Anne Bru (40 results)

- Softcover
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- Softcover
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Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

- Softcover
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- Softcover
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- Softcover
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Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

- Softcover
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Français, Première. Séries technologiques. Tout-en-un sur les oeuvres au programme du bac.
Goutaudier, Amélie; Arcemisbéhère, Rémy; Bauchet-Garreau, Anne-Claire; Bru, Marie-Henriette; Desormeaux, Constance; Freysselinard, Bénédicte; Le Breton, Agathe; Pichon, Agathe; Trouillet, Morgan; Collectif
- Softcover
Seller: LeLivreVert - envoi suivi, Eysines, FranceLeLivreVert - envoi suivi
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Condition: good. Photo non contractuelle. Envoi rapide et soigné.

- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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- Softcover
Seller: Solibri, Epone, FranceSolibri
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Condition: fine. petit format , très bon état. Optez pour nos livres d'occasion en très bon état, et soutenez l'insertion sociale et l'écologie en leur offrant une seconde vie,Coins abîmés. 75168-5 - Assurer la gestion opérationnelle BTS MCO 1re & 2e années: Bloc de compétences 3, Bru, Brigitte, 2019.
More imagesThe Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange
Sarah Posman; Anne Reverseau; David Ayers; Sascha Bru and Benedikt Hjartarson
- Hardcover
Seller: Lacey Books Ltd, Cirencester, United KingdomLacey Books Ltd
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Hardcover. Condition: Very Good. 2013 De Gruyter hardcover edition. Light reading wear else very good condition.

- Hardcover
Seller: Solr Books, Lincolnwood, IL, U.S.A.Solr Books
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Condition: very_good. This books is in Very good condition. There may be a few flaws like shelf wear and some light wear.

- Hardcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Aesthetics of Matter : Modernism, the Avant-Garde and Material Exchange
Posman, Sarah (EDT); Reverseau, Anne (EDT); Ayers, David (EDT); Bru, Sascha (EDT); Hjartarson, Benedikt (EDT)
- Hardcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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Condition: New.

- Hardcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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Condition: New. In.

Aesthetics of Matter : Modernism, the Avant-Garde and Material Exchange
Posman, Sarah (EDT); Reverseau, Anne (EDT); Ayers, David (EDT); Bru, Sascha (EDT); Hjartarson, Benedikt (EDT)
- Hardcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Aesthetics of Matter : Modernism, the Avant-Garde and Material Exchange
Posman, Sarah (EDT); Reverseau, Anne (EDT); Ayers, David (EDT); Bru, Sascha (EDT); Hjartarson, Benedikt (EDT)
- Hardcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condition: As New. Unread book in perfect condition.

- Hardcover
Seller: Brook Bookstore On Demand, Napoli, NA, ItalyBrook Bookstore On Demand
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Condition: new.

Aesthetics of Matter : Modernism, the Avant-Garde and Material Exchange
Posman, Sarah (EDT); Reverseau, Anne (EDT); Ayers, David (EDT); Bru, Sascha (EDT); Hjartarson, Benedikt (EDT)
- Hardcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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Condition: As New. Unread book in perfect condition.

- Hardcover
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Hardback. Condition: New. It has often been argued that the arrival of the early-2 th-century avant-gardes and modernisms coincided with an in-depth exploration of the materiality of art and writing. The European historical avant-gardes and modernisms excelled in their attempts to establish the specificity of media and art forms… as well as in experimenting with the hybridity of the materials of their multiple disciplines. This third volume of the series European Avant-Garde and Modernism Studies sheds light on the full range and import of this aspect in avant-garde and modernist aesthetics across all art forms and throughout the 9th and 2 th centuries. The book's contributions, written by experts from some 2 countries, seek to answer the following questions: What sort of objects and material, works and media help us to properly grasp the avant-garde and modernist "aesthetics of matter"? How were affects, emotions and sensory and bodily experiences transferred and transformed in the experiment with matter? How were "immaterial" things such as concepts of time changed in this aesthetic moment? What "material meanings" were disseminated in the cultural transfer and translation of objects? How did subsequent avant-gardes deal with the "aesthetics of matter" in their response to historical predecessors.

