Anouk Aimee (34 results)

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Soft cover. Condition: VG+. A VG or better pressbook with no cuts or missing pages. Size: 11" X 14". Book.

Soft cover. Condition: VG+. An original presskit that contains one supplement as well as ten 8 x 10 stills. Book.

No Binding. Condition: VG+. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

DVD. Condition: Neu. NB-2U16-MX41 Sprache: Französisch Gewicht in Gramm: 500.

No Binding. Condition: Very Good +. 5" x 7" B&W photo (on 8" x 11" bonded paper w/two folds) -- SIGNED below photo by French actress Anouk Aimee: "Best wished- Anouk Aimee". SIGNED ITEM.

Collection of nine vintage reference photographs from the 1969 film. With a mimeo snipe to the verso, along with a stamp noting production No. 69-148. A man's suspicion that his wife is moonlighting as a high-priced escort leads to the destruction of their relationship. Set and shot on location in Italy. 10 x 8 inches. Near Fine.

Final Script for the 1969 film. Originally set to be made by maverick director Joseph Strick, who actually did some location shooting in Tunisia. However, Strick ran into disagreements with Fox executives, and was replaced with George Cukor, who shot the remainder of the film in Hollywood. Set in Alexandria in 1938, a young British schoolmaster named Darley meets Pursewarden, a British consular officer. Pursewarden introduces him to Justine, the wife of an Egyptian banker. Darley befriends her, and discovers she is involved in a plot against the British, the goal of which is to arm the Jewish underground movement in Palestine. Partially shot on location at Ennejma Ezzahra, a palace at Sidi Bou Said, in Northern Tunisia. Blue titled wrappers, noted as Final on the front wrapper and production No. 842, dated July 2, 1968. Title page present, dated July 2, 1968, noted as Final, with credit for screenwriter Marcus. 152 leaves, mimeograph duplication, with blue and pink revision pages throughout, dated variously between 7-15-68 and 11-22-68. Pages Near Fine, wrapper Near Fine, internally bound with three gold brads.

Draft script for the 1962 film. Loosely based on the story of the destruction of Sodom and Gomorrah. Director Robert Aldrich's eleventh feature film, and one of the last epic adventure films to feature a soundtrack by Hungarian-American composer Miklós Rózsa. Black titled Studio Duplicating Service wrappers. Title page present, undated. 208 leaves, with last page of text numbered 202. Mimeograph duplication, rectos only, with yellow, pink, and blue revision pages throughout, dated variously between January 13 and March 3, 1961. Pages Near Fire, wrapper Near Fine, bound with two screw gold brads.

Seven vintage studio still photographs from the US release of the 1986 French film. Years after their affair, the titular man and woman meet again in order to reflect on their relationship, with the woman hoping to make a film about their experiences. Sequel to director Claude Lelouch's 1966 film "A Man and a Woman," and followed by "The Best Years of a Life" in 2019. 10 x 8 inches. Fine.

Vintage photograph of director Jean-Pierre Mocky behind a camera on the set of his 1959 directorial debut. Two young men wander around Paris attempting to pick up women. 6.75 x 5.5 inches. Near Fine.

Vintage oversize borderless double weight press photograph of Anouk Aimee from the 1960 film. With agency stamps on the verso. Fellini's most pivotal film, if not his finest. Unlike the more sentimental and abstract films that would follow, "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome, with Mastroianni, a jaded journalist at the center of the story, constantly surrounded by revelry, beautiful women, and a beautiful city, but no semblance of happiness or love. Winner of the Palme d'Or at The Cannes Film Festival and The Academy Award for Best Costume. Shot on location in Rome and Vatican City, Italy. 12 x 9.5 inches. Near Fine. Criterion Collection 733. Ebert I. Scorsese, My Voyage to Italy.

Four vintage photographs from the 1966 film. With agency stamps and manuscript annotations on the versos. Anne Gauthier (Anouk Aimee) and Jean-Louis Duroc (Jean-Louis Trintignant) meet as they drop their children off at boarding school. She works as a script supervisor and he as a race-car driver. They quickly become friends and as a romance starts to emerge they both reveal that each are widows, still experiencing the grief of their losses. Winner of The Palme d'Or and the OCIC Award at the Cannes Film Festival, also winner of two Academy Awards including Best Screenplay and Best Foreign Language Film. Nominated for two more. Shot on location in Paris, Deauville, and Saintes-Maries-de-la-Mer, France. 10 x 8 inches. Near Fine.

Pas de couverture. Condition: Bon. Rare - Authentic photo signed in person in Cannes in 1980. Size : 18x12.5 cm. Condition : to flatten a little, please see scans. Provenance : Georges Flour collection. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Pas de couverture. Condition: Bon. Rare - Photo de presse signée en personne à Cannes en 1980. Format : 18x12,5 cm. État : voir scans svp. Provenance : collection Georges Flour. Authenticité garantie. Signé par l'auteur.

