Andrade Eugénio Pseudonym (6 results)

Folio (31.9 x 24.8 cm.), publisher's cloth with dustjacket. As new. (1 blank, 19 ll.), color illustrations on almost every leaf. *** First Portuguese Edition. A bilingual Spanish-Portuguese edition had appeared in Pamplona, 1988.Eugénio de Andrade, native of Póvoa de Atalaia, Fundão, a major Portuguese poet, translated into over twenty languages. Winner of all of Portugal's major literary prizes as well as some significant international ones, he was awarded the Prize of the International Association of Literary Critics (1986), Prémio D. Dinis da Fundação Casa de Mateus (1988), Grande Prémio de Poesia da Associação Portuguesa de Escritores (1989) the prestigious Prémio Camões (2001), France?s Prix Jean Malrieu (1989), and the 1996 European Prize for Poetry. He lived in Lisbon and Coimbra before settling in Porto, where he eventually created the Fundação Eugénio de Andrade. His poetry is most striking for the depth in his short poems. Marguerite Yourcenar has referred to ?the well-tempered clavier? of his poems, and Spanish critic and poet Ángel Crespo has written that ?his voice was born to baptize the world.? Eugénio de Andrade was not openly gay in the public sphere, although many of his poems contain homoerotic tones and themes, as noted by Portuguese literary critics. Eduardo Pitta alludes to this, and the problem of defining a genre of "literatura gay" in Portugal: ? [A] ?libertação? dos interditos do que a revolução de 1974, a ninguém espantará que a negação dos escritores gay seja uma attitude colectiva e peremptoria. Ora, sem escritores gay, não pode haver literatura gay. Tomemos como paradigma o caso de Eugénio de Andrade.? Eduardo Pitta, Fractura: A condição homossexual na literatura portuguesa contemporânea, Coimbra: Angelus Novus, 2003, p. 9. Further, in a journal published by the Universidade de Aveiro, Forma Breve: ?[E]xiste um certo silêncio, na imprensa e canais televisivos, acerca da orientação sexual do poeta Eugénio de Andrade (1923-2005), tornando essa faceta pouco conhecida ou incógnita junto do público. Os documentários Eugénio de Andrade, O Poeta, e Eugénio de Andrade, Rosto Precário, realizados por Jorge Campos para a RTP, e transmitidos em 6 de Novembro de 1993, não abordam a questão, apesar do seu pendor biográfico. É verdade que, num deles, Eduardo Lourenço menciona a afectividade do poeta, na esfera do masculino, mas trata-se de uma alusão tão vaga quanto passageira. Efectivamente, o homoerotismo escrito na poesia deste autor raras vezes é descrito nas páginas do ensaio académico.? (João de Mancelos, ?Love Flesh/Carne de Amor: Metáforas do homoerotismo em Walt Whitman e em Eugénio de Andrade? Forma Breve, 7, 2007, pp. 129-143, 130; emphasis is author's own). Also on the homoeroticism in António Botto and Eugénio de Andrade, see António Manuel Ferreira, ?Os poemas em prosa de Eugénio de Andrade? in Forma Breve, 2, 2004, pp. 59-70, 68.*** See Fernando Guimarães in Machado, ed., Dicionário de literatura portuguesa, pp. 34-5; Carlos Mendes de Sousa in Biblos, I, 264-71; and Dicionário cronológico de autores portugueses, V, 253-6.

8°, original printed wrappers, with publisher's "belt" containing a quote by Jorge de Sena. As new. Unopened. 156 pp., (6 ll.). *** FIRST EDITION. Two additional editions appeared in 2008. The poet Eugénio de Andrade, born in Póvoa de Atalaia, concelho do Fundão, lived in Lisbon and Coimbra before settling in Porto, where he eventually created the Fundação Eugénio de Andrade. His poetry is most striking for the depth in his short poems. *** See Fernando Guimarães in Machado, ed., Dicionário de literatura portuguesa, pp. 34-5; Carlos Mendes de Sousa in Biblos, I, 264-71; and Dicionário cronológico de autores portugueses, V, 253-6.