- Hardcover
Seller: Majestic Books, Hounslow, United KingdomMajestic Books
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Condition: New. pp. xii + 435 72 Figures.

- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Hardcover. Condition: Brand New. 435 pages. 9.50x6.50x1.25 inches. In Stock.

- Hardcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - It has often been argued that the arrival of the early-20th-century avant-gardes and modernisms coincided with an in-depth exploration of the materiality of art and writing. The European historical avant-gardes and modernisms excelled in their attempts to… establish the specificity of media and art forms as well as in experimenting with the hybridity of the materials of their multiple disciplines. This third volume of the series European Avant-Garde and Modernism Studies sheds light on the full range and import of this aspect in avant-garde and modernist aesthetics across all art forms and throughout the 19th and 20th centuries. The book's contributions, written by experts from some 20 countries, seek to answer the following questions: What sort of objects and material, works and media help us to properly grasp the avant-garde and modernist 'aesthetics of matter' How were affects, emotions and sensory and bodily experiences transferred and transformed in the experiment with matter How were 'immaterial' things such as concepts of time changed in this aesthetic moment What 'material meanings' were disseminated in the cultural transfer and translation of objects How did subsequent avant-gardes deal with the 'aesthetics of matter' in their response to historical predecessors ; Forschungsinitiativen zum Thema Avantgarde und Moderne nehmen in der europäischen Forschungslandschaft weiterhin zu. Die experimentellen Literaturen und die Künste in Europa zwischen ca. 1850 und 1950 und ihre Nachwirkungen sind als Lehr- und Forschungsbereiche an den europäischen Forschungsinstitutionen und in den Lehrplänen heutzutage nicht mehr wegzudenken. Avantgarde und Moderne haben sich in den letzten Jahrzehnten zu unterschiedlichen, aber mehrfach miteinander verzahnten Forschungsgebieten entwickelt. Innerhalb der französischen und deutschen akademischen Welt bleibt der Sammelbegriff 'modernism' weniger geläufig - 'die (klassische) Moderne' und 'modernité' fungieren hier als nahe liegende Äquivalente zu demjenigen, was im internationalen Kontext als eine zeitliche und räumliche Ko-Okkurenz künstlerischer Ausdrucksformen und ästhetischer Theorien namhaft gemacht werden kann, die ungefähr zwischen 1850 und 1950 angesiedelt werden kann. Auf ähnliche Weise entfaltet die Bezeichnung 'Avantgarde' eine Reihe häufig widersprüchlicher Konnotationen. Für manche bedeutet die Avantgarde den radikalsten experimentellen Bruch der Künste und Literaturen mit den Darstellungs- und Erzählkonventionen des 19. Jahrhundert: Im frühen zwanzigsten Jahrhundert zeugen davon Avantgardebewegungen wie Futurismus, Expressionismus, Dada und Surrealismus, d.h. Strömungen, die als die 'heroische' Phase der Avantgarde bezeichnet werden können. Für andere gehört die Avantgarde zu einer kulturellen und konzeptuellen Ordnung, die sich weitgehend von der 'modernistischen' unterscheidet oder sogar abhebt: Die avantgardistischen Experimente ab den fünfziger Jahren des zwanzigsten Jahrhunderts kommen in dieser Hinsicht weitgehend ohne modernistische Begleiterscheinung aus. Die Buchreihe Studien zur Europäischen Avantgarde und Moderne möchte der Kompliziertheit der unterschiedlichen europäischen Forschungstraditionen gerecht werden und strebt danach, die breite linguistische, terminologische und methodologische Vielfalt abzudecken. Anhand einer zweijährlichen Sammlung von Beiträgen in englischer, französischer und deutscher Sprache möchte die Reihe nicht nur die französisch-, deutsch- und englischsprachigen, sondern auch die nord-, süd-, zentral- und osteuropäischen Ergebnisse der Avantgarde- und Moderne-Forschung einbeziehen. Die Reihe sammelt die neuesten und ertragreichsten Beiträge zur Forschung und widmet sich der Erforschung der gesamten europäischen Avantgarde und Moderne, ihrer Vorläufer und ihrem Nachklang im Laufe des 19. und 20. Jahrhunderts. Die Studien zur Europäischen Avantgarde und Moderne fördern die interdisziplinäre und intermediale Erforschung experimenteller Ästhetiken und Poetiken und setzen es sich zum Ziel, das Interesse an den kulturellen Zusammenhängen und Kontexten der Avantgarde und der Moderne in Europa anzuregen. Beiträge werden internationalen Experten zur anonymen Begutachtung vorgelegt. Chefredakteure: Sascha Bru (Leuven University), David Ayers (University of Kent), Kate Kangaslahti (KU Leuven), Iveta Slavkova (The American University of Paris).Redaktionsausschuss: Jan Baetens (Universität Leuven), Hubert van den Berg (Universität Groningen), Benedikt Hjartarson (University of Iceland) und Tania Ørum (Universität Kopenhagen).Beratungsausschuss: Dawn Ades (University of Essex), Wolfgang Asholt (Universität Osnabrück), Karlheinz Barck (Zentrum für Literatur- und Kulturforschung Berlin), Henri Béhar (Paris III, Sorbonne nouvelle), Timothy O. Benson (LACMA), Günter Berghaus (University of Bristol), Stefano Boeri (Multiplicity & Università luav di Venezia), Endre Bojtár (Central European University, Budapest), Christina von Braun (Humboldt Universität zu Berlin), Peter Bürger (Universität Bremen), Matei Calinescu (University of Indiana), Claus Clüver (University of Indiana), Antoine Compagnon (Collège de France), Maria Delaperri.