Vintage reference photograph from the 1969 film. Anouk Aimee walks down a Rome street toward the camera, while director Sydney Lumet and crew look on. With a printed mimeo snipe on the verso. Lumet was nominated for a Palme d'Or at Cannes for the film, about a man who becomes suspicious that his new wife is really a high priced escort. Set and shot on location in Italy. 8 x 10 inches. Near Fine.

Vintage borderless double weight color reference photograph of director Robert Altman with Julia Roberts and Lyle Lovett on location at Roissy Airport (Charles de Gaulle Airport) for the 1994 film. French and English printed "Sipa Press" snipe and "Pica Pressfoto" label on verso. Altman's sardonic take on Paris Fashion Week featuring an enormous and star-studded ensemble cast of international actors, models, and designers. Set in and shot on location in Paris, France . 8 x 10 inches. Near Fine.

Vintage borderless reference photograph from the 1963 Italian film, showing Claudia Cardinale. Annotations in manuscript ink on the verso. Federico Fellini's avant-garde, autobiographical masterpiece, about an aging Italian director who begins to retreat into his memories and fantasies while attempting to make his latest film. Winner of the Academy Award for Best Foreign Language Film, and nominated for three other awards, including Best Original Screenplay and Best Director. Set and shot on location in Rome. 9.5 x 7.25 inches. Near Fine. Criterion Collection 140. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 15. Scorsese, My Voyage to Italy.

Two vintage borderless photographs from the 1969 film, including one reference photograph and one studio still. Director Jacques Demy's first English language film, recently a subject of renewed interest in two different documentaries about the Laurel Canyon music scene of the late 1960s. A young, discontented man in a dead-end relationship learns his draft notice has arrived and he is due to report for Army duty the following week. While out trying to raise money to keep his car from being repossessed, he sees, and becomes obsessed with, the beautiful Lola, an older French model who works in a "model shop" posing for photographers. Set and shot on location in Laurel Canyon, Los Angeles. One 9.75 x 8 inches, one 10 x 8 inches. Very Good plus, one with light toning to the bottom edge, the other with a short closed tear to the left edge, repaired with paper tape on the verso. Twilight Time 327.

Vintage oversize borderless reference photograph from the 1963 Italian film, showing director Federico Fellini capturing a scene with Marcello Mastroianni. Mimeo snipe on the verso, along with the copyright stamps of Lynx, NPS, and Roma Press Photo services, and a credit for photographer Velio Cioni. Fellini's avant-garde, autobiographical masterpiece, about an aging Italian director who begins to retreat into his memories and fantasies while attempting to make his latest film. Winner of the Academy Award for Best Foreign Language Film, and nominated for three other awards, including Best Original Screenplay and Best Director. Set and shot on location in Rome. 8.25 x 10.75 inches. Very Good plus, with moderate wear at the bottom right corner. Criterion Collection 140. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 15. Scorsese, My Voyage to Italy.

Vintage borderless reference photograph of director Jacques Demy with actors Gary Lockwood and Anouk Aimee on the set of the 1969 film. Demy's first English language film, recently a subject of renewed interest in two different documentaries about the Laurel Canyon music scene of the late 1960s. A young, discontented man in a dead-end relationship learns his draft notice has arrived and he is due to report for Army duty the following week. While out trying to raise money to keep his car from being repossessed, he sees, and becomes obsessed with, the beautiful Lola, an older French model who works in a "model shop" posing for photographers. Set and shot on location in Laurel Canyon, Los Angeles. 10 x 8.25 inches. Near Fine. Twilight Time 327.

Vintage oversize borderless reference photograph of Sidney Lumet, Anouk Aimee, and Omar Sharif taking a walk in between takes on the set of the 1969 film, with art director Piero Gherardi looking on in the background. With a mimeo snipe to the verso, along with the stamp of photographer Pierluigi Praturlon and manuscript annotations regarding layout. A man's suspicion that his wife is moonlighting as a high-priced escort leads to the destruction of their relationship. Set and shot on location in Italy. 11.75 x 9.5 inches. Near Fine.

Vintage borderless reference photograph from the 1963 Italian film, showing actress Claudia Cardinale. Director Federico Fellini's avant-garde, autobiographical masterpiece, about an aging Italian director who begins to retreat into his memories and fantasies while attempting to make his latest film. Winner of the Academy Award for Best Foreign Language Film, and nominated for three other awards, including Best Original Screenplay and Best Director. Set and shot on location in Rome. 9.5 x 7 inches. Near Fine. Criterion Collection 140. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 15. Scorsese, My Voyage to Italy.