8°, original printed wrappers. First two leaves on orange paper. Title page and half title in orange and black. Final leaf solid orange. Recto of penultimate leaf in orange and black. Almost "as new". Author's signed and dated presentation inscription on half title: "Ao Urbano, // Ainda do hospital, // lembrança forte do // Eugénio // 15.10.2002". 78 pp., (8 ll., 1 blank l.). Full page illustration by Ângelo de Sousa on p. [2]. Portrait of the author by Jorge Martins on p. [5]. *** Seventh edition of this book of poems. First published Porto: Editorial Inova, 1974.Eugénio de Andrade (Fundão, Póvoa de Atalaia, 1923-Porto, 2005), was a Portuguese poet. He was influenced by António Botto in 1938, published his first book, Narciso, in 1940, and moved to Coimbra in 1943, where he interacted with Miguel Torga and Eduardo Lourenço. In 1947 he began a 35-year career as a public functionary, becoming Inspector Administrativo do Ministério da Saúde. Moving to Porto in 1950, he lived there for the rest of his life. He was the recipient of various awards and other honors, among which were the Prémio da Associação Internacional de Críticos Literários (1986), Prémio D. Dinis da Fundação Casa de Mateus (1988), Grande Prémio de Poesia da Associação Portuguesa de Escritores (1989) e Prémio Camões (2001). In 1982 he was made Grande-Oficial da Ordem Militar de Sant'Iago da Espada, and in 1989 he received the Grã-Cruz da Ordem do Mérito. In addition to dozens of volumes of poems, he has published several of prose, and at least eight volumes of translations, including four of García Lorca.Eugénio de Andrade was not openly gay in the public sphere, although many of his poems contain homoerotic tones and themes, as noted by Portuguese literary critics. Eduardo Pitta alludes to this, and the problem of defining a genre of "literatura gay" in Portugal: ? [A] ?libertação? dos interditos do que a revolução de 1974, a ninguém espantará que a negação dos escritores gay seja uma attitude colectiva e peremptoria. Ora, sem escritores gay, não pode haver literatura gay. Tomemos como paradigma o caso de Eugénio de Andrade.? Eduardo Pitta, Fractura: A condição homossexual na literatura portuguesa contemporânea, Coimbra: Angelus Novus, 2003, p. 9. Further, in a journal published by the Universidade de Aveiro, Forma Breve: ?[E]xiste um certo silêncio, na imprensa e canais televisivos, acerca da orientação sexual do poeta Eugénio de Andrade (1923-2005), tornando essa faceta pouco conhecida ou incógnita junto do público. Os documentários Eugénio de Andrade, O Poeta, e Eugénio de Andrade, Rosto Precário, realizados por Jorge Campos para a RTP, e transmitidos em 6 de Novembro de 1993, não abordam a questão, apesar do seu pendor biográfico. É verdade que, num deles, Eduardo Lourenço menciona a afectividade do poeta, na esfera do masculino, mas trata-se de uma alusão tão vaga quanto passageira. Efectivamente, o homoerotismo escrito na poesia deste autor raras vezes é descrito nas páginas do ensaio académico.? (João de Mancelos, ?Love Flesh/Carne de Amor: Metáforas do homoerotismo em Walt Whitman e em Eugénio de Andrade? Forma Breve, 7, 2007, pp. 129-143, 130; emphasis is author's own). Also on the homoeroticism in António Botto and Eugénio de Andrade, see António Manuel Ferreira, ?Os poemas em prosa de Eugénio de Andrade? in Forma Breve, 2, 2004, pp. 59-70, 68.Provenance: Urbano Tavares Rodrigues (Lisbon, 1923-Lisbon, 2013) grew up in Moura, in the Alentejo, in a family of large landowners, and eventually became a militant communist. He was a widely acclaimed and prolific author of fiction, researcher, essayist, literary critic, professor Catedrático jubilado at the Faculdade de Letras, Universidade de Lisboa, member of the Academia das Ciências de Lisboa, and recipient of many literary prizes. His earliest works were greatly influenced by existentialism, in particular following the literary model of Albert Camus. Simultaneously they display a certain Portuguese turn-of-the-century decadence, particularly influenced by Fialho de Almeida (especially obsessive evocations of the Alentejo), António Patrício and Manuel Teixeira Gomes, all of whom were discussed by Urbano Tavares Rodrigues in critical essays and later in his doctoral thesis. See Machado, Dicionário de literatura portuguesa, pp. 422-3; Cristina Robalo Cordeiro in Biblos, IV, 909-13; Dicionário cronológico de autores portugueses, V, 296-8; Jacinto Prado Coelho, ed., Dicionário de literatura (4th ed.), I, 203; II, 509; III, 954; Actualização, pp. 681-2.*** See Fernando Guimarães in Machado, ed., Dicionário de literatura portuguesa, pp. 34-5; Carlos Mendes de Sousa in Biblos, I, 264-71; and Dicionário cronológico de autores portugueses, V, 253-6.

