red cloth boards. One corner is very slightly bumped. Unclipped dust jacket is As New. Myriad illustrations in lush color. Definitive Disney…reference work. 319 pp. In protective Mylar. Heavy--will require additional postage if shipped priority or outside the U. S.
Treasures of Disney Animation Art
Rawls, Walton (ed.) (Preface by Robert E. Abrams; Introduction by John Canemaker)
Published by Abbeville Press Publishers; New York NY, 1982
Seller: lamdha books, Wentworth Falls, NSW, Australialamdha books
Contact seller5-star sellerCondition: Used
US$ 59.50
US$ 24.75 shippingShips from Australia to U.S.A.Quantity: 1 available
First edition, third printing: landscape folio; hardcover, with gilt spine titles and blind-stamped upper board decoration; 319pp., with many monochrome and colour illustrations. Minor wear. Dustwrapper mildly rubbed; now professionally protected by superior non-adhesive polypropylene film. Near fine. Postage quoted is for a sta…ndard format octavo book. Final charges may vary depending on size and weight. "Disney and his artists created. They incessantly criticized, analyzed, and strove for an even greater illusion of life. They entertained us and made us believe. In the final analysis, the Disney artists showed us what one young animator at the Studios succinctly pointed out - 'the real art in animation lies in what occurs between the drawings'. It was the consummate skill and dedication, the artistry and apparent ease with which the Disney artists' work invited our emotions and imaginations to leap into this gap between the frames that argued so strongly for this work to be seen in the light of this artistry. This book, then is an unabashed homage to these treasures of Disney animation art." - Robert E. Adams.