Vintage oversize borderless double weight reference photograph of Anouk Aimee from the 1961 film. Provenance stamp of film scholar and author "Jean-Pierre Berthome," and provenance label of "de Selva - Tapabor," on verso. Jacques Demy's tribute to Max Ophuls, with title and character inspired by Josef von Sternberg's "Der Blaue Engel" (1930), starring Marlene Dietrich. Roland Cassard is a bored layabout until he has a chance encounter with Lola, a girl he dated in his teens before the war. Roland finds a renewed purpose in life, realizing he is still in love with Lola, now a cabaret dancer and mother who hopes her son's father, her true love, may still return. Shot on location in Nantes, France. 8.75 x 12 inches. Very Good plus with some edge and corner wear. Criterion Collection 714. Rosenbaum 1000.

Vintage borderless reference photograph from the set of the 1963 film, showing actor Marcello Mastroianni between takes, with a camera crew and scaffolding in the background. Federico Fellini's avant-garde, autobiographical masterpiece, about an aging Italian director who begins to retreat into his memories and fantasies while attempting to make his latest film. Winner of the Academy Award for Best Foreign Language Film, and nominated for three other awards, including Best Original Screenplay and Best Director. Set and shot on location in Rome. 7.25 x 9.5 inches. About Fine. Criterion Collection 140. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 15. Scorsese, My Voyage to Italy.

Four vintage borderless reference photographs from the 1960 film, all four showing actress Anita Ekberg. Federico Fellini's most pivotal film, if not his finest. Unlike the more sentimental and abstract films that would follow, "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome, with a jaded journalist at the center of the story, constantly surrounded by revelry, beautiful women, and a beautiful city, but no semblance of happiness or love. Winner of the Palme d'Or. Winner of one Academy Award and nominated for three others, including Best Director and Best Screenplay. Shot on location in Rome and Vatican City, Italy. 7 x 5 inches. Near Fine. Criterion Collection 733. Ebert I. Scorsese, My Voyage to Italy.

Two vintage borderless studio still photographs from the US release of the 1961 Italian film. Large Astor Release snipe on verso, one with "R.R. Stuart Collection" stamp on verso. Fellini's most pivotal film, if not his finest. Unlike the more sentimental and abstract films that would follow, "La Dolce Vita" is an unflinching 7-day journey through 1960s Rome, with Mastroianni, a jaded journalist at the center of the story, constantly surrounded by revelry, beautiful women, and a beautiful city, but no semblance of happiness or love. Winner of one Academy Award and nominated for three others, including Best Director and Best Screenplay. Winner of the Palme d'Or Shot on location in Rome and Vatican City, Italy. 8 x 10 inches. Near Fine. Criterion Collection 733. Ebert I. Scorsese, My Voyage to Italy.

Vintage oversize borderless reference photograph from the 1963 Italian film, showing director Federico Fellini talking with Claudia Cardinale, with crew members looking on in the background. Provenance stamp, stamp of photographer Paolo Costa, and annotations in manuscript ink and pencil on the verso. Fellini's avant-garde, autobiographical masterpiece, about an aging Italian director who begins to retreat into his memories and fantasies while attempting to make his latest film. Winner of the Academy Award for Best Foreign Language Film, and nominated for three other awards, including Best Original Screenplay and Best Director. Set and shot on location in Rome. Approximately 11 x 8.25 inches. Near Fine. Criterion Collection 140. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Schrader 15. Scorsese, My Voyage to Italy.

Three vintage borderless reference photographs from the set of the 1969 film. Provenance stamps of film scholar and author J. P. Berthome on versos of all three, and one with a National Film Archive stamp on the verso. Demy's first English language film, recently a subject of renewed interest in two different documentaries about the Laurel Canyon music scene of the late 1960s. A young, discontented man in a dead-end relationship learns his draft notice has arrived and he is due to report for Army duty the following week. While out trying to raise money to keep his car from being repossessed, he sees, and becomes obsessed with, the beautiful Lola, an older French model who works in a "model shop" posing for photographers. Set and shot on location in Laurel Canyon, Los Angeles, California. 8 x 10 inches. Near Fine. Twilight Time 327.

Original title card maquette hand lettered by Harold Adler for the 1969 film. Based on the "Alexandria Quartet" by Lawrence Durrell. Harold Adler was a calligrapher who created hand lettered titles on over 100 films, worked frequently with Alfred Hitchcock, and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "Justine" his credits include "Comanche!" (1956), "The Man with the Golden Arm" (1955), "The Seven Year Itch" (1955), "Carmen Jones" (1954), "Psycho" (1960), "The Birds" (1963), "In the Heat of the Night" (1967), and "Finian's Rainbow" (1969). In 2012, an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation, Kansas City. A young British schoolmaster and poet travels to Alexandria, where he meets Justine, the mysterious wife of a banker, whom he discovers is involved in a plot to arm the Jewish underground in Palestine. Shot, in part, on location in Tunisia. 17.25 x 11.5 inches. Black ink on white card stock, with tissue paper overlay. Near Fine, with light toning to the card edges. Manuscript annotations, one noting "original," to the tissue overlay and card.