8°, original green illustrated wrappers. Uncut and unopened. As new. Editor's signed presentation inscription in lower half of half title: "Ao Urbano, // este "Camões" muito // pouco ortodoxo, // e o [illeg.] abraço do // Eugenio A". Loosely inserted is an orange card (7 x 9.5 cm.) with "Jose da Cruz Santos" printed in black, with the ink manuscript message "Para Dr. Urbano Tavares Rodrigues, // e querido Amigo, // este modo "Camoniano" do [printed name of José da Cruz Santos] agradecer // a gentileza da lembrança da // "Estrada de Morrer", cujos // capítulos Agonia e Pregos // [continued on verso] são dada páginas mais belas, // que últimamente lhe tem // sido dado ler." 159, (1) pp., (1 blank l., 2 ll., 1 blank l., 6 ll., 1 l. advt., 1 blank l. with verso green), 6 plates, each with image on recto, solid green verso. *** FIRST EDITION. There are editions of Lisbon: Fundação Calouste Gulbenkian, 1977, Lisbon: Moraes Editores, 1977, Moraes Editores, 1978, and Porto: Campo das Letras, 1996.Eugénio de Andrade (Fundão, Póvoa de Atalaia, 1923-Porto, 2005), was a Portuguese poet. He was influenced by António Botto in 1938, published his first book, Narciso, in 1940, and moved to Coimbra in 1943, where he interacted with Miguel Torga and Eduardo Lourenço. In 1947 he began a 35-year career as a public functionary, becoming Inspector Administrativo do Ministério da Saúde. Moving to Porto in 1950, he lived there for the rest of his life. He was the recipient of various awards and other honors, among which were the Prémio da Associação Internacional de Críticos Literários (1986), Prémio D. Dinis da Fundação Casa de Mateus (1988), Grande Prémio de Poesia da Associação Portuguesa de Escritores (1989) e Prémio Camões (2001). In 1982 he was made Grande-Oficial da Ordem Militar de Sant'Iago da Espada, and in 1989 he received the Grã-Cruz da Ordem do Mérito. In addition to dozens of volumes of poems, he has published several of prose, and at least eight volumes of translations, including four of García Lorca.Eugénio de Andrade was not openly gay in the public sphere, although many of his poems contain homoerotic tones and themes, as noted by Portuguese literary critics. Eduardo Pitta alludes to this, and the problem of defining a genre of "literatura gay" in Portugal: ? [A] ?libertação? dos interditos do que a revolução de 1974, a ninguém espantará que a negação dos escritores gay seja uma attitude colectiva e peremptoria. Ora, sem escritores gay, não pode haver literatura gay. Tomemos como paradigm o caso de Eugénio de Andrade.? Eduardo Pitta, Fractura: A condição homossexual na literatura portuguesa contemporânea, Coimbra: Angelus Novus, 2003, p. 9. Further, in a journal published by the Universidade de Aveiro, Forma Breve: ?[E]xiste um certo silêncio, na imprensa e canais televisivos, acerca da orientação sexual do poeta Eugénio de Andrade (1923 -2005), tornando essa faceta pouco conhecida ou incógnita junto do público. Os documentários Eugénio de Andrade, O Poeta, e Eugénio de Andrade, Rosto Precário, realizados por Jorge Campos para a RTP, e transmitidos em 6 de Novembro de 1993, não abordam a questão, apesar do seu pendor biográfico. É verdade que, num deles, Eduardo Lourenço menciona a afectividade do poeta, na esfera do masculino, mas trata-se de uma alusão tão vaga quanto passageira. Efectivamente, o homoerotismo escrito na poesia deste autor raras vezes é descrito nas páginas do ensaio académico.? (João de Mancelos, ?Love Flesh/Carne de Amor: Metáforas do homoerotismo em Walt Whitman e em Eugénio de Andrade? Forma Breve, 7, 2007, pp. 129-143, 130; emphasis is author's own). Also on the homoeroticism in António Botto and Eugénio de Andrade, see António Manuel Ferreira, ?Os poemas em prosa de Eugénio de Andrade? in Forma Breve, 2, 2004, pp. 59-70, 68.Provenance: José da Cruz Santos, whose Editorial Inova was one of the