Published by New Observations, New York, 1994
Seller: 246 Books, Seattle, WA, U.S.A.
First Edition
Pamphlet. Condition: Near fine. First Edition. NEW OBSERVATIOPNS 101: Copy CultureFeatures in this issue: "Introduction, Copy Culture: Barbarians in the Copy Shop" by Stephen Perkins and Lloyd Dunn; "Cultural Subversion " by Frank Moore; "Cheap Memes: Zines, Metazines, and the Virtual Press" by Mark Frauenfelder; "Plagiarism: The Truth in Doubling" by Mark Palmer. Other contributors include Vittore Baroni, Peggy Cyphers, Laurence Roberts, Dissemination Network, T.S. child, Al Ackerman, Reed Altemus, Knickerbocker, Piermario Ciani, Antonio Nelos, Franz John and Jean-François Robic. 31 pages. Paper with stiff cover. Near fine condition.
Language: German
Published by Kunstverein Freiburg 2000. 192 Seiten. Zahlreiche farbige Abbildungen. Sprache: deutsch. (Lager: R 1)., 2000
ISBN 10: 3922675379 ISBN 13: 9783922675372
Seller: Antiquariat Bernd Preßler, Ahnatal Weimar, Germany
Bibliotheksstempel, sonst tadellos. Softcover. Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.
Published by Sammlung Goetz, Munchen, 2005
Seller: Tavistock Books, ABAA, Reno, NV, U.S.A.
First Edition
Condition: Little wear, a Nr Fine copy. 1st Edition. 183, [1] pp. Text in German & English. Illustrated, primarily in color. 9-5/8" x 6-13/16" White composition binding with graphics in black, lettering in reddish-brown.
Published by Dirimart Yayinlari, Istanbul, 2017
Seller: Istanbul Books, Istanbul, Turkey
Condition: New. Ackermann, known for his passionate paintings and installations dealing with themes of travel, tourism, globalization, and urban life, is bringing together landscapes from cities that he spent extensive periods of time during the last three years at Dirimart Dolapdere, The artist transforms these cities, ranging from Miami to Istanbul to Mumbai, by analyzing the dramatic changes they undergo and translating his mental experiences of them into small-scale watercolors, large-scale oil paintings, and vast murals by thus becoming part of urban textures, he opens up areas to construct new spaces for himself. Ackermann describes this new space that is surrounded by images void of people as public space, inviting viewers in to complement the cities he painted to become a fundamental element of the exhibition and to reiterate the strong connection between the gallery space and the outside. Editors: Translator: pages.