- Hardcover
Seller: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condition: New. pp. xii + 435.

- Hardcover
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
Contact seller5-star sellerCondition: New
US$ 242.96
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Hardback. Condition: New. It has often been argued that the arrival of the early-2 th-century avant-gardes and modernisms coincided with an in-depth exploration of the materiality of art and writing. The European historical avant-gardes and modernisms excelled in their attempts to establish the specificity of media and art forms… as well as in experimenting with the hybridity of the materials of their multiple disciplines. This third volume of the series European Avant-Garde and Modernism Studies sheds light on the full range and import of this aspect in avant-garde and modernist aesthetics across all art forms and throughout the 9th and 2 th centuries. The book's contributions, written by experts from some 2 countries, seek to answer the following questions: What sort of objects and material, works and media help us to properly grasp the avant-garde and modernist "aesthetics of matter"? How were affects, emotions and sensory and bodily experiences transferred and transformed in the experiment with matter? How were "immaterial" things such as concepts of time changed in this aesthetic moment? What "material meanings" were disseminated in the cultural transfer and translation of objects? How did subsequent avant-gardes deal with the "aesthetics of matter" in their response to historical predecessors.

- Hardcover
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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US$ 294.04
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Condition: New. 2013. Hardback. . . . . .

- Hardcover
Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condition: New. 2013. Hardback. . . . . . Books ship from the US and Ireland.

Published by PIERRE FANLAC 1973
- Softcover
Condition: Used - Near fine
US$ 41.89
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Couverture souple. Condition: bon. R200066085: 1973. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 155 pages. Quelques illustrations ne noir et blanc, hors texte. . . . Classification Dewey : 848-Ecrits divers, citations, journaux intimes, souvenirs, mémoires.

- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Hardcover. Condition: Brand New. German language. 10.35x7.72x0.75 inches. In Stock.

- Softcover
Seller: Untje.com, Roeselare, BelgiumUntje.com
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US$ 59.63
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Paperback. Condition: Fine. Eigendomsmerk. Dutch.