most relevant publishers in Portugal during the 1970s, was sympathetic to the Portuguese Communist Party. Earlier he had worked for Porugália Editora in Lisbon from 1963; later he founded another important publishing house in Porto, Editora O Oiro do Dia.Urbano Tavares Rodrigues (Lisbon, 1923-Lisbon, 2013) grew up in Moura, in the Alentejo, in a family of large landowners, and eventually became a militant communist. He was a widely acclaimed and prolific author of fiction, researcher, essayist, literary critic, professor Catedrático jubilado at the Faculdade de Letras, Universidade de Lisboa, member of the Academia das Ciências de Lisboa, and recipient of many literary prizes. His earliest works were greatly influenced by existentialism, in particular following the literary model of Albert Camus. Simultaneously they display a certain Portuguese turn-of-the-century decadence, particularly influenced by Fialho de Almeida (especially obsessive evocations of the Alentejo), António Patrício and Manuel Teixeira Gomes, all of whom were discussed by Urbano Tavares Rodrigues in critical essays and later in his doctoral thesis. See Machado, Dicionário de literatura portuguesa, pp. 422-3; Cristina Robalo Cordeiro in Biblos, IV, 909-13; Dicionário cronológico de autores portugueses, V, 296-8; Jacinto Prado Coelho, ed., Dicionário de literatura (4th ed.), I, 203; II, 509; III, 954; Actualização, pp. 681-2.*** See Fernando Guimarães in Machado, ed., Dicionário de literatura portuguesa, pp. 34-5; Carlos Mendes de Sousa in Biblos, I, 264-71; and Dicionário cronológico de autores portugueses, V, 253-6.

8°, original printed wrappers (vertical crease mark from head to foot of spine). Title page and half title in green and black. Overall in very good condition. Internally unopened, as new. Author's signed presentation inscription below half title in green ink: "Ao Urbano, // um desejo // de bom Natal, // * e um abraço // do // Eugénio". Loosely inserted is a beige card (6.7 x 9.6 cm.) with the ink manuscript message "Com a muita admiração // e amizade // do [printed in black:] 'JOSÉ DA CRUZ SANTOS' // e votos de paz (autêntica) e alegria para o Novo Ano". 182 pp., (7 ll.), 8 leaves with full-page illustrations on rectos included in pagination, versos solid green with caption in black printed at foot. Fourth unnumbered supplementary leaf recto has "Catálogo de Edições Inova" printed in white on green background, with a view of Porto from Vila Nova de Gaia in white on green to the right, verso blank; followed by two leaves of the catalogue. The final leaf recto is a colophon, verso solid green; p. [1] is also solid green; p. [2] also blank. *** This second, augmented edition was published in December 1970. The first edition appeared in December 1968. There are also editions of 1974, 1979, 1997, and 2013.Among the topics of this collection of essays are Teixeira de Pascoaes, García Lorca, Rosalia de Castro, Ifigénia, Garcia de Resende, António Nobre, and Domingos Peres das Eiras. The illustrations are after Federico García Lorca, Manuel Ribeiro de Pavia, Ângelo de Sousa, Armando Alves, José Rodrigues, Manuel Pinto, Júlio Resende, and Manuel Cargaleiro. There is a bibliography on pp. 179-82.Eugénio de Andrade (Fundão, Póvoa de Atalaia, 1923-Porto, 2005), was a Portuguese poet. He was influenced by António Botto in 1938, published his first book, Narciso, in 1940, and moved to Coimbra in 1943, where he interacted with Miguel Torga and Eduardo Lourenço. In 1947 he began a 35-year career as a public functionary, becoming Inspector Administrativo do Ministério da Saúde. Moving to Porto in 1950, he lived there for the rest of his life. He was the recipient of various awards and other honors, among which were the Prémio da Associação Internacional de Críticos Literários (1986), Prémio D. Dinis da Fundação Casa de Mateus (1988), Grande