Search preferences
Skip to main search results

Search filters

Product Type

  • All Product Types 
  • Books (1)
  • Magazines & Periodicals (No further results match this refinement)
  • Comics (No further results match this refinement)
  • Sheet Music (No further results match this refinement)
  • Art, Prints & Posters (No further results match this refinement)
  • Photographs (No further results match this refinement)
  • Maps (No further results match this refinement)
  • Manuscripts & Paper Collectibles (No further results match this refinement)

Condition Learn more

  • New (No further results match this refinement)
  • As New, Fine or Near Fine (No further results match this refinement)
  • Very Good or Good (No further results match this refinement)
  • Fair or Poor (No further results match this refinement)
  • As Described (1)

Binding

Collectible Attributes

Language (1)

Price

  • Any Price 
  • Under US$ 25 (No further results match this refinement)
  • US$ 25 to US$ 50 (No further results match this refinement)
  • Over US$ 50 
Custom price range (US$)

Free Shipping

  • Free Shipping to U.S.A. (No further results match this refinement)

Seller Location

  • Arno Kram / Eric Rinckhout

    Published by , MER - Borgerhoff & Lamberigts,

    Seller: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgium

    Association Member: ILAB

    Seller rating 5 out of 5 stars 5-star rating, Learn more about seller ratings

    Contact seller

    US$ 89.67

    US$ 45.85 shipping
    Ships from Belgium to U.S.A.

    Quantity: 1 available

    Add to basket

    softcover, 166 pag. *** met handgeschreven opdracht / gesigneerd door LUC Dondeyne. ISBN 9789463931144. Through his work, Luc Dondeyne offers us his view of the world. He gives us the opportunity to look together with him by showing us sometimes literally that he looks at the world through a lens. This looking together results in special and unusual compositions, such as portraits without face or with the face turned away, as well as people who are portrayed from the back. The spectator thus becomes part of the triangular relationship Dondeyne deliberately involves himself and ourselves in: the triangle between the artist as viewer, spectator and maker. Those looking at the works are in the middle of this triangle, and consequently they become part of the artist?s gaze and therefore also of the work. The intuition, imagination and inner wisdom with which the third eye or the sixth chakra fills us, may also open the gate to the collective memory, on which not only Dondeyne relies but also the spectator who looks at the artist?s works. Frequently, Dondeyne refers in his titles and images consciously or subconsciously to the history of art and culture. He invites us to open our own third eye and to join him to tap into his huge source of knowledge and associations that allows him to connect that which he sees through the third eye with that which he depicts thereof on the canvas or on paper, and with the spectator who contemplates the final result. 0 g.