Prémio de Poesia da Associação Portuguesa de Escritores (1989) e Prémio Camões (2001). In 1982 he was made Grande-Oficial da Ordem Militar de Sant'Iago da Espada, and in 1989 he received the Grã-Cruz da Ordem do Mérito. In addition to dozens of volumes of poems, he has published several of prose, and at least eight volumes of translations, including four of García Lorca.Eugénio de Andrade was not openly gay in the public sphere, although many of his poems contain homoerotic tones and themes, as noted by Portuguese literary critics. Eduardo Pitta alludes to this, and the problem of defining a genre of "literatura gay" in Portugal: ? [A] ?libertação? dos interditos do que a revolução de 1974, a ninguém espantará que a negação dos escritores gay seja uma attitude colectiva e peremptoria. Ora, sem escritores gay, não pode haver literatura gay. Tomemos como paradigma o caso de Eugénio de Andrade.? Eduardo Pitta, Fractura: A condição homossexual na literatura portuguesa contemporânea, Coimbra: Angelus Novus, 2003, p. 9. Further, in a journal published by the Universidade de Aveiro, Forma Breve: ?[E]xiste um certo silêncio, na imprensa e canais televisivos, acerca da orientação sexual do poeta Eugénio de Andrade (1923 -2005), tornando essa faceta pouco conhecida ou incógnita junto do público. Os documentários Eugénio de Andrade, O Poeta, e Eugénio de Andrade, Rosto Precário, realizados por Jorge Campos para a RTP, e transmitidos em 6 de Novembro de 1993, não abordam a questão, apesar do seu pendor biográfico. É verdade que, num deles, Eduardo Lourenço menciona a afectividade do poeta, na esfera do masculino, mas trata-se de uma alusão tão vaga quanto passageira. Efectivamente, o homoerotismo escrito na poesia deste autor raras vezes é descrito nas páginas do ensaio académico.? (João de Mancelos, ?Love Flesh/Carne de Amor: Metáforas do homoerotismo em Walt Whitman e em Eugénio de Andrade? Forma Breve, 7, 2007, pp. 129-143, 130; emphasis is author's own). Also on the homoeroticism in António Botto and Eugénio de Andrade, see António Manuel Ferreira, ?Os poemas em prosa de Eugénio de Andrade? in Forma Breve, 2, 2004, pp. 59-70, 68.Provenance: José da Cruz Santos, whose Editorial Inova was one of the most relevant publishers in Portugal during the 1970s, was sympathetic to the Portuguese Communist Party. Earlier he had worked for Portugália Editora in Lisbon from 1963; later he founded another important publishing house in Porto, Editora O Oiro do Dia.Urbano Tavares Rodrigues (Lisbon, 1923-Lisbon, 2013) grew up in Moura, in the Alentejo, in a family of large landowners, and eventually became a militant communist. He was a widely acclaimed and prolific author of fiction, researcher, essayist, literary critic, professor Catedrático jubilado at the Faculdade de Letras, Universidade de Lisboa, member of the Academia das Ciências de Lisboa, and recipient of many literary prizes. His earliest works were greatly influenced by existentialism, in particular following the literary model of Albert Camus. Simultaneously they display a certain Portuguese turn-of-the-century decadence, particularly influenced by Fialho de Almeida (especially obsessive evocations of the Alentejo), António Patrício and Manuel Teixeira Gomes, all of whom were discussed by Urbano Tavares Rodrigues in critical essays and later in his doctoral thesis. See Machado, Dicionário de literatura portuguesa, pp. 422-3; Cristina Robalo Cordeiro in Biblos, IV, 909-13; Dicionário cronológico de autores portugueses, V, 296-8; Jacinto Prado Coelho, ed., Dicionário de literatura (4th ed.), I, 203; II, 509; III, 954; Actualização, pp. 681-2.*** See Fernando Guimarães in Machado, ed., Dicionário de literatura portuguesa, pp. 34-5;

8°, original printed wrappers (some soiling to front cover). Title page in red and black. Toasted, but not brittle. Overall in good to very good condition. Author's signed and dated ("__50", i.e., 1950) five-line presentation inscription: "A João Villaret, // lembrança afectuosa // do amigo e admirador // Eugénio de Andrade // __50". 66 pp., (1 l.). *** FIRST EDITION of an early and fundamental work by Eugénio de Andrade (Póvoa de Atalaia, Fundão, 1923-Porto, 2005), a major Portuguese poet whose works have been translated into more than twenty languages. Of this work at least 20 subsequent editions have appeared. Andrade has won all of Portugal's major literary prizes and some significant international ones. He was awarded the Prize of the International Association of Literary Critics (1986), Prémio D. Dinis da Fundação Casa de Mateus (1988), Grande Prémio de Poesia da Associação Portuguesa de Escritores (1989) the prestigious Prémio Camões (2001), France?s Prix Jean Malrieu (1989), and the 1996 European Prize for Poetry. He lived in Lisbon and Coimbra before settling in Porto, where he eventually created the Fundação Eugénio de Andrade. His poetry is most striking for the depth in his short poems. Marguerite Yourcenar has referred to ?the well-tempered clavier? of his poems, and Spanish critic and poet Ángel Crespo has written that ?his voice was born to baptize the world.? Eugénio de Andrade was not openly gay in the public sphere, although many of his poems contain homoerotic tones and themes, as noted by Portuguese literary critics. Eduardo Pitta alludes to this, and the problem of defining a genre of "literatura gay" in Portugal: ? [A] ?libertação? dos interditos do que a revolução de 1974, a ninguém espantará que a negação dos escritores gay seja uma attitude colectiva e peremptoria. Ora, sem escritores gay, não pode haver literatura gay. Tomemos como paradigm o caso de Eugénio de Andrade.? Eduardo Pitta, Fractura: A condição homossexual na literatura portuguesa contemporânea, Coimbra: Angelus Novus, 2003, p. 9. Further, in a journal published by the Universidade de Aveiro, Forma Breve: ?[E]xiste um certo silêncio, na imprensa e canais televisivos, acerca da orientação sexual do poeta Eugénio de Andrade (1923 -2005), tornando essa faceta pouco conhecida ou incógnita junto do público. Os documentários Eugénio de Andrade, O Poeta, e Eugénio de Andrade, Rosto Precário, realizados por Jorge Campos para a RTP, e transmitidos em 6 de Novembro de 1993, não abordam a questão, apesar do seu pendor biográfico. É verdade que, num deles, Eduardo Lourenço menciona a afectividade do poeta, na esfera do masculino, mas trata-se de uma alusão tão vaga quanto passageira. Efectivamente, o homoerotismo escrito na poesia deste autor raras vezes é descrito nas páginas do ensaio académico.? (João de Mancelos, ?Love Flesh/Carne de Amor: Metáforas do homoerotismo em Walt Whitman e em Eugénio de Andrade? Forma Breve, 7, 2007, pp. 129-143, 130; emphasis is author's own). Also on the homoeroticism in António Botto and Eugénio de Andrade, see António Manuel Ferreira, ?Os poemas em prosa de Eugénio de Andrade? in Forma Breve, 2, 2004, pp. 59-70, 68.Provenance: The Portuguese actor João [Henrique Pereira] Villaret (Lisbon 1913-1961) appeared in O Pai Tirano, by António Lopes Ribeiro (1941); Inês de Castro, by Leitão de Barros (1945); Camões, by Leitão de Barros (1946); Três Espelhos, by Ladislao Vadja (1947); Frei Luís de Sousa, by António Lopes Ribeiro (1950); and O Primo Basílio, by António Lopes Ribeiro (1959).*** See Fernando Guimarães in Machado, ed., Dicionário de literatura portuguesa, pp. 34-5; Carlos Mendes de Sousa in Biblos, I, 264-71; and Dicionário cronológico de autores portugueses, V, 253-6. Porbase locates six copies: three in the Biblioteca Nacional de Portugal, two in the Fundação Calouste Gulbenkian, and one at the Faculdade de Letras-Universidade do Porto (only one is a presentation copy, in the Biblioteca Nacional de Portugal). Jisc cites British Library only.